Karajan: The Music, the Legend.

At the centenary of the birth of the conductor Herbert von Karajan various commemorations are occurring, an among them is the concise CD and DVD release by Deutsche Grammophon, with both discs bound into a booklet that includes a short prose tribute to the man illustrated with some well-chosen photographs from various parts of his career.

French Opera highlights on Classics for Pleasure

Consumers might opt for a highlights set instead of a full recording of an opera for many reasons.

THOMSON: The Plow that Broke the Plains

Naxos’s DVD division has already released the performances on this disc of Virgil Thomson’s scores for The Plow that Broke the Plains and The River, as soundtracks for a re-release…

Bruckner: Symphony no. 8 in C minor, WAB 108 (1890 [Second Version])

As difficult as it is to identify a single score as representative of its composer, Symphony no. 8 in C minor by Anton Bruckner is an essential work that may be regarded as the quintessence of his accomplishments in the form.

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience ìmoreî of what he believes the modern audience expects.

KUMMER: Cello Duets

If Friedrich August Kummer is not a household word in your home, no reason for concern ó he is one of the prolific Kleinmeistern of the post-Beethoven generation, a generation for which the cost of printing had dropped so much that it was financially possible for a composer to produce hundreds of published opuses.

Johann Sebastian Bach Cantatas [BWV 64, 151, 57 and 133]

This installment of John Eliot Gardinerís impressive Bach Cantata Pilgrimage comes from close to the end of his millennial Wanderjahr, presenting cantatas for Christmas week.

Serafin: Overtures and Preludes

Timeless values of great opera conducting fill this disc of overtures and preludes, all conducted by Tullio Serafin.

William Byrd. Laudibus in sanctis.

William Byrdís affinity for the Latin motet found various outlets.

HANSON: Merry Mount

A frequent complaint about contemporary operas — or most any after Puccini’s Turandot — is the lack of that memorable lyricism found in the standard repertory.