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03 Feb 2011
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01 Feb 2011
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25 Jan 2011
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14 Jan 2011
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12 Jan 2011
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12 Jan 2011
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10 Jan 2011
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07 Jan 2011
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03 Jan 2011
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03 Jan 2011
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02 Jan 2011
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31 Dec 2010
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28 Dec 2010
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27 Dec 2010
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26 Dec 2010
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25 Dec 2010
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23 Dec 2010
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22 Dec 2010
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21 Dec 2010
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21 Dec 2010
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21 Dec 2010
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21 Dec 2010
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19 Dec 2010
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17 Dec 2010
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15 Dec 2010
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13 Dec 2010
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12 Dec 2010
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11 Dec 2010
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08 Dec 2010
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07 Dec 2010
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06 Dec 2010
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06 Dec 2010
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06 Dec 2010
http://www.independent.co.uk/arts-entertainment/classical/reviews/piauroussettalens-lyriques-wigmore-hall-2152559.html »
05 Dec 2010
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03 Dec 2010
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02 Dec 2010
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02 Dec 2010
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01 Dec 2010
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01 Dec 2010
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30 Nov 2010
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29 Nov 2010
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28 Nov 2010
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28 Nov 2010
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28 Nov 2010
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28 Nov 2010
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26 Nov 2010
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26 Nov 2010
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25 Nov 2010
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23 Nov 2010
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22 Nov 2010
http://www.guardian.co.uk/music/tomserviceblog/2010/nov/22/vivaldi-attic-lost-manuscripts-found »
21 Nov 2010
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18 Nov 2010
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18 Nov 2010
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18 Nov 2010
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18 Nov 2010
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17 Nov 2010
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17 Nov 2010
http://www.washingtonpost.com/wp-dyn/content/article/2010/11/16/AR2010111606859.html »
12 Nov 2010
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12 Nov 2010
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12 Nov 2010
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11 Nov 2010
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10 Nov 2010
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10 Nov 2010
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08 Nov 2010
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08 Nov 2010
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08 Nov 2010
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07 Nov 2010
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07 Nov 2010
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07 Nov 2010
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06 Nov 2010
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01 Nov 2010
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01 Nov 2010
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31 Oct 2010
http://www.guardian.co.uk/music/2010/oct/31/marriage-of-figaro-scottish-opera-review »
31 Oct 2010
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30 Oct 2010
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29 Oct 2010
http://www.ft.com/cms/s/2/820eb3c6-e2e0-11df-9735-00144feabdc0.html »
28 Oct 2010
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28 Oct 2010
http://voices.washingtonpost.com/the-classical-beat/2010/10/ladies_first_muhlys_dark_siste.html »
26 Oct 2010
http://www.nytimes.com/2010/10/27/arts/music/27opera.html »
19 Oct 2010
http://www.ft.com/cms/s/2/b6012056-db97-11df-a1df-00144feabdc0.html »
11 Oct 2010
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11 Oct 2010
http://www.latimes.com/entertainment/news/music/la-et-dudamel-domingo-20101011,0,3004423.story »
11 Oct 2010
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09 Oct 2010
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08 Oct 2010
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07 Oct 2010
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07 Oct 2010
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27 Sep 2010
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27 Sep 2010
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25 Sep 2010
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24 Sep 2010
http://www.theglobeandmail.com/news/arts/music/robert-lepage-brings-wagner-to-new-york/article1723458/ »
24 Sep 2010
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23 Sep 2010
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22 Sep 2010
http://www.guardian.co.uk/music/2010/sep/22/the-makropulos-case-review »
22 Sep 2010
http://www.ft.com/cms/s/2/9c2cc52a-c65e-11df-9cda-00144feab49a.html »
20 Sep 2010
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20 Sep 2010
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20 Sep 2010
http://www.washingtonpost.com/wp-dyn/content/article/2010/09/19/AR2010091904311.html »
20 Sep 2010
http://www.telegraph.co.uk/culture/music/opera/8014259/Fidelio-Welsh-National-Opera-In-the-Penal-Colony-Music-Theatre-Wales-review.html »
16 Sep 2010
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15 Sep 2010
http://www.nytimes.com/2010/09/16/arts/16iht-loomis16.html »
15 Sep 2010
http://www.nytimes.com/2010/09/19/arts/music/19ring.html »
14 Sep 2010
http://www.ft.com/cms/s/2/aed191c8-c010-11df-b77d-00144feab49a.html »
14 Sep 2010
http://opera.broadwayworld.com/article/Les_Contes_Hoffmann_Returns_To_The_Met_Thru_1019_20100914 »
14 Sep 2010
http://www.guardian.co.uk/music/2010/sep/14/karita-mattila-review »
14 Sep 2010
http://www.guardian.co.uk/music/2010/sep/14/royal-opera-japan-tour-diary »
14 Sep 2010
http://www.nytimes.com/2010/09/15/arts/music/15opera.html »
13 Sep 2010
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12 Sep 2010
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12 Sep 2010
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12 Sep 2010
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10 Sep 2010
http://www.nytimes.com/2010/09/12/arts/music/12tommasini.html »
10 Sep 2010
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10 Sep 2010
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08 Sep 2010
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07 Sep 2010
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06 Sep 2010
http://www.bbc.co.uk/news/entertainment-arts-11196729 »
05 Sep 2010
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03 Sep 2010
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02 Sep 2010
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02 Sep 2010
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02 Sep 2010
http://gambit.blogs.nytimes.com/2010/09/02/mathematicians-musicians-and-chess-masters/ »
01 Sep 2010
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31 Aug 2010
http://www.heraldscotland.com/comment/herald-letters/letters-special-tuesday-31-august-2010-1.1051645 »
30 Aug 2010
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30 Aug 2010
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29 Aug 2010
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29 Aug 2010
http://www.guardian.co.uk/music/2010/aug/29/proms-mark-anthony-turnage-edinburgh »
29 Aug 2010
http://www.boston.com/ae/music/articles/2010/08/29/alban_berg_the_focus_of_the_21st_annual_bard_music_festival/ »
28 Aug 2010
http://www.pr.com/press-release/258353 »
28 Aug 2010
http://www.mercurynews.com/breaking-news/ci_15894366?nclick_check=1 »
27 Aug 2010
http://www.ft.com/cms/s/2/749b8c4e-b169-11df-b899-00144feabdc0.html »
27 Aug 2010
http://www.guardian.co.uk/commentisfree/2010/aug/27/social-divisions-elitism-elgar-culture »
27 Aug 2010
http://www.independent.co.uk/arts-entertainment/classical/features/how-we-learned-to-start-worrying-and-love-mahler-2062962.html »
27 Aug 2010
http://www.bbc.co.uk/news/entertainment-arts-11109346 »
26 Aug 2010
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26 Aug 2010
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26 Aug 2010
http://www.nytimes.com/2010/08/29/arts/music/29chant.html?_r=1&ref=music »
26 Aug 2010
http://www.guardian.co.uk/culture/2010/aug/26/the-sixteen-christophers-edinburgh-review »
25 Aug 2010
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25 Aug 2010
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24 Aug 2010
http://www.guardian.co.uk/culture/2010/aug/24/les-enfants-terribles-review »
24 Aug 2010
http://www.nytimes.com/2010/08/25/arts/25iht-loomis25.html »
24 Aug 2010
http://www.gramophone.co.uk/features/focus/the-future-of-listening-will-be-an-all-you-eat-formula »
23 Aug 2010
http://www.ft.com/cms/s/2/4a57b7cc-aed1-11df-8e45-00144feabdc0.html »
23 Aug 2010
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23 Aug 2010
http://www.guardian.co.uk/music/2010/aug/23/katharina-wagner-bayreuth »
22 Aug 2010
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22 Aug 2010
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20 Aug 2010
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20 Aug 2010
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19 Aug 2010
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18 Aug 2010
http://weblogs.baltimoresun.com/entertainment/classicalmusic/2010/08/more_critics_weigh_in_on_the_r.html »
17 Aug 2010
http://www.ft.com/cms/s/2/5db49aac-aa16-11df-9367-00144feabdc0.html »
17 Aug 2010
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16 Aug 2010
http://www.operatoday.com/documents/BoxOfficeOpening.pdf »
16 Aug 2010
http://www.theaustralian.com.au/news/arts/opera-goes-in-search-of-fresh-talent/story-e6frg8n6-1225905582325 »
16 Aug 2010
http://www.suntimes.com/entertainment/music/2601604,CST-FTR-muti16.article »
15 Aug 2010
http://www.stltoday.com/entertainment/music/article_5bcc9db2-c851-5ff8-80bf-b105960f3b46.html »
14 Aug 2010
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14 Aug 2010
http://www.guardian.co.uk/theguardian/2010/aug/14/unthinkable-mid-opera-clapping-editorial »
13 Aug 2010
http://www.washingtonexaminer.com/lifestyle/Families-get-to-go-Behind-the-Curtain-at-Wolf-Trap-470804-100665934.html »
12 Aug 2010
http://www.ft.com/cms/s/2/af1398de-a620-11df-9cb9-00144feabdc0.html »
12 Aug 2010
http://www.nytimes.com/2010/08/15/arts/music/15wagner.html?_r=1&ref=music »
10 Aug 2010
http://www.ft.com/cms/s/2/c5730178-a495-11df-8c9f-00144feabdc0.html »
09 Aug 2010
http://blog.cnycafemomus.com/2010/08/12/august-9-glimmerglass-opera-the-marriage-of-figaro.aspx »
08 Aug 2010
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/08/08/DDUP1ER020.DTL »
06 Aug 2010
http://www.nytimes.com/2010/08/07/arts/music/07wagner.html?_r=1&ref=music »
06 Aug 2010
http://www.ft.com/cms/s/2/cab124fc-a0ea-11df-badd-00144feabdc0.html »
05 Aug 2010
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03 Aug 2010
http://blog.cnycafemomus.com/2010/08/06/august-3-glimmerglass-opera-tosca.aspx »
02 Aug 2010
http://www.guardian.co.uk/music/2010/aug/02/rakes-progress-cox-hockney-glyndebourne/print »
02 Aug 2010
http://www.ft.com/cms/s/2/45783b40-9e4c-11df-a5a4-00144feab49a.html »
25 Jul 2010
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22 Jul 2010
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22 Jul 2010
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21 Jul 2010
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18 Jul 2010
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24 Jun 2010
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23 Jun 2010
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23 Jun 2010
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17 Jun 2010
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17 Jun 2010
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17 Jun 2010
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17 Jun 2010
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15 Jun 2010
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12 Jun 2010
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09 Jun 2010
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08 Jun 2010
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08 Jun 2010
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05 Jun 2010
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02 Jun 2010
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01 Jun 2010
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31 May 2010
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29 May 2010
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27 May 2010
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27 May 2010
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26 May 2010
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26 May 2010
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23 May 2010
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23 May 2010
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23 May 2010
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23 May 2010
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23 May 2010
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21 May 2010
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21 May 2010
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21 May 2010
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20 May 2010
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20 May 2010
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18 May 2010
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10 May 2010
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10 May 2010
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10 May 2010
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07 May 2010
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27 Apr 2010
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26 Apr 2010
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26 Apr 2010
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20 Apr 2010
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20 Apr 2010
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20 Apr 2010
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16 Apr 2010
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14 Apr 2010
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13 Apr 2010
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12 Apr 2010
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11 Apr 2010
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10 Apr 2010
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07 Apr 2010
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07 Apr 2010
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06 Apr 2010
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06 Apr 2010
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04 Apr 2010
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03 Apr 2010
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02 Apr 2010
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31 Mar 2010
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31 Mar 2010
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30 Mar 2010
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30 Mar 2010
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29 Mar 2010
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15 Mar 2010
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09 Mar 2010
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08 Mar 2010
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07 Feb 2010
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30 Jan 2010
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30 Jan 2010
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28 Jan 2010
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25 Jan 2010
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25 Jan 2010
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24 Jan 2010
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22 Jan 2010
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21 Jan 2010
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21 Jan 2010
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20 Jan 2010
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19 Jan 2010
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18 Jan 2010
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14 Jan 2010
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13 Jan 2010
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07 Jan 2010
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03 Jan 2010
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31 Dec 2009
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30 Dec 2009
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18 Dec 2009
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18 Dec 2009
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11 Dec 2009
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03 Dec 2009
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03 Dec 2009
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30 Nov 2009
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30 Nov 2009
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29 Nov 2009
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27 Nov 2009
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26 Nov 2009
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25 Nov 2009
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24 Nov 2009
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22 Nov 2009
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22 Nov 2009
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15 Nov 2009
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14 Nov 2009
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13 Nov 2009
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04 Nov 2009
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20 Oct 2009
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19 Oct 2009
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10 Nov 2008
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10 Nov 2008
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10 Nov 2008
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06 Nov 2008
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06 Nov 2008
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06 Nov 2008
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02 Nov 2008
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02 Nov 2008
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30 Oct 2008
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30 Oct 2008
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28 Oct 2008
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28 Oct 2008
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28 Oct 2008
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27 Oct 2008
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27 Oct 2008
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26 Oct 2008
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26 Oct 2008
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26 Oct 2008
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24 Oct 2008
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24 Oct 2008
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23 Oct 2008
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23 Oct 2008
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22 Oct 2008
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22 Oct 2008
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22 Oct 2008
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21 Oct 2008
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21 Oct 2008
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21 Oct 2008
By George Loomis [Int'l Herald Tribune, 21 October 2008] BREMEN, Germany: History has assured that politics are inextricably bound up with the artistic output of Richard Wagner, but only one of his operas focuses on a political leader. The title... »
21 Oct 2008
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21 Oct 2008
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21 Oct 2008
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21 Oct 2008
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21 Oct 2008
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21 Oct 2008
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21 Oct 2008
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01 Oct 2008
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30 Sep 2008
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30 Sep 2008
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30 Sep 2008
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23 Sep 2008
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23 Sep 2008
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23 Sep 2008
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22 Sep 2008
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19 Sep 2008
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18 Sep 2008
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17 Sep 2008
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16 Sep 2008
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15 Sep 2008
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15 Sep 2008
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15 Sep 2008
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15 Sep 2008
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15 Sep 2008
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15 Sep 2008
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15 Sep 2008
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08 Sep 2008
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02 Sep 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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18 Aug 2008
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14 Aug 2008
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14 Aug 2008
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14 Aug 2008
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14 Aug 2008
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14 Aug 2008
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14 Aug 2008
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12 Aug 2008
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12 Aug 2008
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12 Aug 2008
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12 Aug 2008
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12 Aug 2008
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12 Aug 2008
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08 Aug 2008
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31 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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29 Jul 2008
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20 Jul 2008
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20 Jul 2008
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20 Jul 2008
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20 Jul 2008
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20 Jul 2008
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15 Jul 2008
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15 Jul 2008
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15 Jul 2008
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15 Jul 2008
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13 Jul 2008
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13 Jul 2008
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09 Jul 2008
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08 Jul 2008
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06 Jul 2008
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06 Jul 2008
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06 Jul 2008
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06 Jul 2008
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23 Jun 2008
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23 Jun 2008
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23 Jun 2008
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19 Jun 2008
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19 Jun 2008
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19 Jun 2008
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17 Jun 2008
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17 Jun 2008
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17 Jun 2008
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17 Jun 2008
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17 Jun 2008
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08 Jun 2008
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08 Jun 2008
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08 Jun 2008
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05 Jun 2008
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04 Jun 2008
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04 Jun 2008
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04 Jun 2008
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04 Jun 2008
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29 May 2008
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29 May 2008
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29 May 2008
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29 May 2008
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28 May 2008
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28 May 2008
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28 May 2008
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27 May 2008
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27 May 2008
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27 May 2008
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27 May 2008
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27 May 2008
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20 May 2008
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20 May 2008
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20 May 2008
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20 May 2008
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18 May 2008
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18 May 2008
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07 May 2008
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07 May 2008
[7 May 2008] (Media-Newswire.com) - PHILADELPHIA –- Carolyn Abbate, who ranks among the world’s foremost musicologists, has been appointed the Christopher H. Browne Distinguished Professor of Music at the University of Pennsylvania, effective July 1. Abbate comes to Penn from... »
07 May 2008
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22 Apr 2008
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22 Apr 2008
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18 Apr 2008
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18 Apr 2008
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11 Apr 2008
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11 Apr 2008
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06 Apr 2008
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06 Apr 2008
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06 Apr 2008
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30 Mar 2008
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30 Mar 2008
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30 Mar 2008
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30 Mar 2008
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30 Mar 2008
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23 Mar 2008
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23 Mar 2008
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23 Mar 2008
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23 Mar 2008
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17 Mar 2008
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17 Mar 2008
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17 Mar 2008
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17 Mar 2008
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05 Mar 2008
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05 Mar 2008
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05 Mar 2008
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03 Mar 2008
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03 Mar 2008
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03 Mar 2008
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03 Mar 2008
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03 Mar 2008
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03 Mar 2008
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03 Mar 2008
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22 Feb 2008
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22 Feb 2008
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22 Feb 2008
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20 Feb 2008
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20 Feb 2008
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20 Feb 2008
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20 Feb 2008
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20 Feb 2008
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20 Feb 2008
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11 Feb 2008
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11 Feb 2008
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11 Feb 2008
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11 Feb 2008
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06 Feb 2008
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06 Feb 2008
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06 Feb 2008
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05 Feb 2008
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03 Feb 2008
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29 Jan 2008
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27 Jan 2008
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27 Jan 2008
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27 Jan 2008
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25 Jan 2008
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24 Jan 2008
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22 Jan 2008
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20 Jan 2008
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20 Jan 2008
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20 Jan 2008
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18 Jan 2008
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18 Jan 2008
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18 Jan 2008
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14 Jan 2008
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14 Jan 2008
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10 Jan 2008
WILHELM SINKOVICZ [Die Presse, 10 January 2008] Lokalaugenschein in Pressburg, wo das Nationaltheater für Verdi, Donizetti & Co. noch Regie statt Regietheater bietet und Stimmen zu entdecken sind. „Wiens drittes Opernhaus“, prangt die Werbung. Tatsächlich pilgern etliche Wiener Opernfreunde gern... »
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10 Jan 2008
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10 Jan 2008
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30 Dec 2007
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27 Dec 2007
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27 Dec 2007
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27 Dec 2007
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27 Dec 2007
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27 Dec 2007
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27 Dec 2007
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16 Dec 2007
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14 Dec 2007
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14 Dec 2007
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12 Dec 2007
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12 Dec 2007
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12 Dec 2007
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11 Dec 2007
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11 Dec 2007
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11 Dec 2007
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11 Dec 2007
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11 Dec 2007
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06 Dec 2007
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06 Dec 2007
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05 Dec 2007
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05 Dec 2007
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05 Dec 2007
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05 Dec 2007
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05 Dec 2007
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05 Dec 2007
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05 Dec 2007
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04 Dec 2007
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04 Dec 2007
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04 Dec 2007
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04 Dec 2007
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04 Dec 2007
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04 Dec 2007
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19 Nov 2007
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19 Nov 2007
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19 Nov 2007
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15 Nov 2007
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15 Nov 2007
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15 Nov 2007
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15 Nov 2007
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11 Nov 2007
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11 Nov 2007
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By SCOTT CANTRELL [Dallas Morning News, 10 November 2007] It would be a pleasure to report that the Dallas Opera has begun its second half-century with a triumph, but, well, ahem, shuffle, mumble ... The production of Verdi's Macbeth that... »
11 Nov 2007
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11 Nov 2007
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02 Nov 2007
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29 Oct 2007
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29 Oct 2007
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29 Oct 2007
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22 Oct 2007
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21 Oct 2007
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21 Oct 2007
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21 Oct 2007
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18 Oct 2007
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16 Oct 2007
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15 Oct 2007
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15 Oct 2007
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07 Oct 2007
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07 Oct 2007
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07 Oct 2007
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07 Oct 2007
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07 Oct 2007
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07 Oct 2007
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19 Sep 2007
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19 Sep 2007
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19 Sep 2007
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19 Sep 2007
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12 Sep 2007
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12 Sep 2007
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10 Sep 2007
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07 Sep 2007
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07 Sep 2007
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04 Sep 2007
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02 Sep 2007
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25 May 2007
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17 May 2007
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27 Mar 2007
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(Photo by Terrence McCarthy) By Allan Ulrich [Financial Times, 11 September 2006] Regime change in operatic duchies is never smooth, but need it always look and sound so wrenching? The first full season of David Gockley’s tenure as the San... »
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11 Nov 2005
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http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/09/12/DDGAJELIGP1.DTL&type=performance »
13 Sep 2005
http://www.nj.com/entertainment/ledger/index.ssf?/base/entertainment-0/1126588213160930.xml&coll=1 »
13 Sep 2005
http://www.nzherald.co.nz/category/story.cfm?c_id=18&ObjectID=10345393 »
13 Sep 2005
http://www.nysun.com/article/19926 »
13 Sep 2005
http://www.musicomh.com/comment/autumn-concerts-2005_0905.htm »
13 Sep 2005
http://enjoyment.independent.co.uk/music/reviews/article312364.ece »
08 Sep 2005
Season to include world premiere of Saariaho's Adriana Mater L'Opera de Paris has announced its 2005-2006 season. It will begin on 9 September with Antonin Dvorak's Rusalka. This will be followed by Mozart's Cosi fan tutte and a new production,... »
08 Sep 2005
http://www.budapestsun.com/full_story.asp?ArticleId=%7BE7C4DDC5E540432690A5D9DE90CD1BA1%7D&From=Style »
07 Sep 2005
http://www.theage.com.au/news/arts/frau-young-takes-hamburg/2005/09/04/1125772405206.html »
05 Sep 2005
http://www.diepresse.com/Artikel.aspx?channel=k&ressort=k&id=504303 »
29 Aug 2005
http://news.ft.com/cms/s/7b2889a6-1829-11da-a14b-00000e2511c8.html »
29 Aug 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/29/bmbrewer29.xml »
29 Aug 2005
http://www.wams.de/data/2005/08/28/766533.html »
29 Aug 2005
http://www.welt.de/data/2005/08/29/767085.html »
26 Aug 2005
http://news.ft.com/cms/s/ac687fc0-15cd-11da-8085-00000e2511c8.html »
24 Aug 2005
http://www.lne.es/secciones/noticia.jsp?pIdNoticia=321076&pIdSeccion=35&pNumEjemplar=1010 »
24 Aug 2005
http://www.zeit.de/2005/34/Masaaki_Suzuki »
24 Aug 2005
http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=501560 »
23 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1554371,00.html »
22 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1553696,00.html »
22 Aug 2005
http://www.elcomerciodigital.com/pg050821/prensa/noticias/Sociedad/200508/21/GIJ-SOC-120.html »
21 Aug 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/20/bmweek20.xml&sSheet=/arts/2005/08/20/ixartleft.html »
21 Aug 2005
http://www.nysun.com/article/18876 »
20 Aug 2005
http://www.guardian.co.uk/arts/features/story/0,11710,1552655,00.html »
20 Aug 2005
http://www.thestandard.com.hk/stdn/std/Weekend/GH20Jp05.html »
20 Aug 2005
http://news.ft.com/cms/s/7b50f154-104d-11da-bd5c-00000e2511c8.html »
19 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1551110,00.html »
19 Aug 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/18/bmfranz18.xml&sSheet=/arts/2005/08/18/ixartright.html »
19 Aug 2005
http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1551527,00.html »
18 Aug 2005
http://www.nysun.com/article/18725 »
18 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1550550,00.html »
18 Aug 2005
http://www.theaustralian.news.com.au/common/story_page/0,5744,16295766%255E16947,00.html »
17 Aug 2005
http://www.wz-newsline.de/sro.php?redid=90772 »
16 Aug 2005
http://www.lefigaro.fr/culture/20050816.FIG0086.html?093816 »
16 Aug 2005
http://www.newyorker.com/critics/music/?050822crmu_music »
16 Aug 2005
http://www.nysun.com/article/18640 »
16 Aug 2005
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/16/DDG2JE781S1.DTL »
12 Aug 2005
http://news.ft.com/cms/s/a23a269a-0acc-11da-aa9b-00000e2511c8.html »
11 Aug 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/11/bmhart11.xml&sSheet=/arts/2005/08/11/ixartleft.html »
11 Aug 2005
http://news.ft.com/cms/s/03f689d8-093c-11da-880b-00000e2511c8.html »
10 Aug 2005
http://www.theage.com.au/news/reviews/vivaldi-dixit-dominus/2005/08/09/1123353312408.html »
10 Aug 2005
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/10/bacol10.xml&sSheet=/arts/2005/08/10/ixartright.html »
10 Aug 2005
http://news.ft.com/cms/s/80e72116-093a-11da-880b-00000e2511c8.html »
09 Aug 2005
http://www.lefigaro.fr/culture/20050809.FIG0140.html?091809 »
09 Aug 2005
http://www.syracuse.com/entertainment/poststandard/index.ssf?/base/entertainment-0/112357669848680.xml&coll=1 »
09 Aug 2005
http://seattlepi.nwsource.com/classical/235708_ring09q.html »
09 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1541990,00.html »
07 Aug 2005
http://news.ft.com/cms/s/38aaa7c4-054d-11da-97da-00000e2511c8.html »
05 Aug 2005
http://www.bloomberg.com/apps/news?pid=10000088&sid=aTMZwiVgOs8c&refer=culture »
05 Aug 2005
http://www.suntimes.com/output/entertainment/cst-ftr-grant05.html »
05 Aug 2005
http://www.guardian.co.uk/arts/reviews/story/0,11712,1541186,00.html »
03 Aug 2005
Main stage of Wiener Staatsoper undergoing decennial renovations. (Photo: Gary Hoffman)... »
03 Aug 2005
http://news.ft.com/cms/s/f251707a-040a-11da-a775-00000e2511c8.html »
03 Aug 2005
http://online.wsj.com/article/0,,SB112302089510903059,00.html?mod=opinion&ojcontent=otep »
02 Aug 2005
http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,419883.html »
02 Aug 2005
http://www.nytimes.com/2005/08/02/arts/music/02moza.html »
15 Jul 2005
http://www.houstongrandopera.org/press/press_releases.aspx?PressReleaseID=115 »
14 Jul 2005
http://actualidad.terra.es/cultura/articulo/liceu_turandot_puccini_402344.htm »
14 Jul 2005
http://www.stuttgarter-nachrichten.de/stn/page/detail.php/954710 »
13 Jul 2005
http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=494355 »
13 Jul 2005
http://news.ft.com/cms/s/8fe829ec-f271-11d9-8e69-00000e2511c8.html »
12 Jul 2005
http://www.operatoday.com/documents/Motezuma.pdf »
12 Jul 2005
http://www.sing-akademie.de/20050711.htm »
11 Jul 2005
http://www.rp-online.de/public/article/dtoday/news/aktuell/97673 »
04 Jul 2005
Ouvert vendredi soir par l’Alcina de Haendel, le festival de Beaune, qui accueille la crème des ensembles baroques jusqu’à la fin du mois, fait événement samedi avec la création française du Don Chisciotte signé, en 1719 à Vienne, par le Florentin Francesco Bartolomeo Conti, virtuose du théorbe et compositeur attitré de la cour de Charles-VI de Habsbourg. Le chef et musicologue René Jacobs a découvert cette partition il y a quinze ans, et l’a déjà donnée à Innsbruck il y a douze ans, dans des décors de Roland Topor. Il fait le point sur la version du concert qu’il dirige dans la cour des Hospices de Beaune, prélude à une nouvelle production au festival d’Innsbruck en août. »
04 Jul 2005
http://edition.cnn.com/2005/BUSINESS/07/01/boardroom.hall »
26 Jun 2005
http://www.sptimesrussia.com/archive/times/1081/features/a_16107.htm »
26 Jun 2005
Wo sie auftritt, bezaubert sie das Publikum. So auch das Münchner Opernpublikum und unsere Leser, die Diana Damrau in diesem Jahr den Merkur-Theaterpreis zugesprochen haben. Eine Sängerin der Extraklasse. Auch ohne gigantische Vermarktungsmaschinerie hat sich die Günzburgerin an die internationale Spitze gesungen. »
26 Jun 2005
http://www.nytimes.com/2005/06/26/arts/music/26lips.html »
24 Jun 2005
http://www.nytimes.com/2005/06/24/arts/dance/24sara.html »
24 Jun 2005
http://www.csmonitor.com/2005/0624/p12s02-almp.html »
19 Jun 2005
http://www.bbc.co.uk/mediaselector/check/broadband/mediawrapper/consoles/wales_singer05?redirect=console.shtml&nbram=1&bbram=1 »
19 Jun 2005
http://www.nytimes.com/2005/06/19/arts/music/19gure.html »
16 Jun 2005
When David Gockley became business manager at the Houston Grand Opera in 1970, the company, like most regional troupes in the U.S. at the time, was doing “instant opera.” “There was a guy in north Jersey who had acquired all these old painted drops from Europe,” Mr. Gockley recalls. “He would rent out a generic ‘Tosca’ or ‘Trovatore.’ They came in bags — you stretched the drops on frames.” There was no rehearsal period — singers arrived, performed and left. Mr. Gockley became HGO’s general director in 1972 and immediately changed all that. One of his first productions was “The Marriage of Figaro,” with specially designed sets, a director, and a three-week rehearsal period. “We had a nice cast, including the young Frederica von Stade as Cherubino,” says Mr. Gockley. It cost more than instant opera, but it paid off. »
14 Jun 2005
ROTTERDAM, the Netherlands, June 12 – Antonio Vivaldi returned to his hometown, Venice, early in 1733, eager to reclaim his place as the Venetian republic’s most popular composer. During his five-year absence, younger Naples-trained musicians had come to the fore with their own “dramas with music,” but now, at 55, Vivaldi was ready to take them on with a daringly modern opera inspired by Hernán Cortés’s conquest of the Aztecs. »
13 Jun 2005
Sie war begabt und privilegiert wie ihr Bruder Felix Mendelssohn-Bartholdy. Sie schuf in ihrem kurzen Leben weit über 400 Werke. Die Universität der Künste feiert nun den 200. Geburtstag von Fanny Hensel-Mendelssohn. »
12 Jun 2005
Selbst Giuseppe Verdi hat nie eine Realisierung seiner Vertonung von Schillers “Don Carlos” in ihrer Gesamtheit erleben dürfen. Bereits vor der Generalprobe zur Uraufführung in Paris musste er aus banalem Grund – die Gäste sollten die nächtlichen Züge noch erreichen – Teile seines Werkes streichen, vor der Premiere setzte er noch einmal der Rotstift an. »
12 Jun 2005
AN early-music festival might not seem the likeliest place to witness a world premiere. But that is what the audience at the Cutler Majestic Theater on the campus of Emerson College will do this week when, after a 295-year delay, the Boston Early Music Festival presents the first fully staged production of the opera “Boris Goudenow, or The Throne Attained Through Cunning, or Honor Joined Happily With Affection,” by the German Baroque composer Johann Mattheson. »
11 Jun 2005
Banned in Ireland. The phrase still has some weight, at a time when talking about banning anything is to align yourself with dogmatic mullahs and evangelists. It’s hard to imagine how Brian Merriman, living in an Irish hamlet in the late 18th century, managed to write a literary work shocking enough to be untouchable for nearly two centuries. But the satiric bite of his 1,000-line Gaelic poem The Midnight Court is still something to wonder at, and thanks to Toronto’s Queen of Puddings Music Theatre, something to sing about as well. »
07 Jun 2005
BERLIN (AFP) – Des partitions jusqu’ici inédites des compositeurs allemands Jean-Sébastien Bach (1685-1750) et Georg Friedrich Händel (1685-1750) ont été découvertes dans des archives à Weimar et Munich, selon les archives de Bavière et de la Fondation Bach. »
05 Jun 2005
Every few decades, audio formats change, and libraries rebuild their music collections. We’ve gone from 78s to LPs, then from LPs to CDs. While CDs stand to be produced for quite some time, it’s not clear how long large library CD collections—with many recordings going back to the mid-1980s—will last. Today, the format shift is on again as librarians attempt to offer patrons what they really want: online audio. »
04 Jun 2005
Before he jets off to take the lead in John Adams’s new opera, Gerald Finley faces a challenge nearer home. He talks to Rupert Christiansen »
29 May 2005
Edward G. Wallace Jr., an oilman, has observed and supported the arts in Houston for several decades.
His great passion is opera, especially bel canto opera. »
28 May 2005
Alberto Vilar, a hotshot millionaire money manager and the Metropolitan Opera’s largest benefactor, was hauled before a federal judge yesterday on charges he stole $5 million from a client — and then used part of the money to make a donation to his alma mater. »
28 May 2005
Most people go to the opera to see the show. In Buenos Aires, many go just to see the opera house.
Recently refurbished, the Teatro Colon offers guided tours through what is one of the world’s truly great houses of music. These tours are a hot attraction, especially for the tourists flooding the Argentine capital these days, where the dollar still has muscle. The tours are in Spanish, English, Portuguese and other languages. »
28 May 2005
What makes Valery Gergiev run? When the announcement came last week that he was to take over from Sir Colin Davis as principal conductor of the London Symphony Orchestra, it was obvious what the LSO got from the deal. It confirmed them as one of the world’s leading orchestras, able to attract (Sir Simon Rattle possibly excepted) the most talented and charismatic conductor of his generation. For Gergiev, however, it was just another high-profile post to add to his already prodigious workload. »
28 May 2005
Una ópera bufa sobre Don Quijote, escrita hace 180 años, ha sido redescubierta en España el año del IV Centenario de la obra que la inspiró y posiblemente sea reestrenada, afirmó a EFE el director musical Juan de Udaeta. »
26 May 2005
Having successfully completed the transition since William Lyne’s retirement, Paul Kildea has decided to concentrate on his freelance career as a conductor. Over the past two years Paul has combined his musical career with his artistic role at Wigmore Hall, devoting nine months of the year to planning and attending the Hall’s concerts and the remainder to his own performing »
26 May 2005
Die Festspielzeit beginnt. Besonders liebevoll programmiert ist das Schubert-Festival im zauberhaften Ambiente von Steyr. Intendantin Elke Albrecht setzte zur Eröffnung auf Musik, die Schubert in Steyr oder für Auftraggeber aus der Stadt geschrieben hat. Ergebnis: eine rechte Schubertiade. Wann hört man schon Klaviersonaten, Lieder und Kammermusik in sinnvoller Abfolge nebeneinander? Ellen van Lier war sogar bereit, den Lieder-Teil des Konzerts in der Schlossgalerie unterbrechen zu lassen, um vor der Aufführung des “Forellenquintetts” noch das entsprechende Lied zu singen. »
26 May 2005
Tuesday, May 24, 2005 – Comparing Maximilian Schell to one of those purportedly extinct jungle species makes perfect sense. Those who have never observed Schell working will be forgiven doubting the continued existence of such a creature. And those who have are unlikely ever to forget it. »
26 May 2005
Could the conducting volcano that is Valery Gergiev be quieting down, at least in the near future?
The London Symphony Orchestra announced yesterday that Mr. Gergiev will become its principal conductor in January 2007. Mr. Gergiev, famous for his intensely busy schedule, comes to the end of two major commitments the following season. »
22 May 2005
More than a thousand previously unknown letters, said to have been written by the legendary tenor Enrico Caruso, are to be made available to the public next month, according to a report published yesterday. »
19 May 2005
Soon after meeting opera diva Marilyn Horne before his big performance, Justin D. Gonzalez told her to spare him nothing.
“Tear me to shreds. Do me the honor,” the 17-year-old Philadelphia high school senior invited before taking the stage Tuesday night at the Academy of Vocal Arts for his “master class” performance. »
19 May 2005
For May Festival music director James Conlon, this season is all about old friends. The starry May Festival season, a two-week, five-concert festival opening tonight, includes a return of two of opera’s most celebrated singers, Deborah Voigt and Ben Heppner, with whom Conlon has worked since the early 1990s. »
17 May 2005
Sunday was Mirella Freni Day at the Metropolitan Opera. Fifty years ago, the Italian soprano made her operatic debut, and 40 years ago, she made her Met debut. The company celebrated these facts with a gala on Sunday afternoon, a fairly emotional show featuring six singers, plus Miss Freni herself. »
17 May 2005
Une page se tourne. Demain, à Bercy, la tournée d’adieux entreprise depuis quelques mois par Luciano Pavarotti permettra au public français d’entendre une dernière fois le tenorissimo. A une encablure de son soixante-dixième anniversaire, «Big Luciano», en choisissant de se retirer, clôt l’un des plus glorieux chapitres de l’histoire de l’opéra. Celui qui a grandi à Modène en buvant le lait de la même nourrice que Mirella Freni (leurs mères, collègues à la manufacture de tabac, ne pouvaient allaiter), avait pourtant de quoi être paralysé par l’enjeu : au moment où il fit ses débuts de ténor, la place était occupée par Corelli, del Monaco, di Stefano et Bergonzi ! Après ses débuts dans La Bohème à Reggio Emilia en 1961 (Rodolphe restera toujours l’un de ses rôles fétiches), les choses semblent s’emballer : il remplace di Stefano à Covent Garden en 1962, chante le Requiem de Verdi avec Karajan en 1964, débute à la Scala en 1965 et au Met en 1968. »
13 May 2005
Glyndebourne and Bayreuth are the world’s two highest-profile private opera companies. Both are run by third-generation descendants of the founder. Each showcases the talents of well-known singers, conductors and directors. From the visionary template laid down by their founders, they have developed into complex modern organisms employing hundreds of people. Yet their character is defined by family: for these are still family businesses – the Christies at Glyndebourne, the Wagners at Bayreuth. »
12 May 2005
ROW Entertainment Income Fund, the Canadian firm that owns the 100-unit CD Plus retail chain, has signed a definitive agreement to acquire Koch Entertainment for about $80 million. ROW also owns wholesalers Record On wheels, Zing Distribution and Video One. »
12 May 2005
Opera North triumphed over the Royal Opera House in the opera and music theatre category with Eight Little Greats, its series of short, rarely-staged operas. »
07 May 2005
The ad campaign for the L.A. Opera’s upcoming Der Rosenkavalier has generated a lot of talk. Downtown artist Gottfried Helnwein, who is designing the production’s costumes and sets, also came up with the poster — using two models, a little makeup, and the power of suggestion. »
05 May 2005
PARIS For all the poison and politics that accompanied the recent management meltdown at La Scala, Stéphane Lissner never hesitated last month when he was invited to become the first non-Italian in 227 years to run the legendary Milan opera house. Before accepting the job, though, he did call one old friend, the French composer and conductor Pierre Boulez. »
03 May 2005
Plunged in the deep waters of a serious opera career, Angela Brown is ready for the challenge. “It happened when it needed to…it’s God’s time; any earlier I wouldn’t be prepared.” After her pivotal substitution as Aida for the Metropolitan this fall, more companies and directors are taking notice. She now takes on the role of Cilla in Richard Danielpour’s Margaret Garner, premiering at the Michigan Opera Theater this May. Brown admits the increase in attention has been an adjustment, but her full schedule is old hat. “I have always been a very busy singer,” says Brown, “I’ve been concentrating on covering [roles] a lot, but now I get to really do it!” »
01 May 2005
Pope Benedict XVI is a pianist with a penchant for Mozart, which he is said to find more manageable than Brahms, given the limited amount of time he has to practice. (Until his election, he was one of the busiest cardinals in his role as chief interpreter and enforcer of doctrine.) His brother, a priest, was a church Kapellmeister. The Ratzinger boys were born in the part of Bavaria long under the influence of Salzburg, Mozart’s birthplace. »
28 Apr 2005
Peering out onto Broad Street from a poster in front of the Academy of Music, conductor Corrado Rovaris seems too young to be so intense. At almost 40, his face is boyish, his hairline unreceded. But the eyes behind the glasses are penetrating. »
26 Apr 2005
Here is a list of courses and workshops at NEC this summer that relate to singing and voice training. »
26 Apr 2005
Opera North is on sparkling form right now – but how will it cope with its forthcoming period of homelessness? Rupert Christiansen meets its inspirational music director Richard Farnes »
25 Apr 2005
How do composers famous in their younger days for radicalism look to the future of their art and reputation as they reach their 80th birthday? Paris in the past few days has been witness to hints of how a baton change might occur for two eminent seniors of music, Frenchman Pierre Boulez and German Hans Werner Henze. »
24 Apr 2005
WITH the cost of recording operas in a studio now almost prohibitive, we are witnessing a boom time for opera on DVD. Opera buffs can hardly keep pace with the number of releases in the last year. And in June alone, Universal Classics plans to put out 18 complete operas on DVD, most of them reissues of productions originally taped and released on video. »
24 Apr 2005
Le metteur en scène et le vidéaste américains présentent Tristan et Isolde, à l’Opéra Bastille. Ils révèlent les étapes de cette collaboration inédite »
22 Apr 2005
MILANO – Il neo sovrintendente Mauro Meli lascia la carica al Teatro alla Scala e abbandona anche l’opportunità di guidare il teatro degli Arcimboldi. La scelta comunicata nel corso del consiglio d’amministrazione della Fondazione a cui ha partecipato anche il prefetto di Milano Bruno Ferrante. Vengono quindi confermate le dimissioni che già erano nell’aria da giorni. La decisione segue di venti giorni le dimissioni del maestro Riccardo Muti, direttore musicale del teatro. »
18 Apr 2005
Monsieur Mortier ist nervös. Gleich will Isabelle Huppert anrufen. Frankreichs Vorzeige-Actrice möchte eine Karte für seine Oper. Und Ehrengäste sind für den Intendanten Chefsache. So wie alles andere eigentlich auch. Die Fotos fürs Programmheft, der Zug im Schnürboden und die Versammlung der Gewerkschaft. Jetzt, wenn die Huppert anruft, macht er einen Bückling, sagt “oui” und “bien sur”. Gérard Mortier ist ein Mann mit hervorragenden Manieren. Und ein Netzwerker. Er weiß: Wenn die Huppert morgen kommt, ist übermorgen ganz Frankreich bei ihm zu Gast. Sein Auftrag ist es, den protzigen Glaspalast an der Pariser Bastille jeden Abend mit 3000 Menschen zu füllen. »
18 Apr 2005
The Santa Fe debut of famed Swedish mezzo-soprano Anne Sofie von Otter, the U.S. premiere of an acclaimed British opera and a gala operatic concert are highlights of the Santa Fe Opera’s 50th anniversary season next year, general director Richard Gaddes announced Thursday. »
17 Apr 2005
REALITY changes; myths endure. For more than a century, the Metropolitan Opera has been synonymous with superstardom, so much so that no opera singer’s claim on immortality has been secure without seasons of glory at the Met. »
09 Apr 2005
Saddam Hussein has a lot to answer for but his unlikeliest legacy will be unveiled at the Arts Centre next week – a new production of Verdi’s first successful opera, Nabucco. The key to this interpretation is a poster that the Iraqi tyrant unveiled in his final year in power portraying himself as the ancient Babylonian ruler Nebuchadnezzar (Nabucco in the opera, sung by baritone Michael Lewis). »
08 Apr 2005
Few tears will be shed for Riccardo Muti, who resigned last Saturday from La Scala, Milan, the opera house he has conducted with a baton of iron for the last 19 years. That’s quite long enough for anyone to be in the same job, and Muti’s prestige means that he can take his pick of offers from the international circuit — except perhaps Covent Garden, which is still smarting at his peremptory withdrawal from last October’s production of La Forza del Destino, apparently in protest over the insignificant alteration of a piece of scenery. »
07 Apr 2005
“Ein Affront, eine Beleidigung dieses Hauses und des Publikums, aber auch der Künstler” – so kommentierte Staatsoperndirektor Ioan Holender die Absage der Übertragung von Donizettis “Liebestrank” mit den Stars Anna Netrebko und Rolando Villazón durch den ORF. Holender hatte gegen die späte Sendezeit im Pfingstsamstags-Programm des ORF (Beginn 22.35h) protestiert und gefragt, ob die mit Netrebko geplante Übertragung der kommenden Salzburger Festspiel-”Traviata” auch zu so später Stunde gezeigt werden würde. ORF-Programmdirektor Scolik nahm daraufhin die “Liebestrank”-Sendung überhaupt aus dem Sende-Programm. »
05 Apr 2005
Not all operas are grand, full-blown theatrical events. There are many smaller, more intimate works, some called salon operas, meant to be performed, as the name implies, in intimate surroundings. Most of these smaller operas are far less well known than their super-size relations. »
03 Apr 2005
Die Musiker der Scala hatten ihren Chefdirigenten zuletzt mehrfach aufgefordert, das Haus zu verlassen. Muti sprach in seiner Rücktrittserklärung von einer “mir gegenüber offen zur Schau getragenen Feindseligkeit seitens Menschen, mit denen ich mehr als zwanzig Jahre zusammengearbeitet habe. Das macht eine Fortsetzung meiner Tätigkeit unmöglich.” »
03 Apr 2005
The escalating artistic arms race between London’s two rival opera houses, Covent Garden and the Coliseum, reached a new level of threat this weekend. »
03 Apr 2005
Depuis plusieurs mois, le climat est tendu au ballet de l’Opéra de Bordeaux. Il pourrait l’être davantage après la comparution, jeudi 31 mars, de son directeur et chorégraphe, Charles Jude, devant le tribunal correctionnel de Bordeaux, pour harcèlement moral. Cet ancien danseur étoile de l’Opéra de Paris, âgé de 51 ans, élève de Noureev, est poursuivi par Hélène Ballon, danseuse de 33 ans, soliste du ballet de Bordeaux. “Ce ne sont pas les qualités chorégraphiques de M. Jude qui sont mises en cause, mais son comportement”, précise Me Gérard Boulanger, l’avocat de la plaignante. »
02 Apr 2005
BILOXI – World-renowned tenor Placido Domingo, who sings tonight for a near sell-out audience at the Mississippi Coast Coliseum, had high praise Friday for the Hattiesburg-based youth orchestra that will accompany him. »
02 Apr 2005
MILAN (Reuters) – Riccardo Muti has resigned as the musical director of Milan’s La Scala after his 19-year reign at the opera house dissolved into a bitter battle for power, mutiny in the musical ranks and canceled performances. »
01 Apr 2005
When soprano Jessye Norman cancelled her appearance in the Michigan Opera Theatre’s world premiere of “Margaret Garner” next month, David DiChiera MOT general director admits it felt a lot like raindrops were falling on this head — and on his parade. »
29 Mar 2005
The BBC broadcast the first act of Wagner’s The Valkyrie live last night without telling viewers that the rest would be blacked out because the star, Bryn Terfel, had a sore throat. »
26 Mar 2005
For a New Yorker accustomed to watching the madcap dash to the exits that typically ensues as soon as a performance ends at the Metropolitan Opera, the relaxed pace and genteel protocols of opera-going in Copenhagen were a balm. »
26 Mar 2005
Leaflets distributed this week outside La Scala opera house in Milan announced the world premiere of “an opera of a few minutes (because that’s enough)”, composed by the theatre’s audience. The music consisted of loud heckling whenever members of La Scala’s orchestra appeared. The libretto was curt: “Don’t touch the maestro. Riccardo Muti belongs to art. He belongs to us!” »
25 Mar 2005
In all the years of its existence, the Golden Mask Festival has been nothing if not a study in contrasts—no other Russian festival embraces as fully the multiplicity of the performing arts. Once a year, for just over two weeks in the spring, the best Russian opera singers, ballet dancers, dramatic actors, directors, conductors, puppeteers and other sundry performing artists gather to show their stuff and compete for the coveted Golden Mask award. »
24 Mar 2005
As the limousines arrive at the premiere of an award winning film version of Carmen, U Carmen E Khayelitsha, they have to slow down for a group of barefooted children pushing shopping trolleys filled with scrap metal across the road. »
24 Mar 2005
MOSCOW, Russia (CNN)—Russia’s Bolshoi Theater has sparked outrage by putting on an opera that some lawmakers and a pro-Kremlin youth group say is pornographic.
The opera, “Rosenthal’s Children,” is about a scientist who clones five great classical composers—Tchaikovsky, Mozart, Wagner, Mussorgsky and Verdi.
The scientist then dies, and the cloned musicians—unprepared for life on their own in the 1990s—end up on the street. »
24 Mar 2005
A new wave of distinctive 21st-century concert halls is changing the look and feel of classical music performance in the U.S. These halls have impressive architectural pedigrees and price tags—Frank Gehry designed the $275 million Disney Hall in Los Angeles; Rafael Viñoly, the $265 million Kimmel Center in Philadelphia; Santiago Calatrava, the coming $300 million Atlanta Symphony Center. Most of them, like architect William Rawn’s $99 million Strathmore Music Center in Bethesda, Md., shun the gilded, red-velvet opulence of traditional European models in favor of Modernist simplicity. They also strive for heightened spatial intimacy between audience and performer: Disney Hall, home of the Los Angeles Philharmonic, has terraced seating areas surrounding the stage. »
24 Mar 2005
FOUR operas, more than four reasons to go. The operas: Shostakovich’s Lady Macbeth of the Mtsensk District, Péter Eötvös’s The Balcony, Wagner’s Parsifal, and Handel’s Semele.The reasons to go: great music, top performers, the best conductors, inventive directors, and two truly excellent performance spaces. »
23 Mar 2005
A month shy of the halfway point in the 26-month construction of its new Civic Center home, the San Francisco Conservatory of Music started the party early last week with a ceremony to “top out” the new building on Oak Street. »
22 Mar 2005
Soprano Susanna Phillips, a former Huntsville resident, is among the four top winners picked Sunday in the Metropolitan Opera National Council Auditions in New York.
Phillips won $15,000 toward her studies and eligibility to be considered for the Met’s Lindemann Young Artist Development Program. »
22 Mar 2005
Da ist einmal das quirlige künstleri sche Ego des neuen Mannes: Si mon Rattle, als Nachfolger Clau dio Abbados bei den Berliner Philharmoniker sozusagen naturgemäß auch Chef der Salzburger Osterfestspiele, ist schon von seinem Selbstverständnis her das Gegenteil des Festivalgründers Karajan. Der hatte 1967 die Idee, Richard Wagners Gesamtkunstwerk mit seinen Berliner Philharmonikern im Orchestergraben auf mustergültige Weise zu präsentieren, in eigenen Inszenierungen; eine Tragödie, ganz aus dem Geiste der Musik geboren, sozusagen. »
20 Mar 2005
THE opera world is eyeing two British-based conductors as potential saviours of La Scala opera house, which has cancelled this month’s programme amid a bitter power struggle and staff revolt. »
20 Mar 2005
THE ALARM BELLS SOUNDED A FEW weeks ago when Edinburgh International Festival director Brian McMaster put out the plea for a rescue package. Not only were there to be no late-night £5 concerts at this year’s festival – a series he has always said is politically desirable but financially extravagant – but he needed an additional six-figure sum simply to make the bare bones break even. That, essentially, is what he has given us in this year’s music programme – one main evening concert a night, three staged operas, and the usual daily diet of Queen’s Hall midday recitals. »
17 Mar 2005
March 16, 2005, New York, NY-The 39th season of Lincoln Center for the Performing Arts’ Mostly Mozart Festival, which runs from July 28 to August 27, was announced today by Jane S. Moss, Vice President for Programming, and Music Director Louis Langrée. Now in his third season as Music Director, Maestro Langrée conducts the Mostly Mozart Festival Orchestra (MMFO) in 11 concerts of seven different programs during the Festival. This summer’s Festival will have a special focus on Mozart’s travels and influence in Paris, Prague, London, Italy, and Russia, which will be explored through MMFO concerts, programs with visiting ensembles, late-night concerts, and pre-concert events. Mostly Mozart will begin on Thursday, July 28 with Louis Langrée leading the MMFO in a performance featuring soprano Renée Fleming and pianist Stephen Hough at Avery Fisher Hall. This performance will be broadcast on Lincoln Center’s Emmy Award-winning series, Live From Lincoln Center. »
17 Mar 2005
Le directeur du Festival international d’art lyrique d’Aix-en-Provence, Stéphane Lissner, a dévoilé, mardi 15 mars, à Paris, le programme de la manifestation, qui aura lieu du 9 au 30 juillet. »
17 Mar 2005
Cincinnati Opera, on the move for the past half-dozen years, is not slowing down. Quite the opposite. The nation’s second oldest opera company appears to be speeding up. »
16 Mar 2005
Zum Start eine Strauss-Oper unter Kent Nagano, ein Rossini-Zyklus mit Ivor Bolton am Pult, eine deutliche Erweiterung des Sänger-Ensembles: Das alles wird erst ab 2006/ 07 passieren, ab der Ära Christoph Albrecht also. Doch zuvor erleben Münchens Opernfans die letzte Spielzeit unter der Ägide von Sir Peter Jonas, die insgesamt 13., eine “lucky number”, wie der Intendant findet. »
15 Mar 2005
Toronto—L’Opéra de Montréal plans to break with routine next year by presenting three operas the company has never done before. »
15 Mar 2005
Die Wiener Staatsoper hat ihre Abonnement-Preise erhöht. Zum Teil so kräftig, dass Musikfreunde nun für ihre Karten beinahe doppelt so viel bezahlen müssen wie bisher. Ein Proteststurm war die Folge, der auch viel Kritik an der künstlerischen Gebarung des Hauses einschloss. Direktor Ioan Holender wollte diese im Zuge der Debatte über die Preiserhöhungen nicht kommentieren, sondern verwies an seinen Geschäftsführer, Thomas Platzer. »
12 Mar 2005
Die empörten Stimmen in Mailand scheinen voll und ganz in die hef tige Polemik einzustimmen, die der Dirigent und musikalische Leiter der Mailänder Scala, Riccardo Muti, via Offenen Brief gegen die Belegschaft seines Hauses gerichtet hat. Orchester und Chor streiken seit Tagen aus Protest gegen die von Muti betriebene Ablöse des Scala-Intendanten Carlo Fontana. Deshalb musste am vergangenen Donnerstag die Premiere der neuen Oper “Il dissoluto assolto” aus der Feder des italienischen Komponisten Azio Corghi abgesagt werden. Die Aufführung dieses auf einem Text von Literatur-Nobelpreisträger Jose Saramago basierenden Stückes wäre die erste Uraufführung gewesen, die Riccardo Muti seit seinem Amtsantritt 1986 dirigiert hätte. »
10 Mar 2005
Marching into its second century, the Ravinia Festival will surround James Conlon’s first season as music director with more than 130 events, from the season opener on June 7 to the finale on Sept. 11. »
08 Mar 2005
In a letter to the Corriere della Sera, Riccardo Muti comments publicly on the trouble-racked opera house after the controversial replacement of the superintendent, which provoked a strike and the cancellation of the current season’s premieres. The conductor explains that for 20 years, he has been committed to promoting La Scala’s artistic growth and defending its music. »
07 Mar 2005
The memory was delicious: Women withholding sex to end a war. Surely, thought composer Mark Adamo, an opera lurked in that idea.
Fresh from the success of Little Women, which Houston Grand Opera premiered in 1998, he was looking for new material. But when he returned to Lysistrata, the Aristophanes play that premiered in 414 B.C., he found his memory richer than reality. »
07 Mar 2005
It was not so very long ago that the opera world seemed to be facing a cavernous void of world-class tenors. True, there were a handful of gifted artists such as Roberto Alagna and Ben Heppner. Yet the public image of the operatic tenor was largely dominated by the studio-simonized “popera” of Andrea Bocelli, and the increasingly uninspired Three Tenors spectacles. »
04 Mar 2005
DENVER, CO—President and General Director Peter Russell and Artistic Director James Robinson announced today the company’s 2005-2006 season as the company prepares to move to its new state-of-the-art home, the Ellie Caulkins Opera House at the Denver Performing Arts Complex. For Opera Colorado patrons, the new opera house will offer unprecedented patron services: increased legroom, more restrooms, spacious lobbies, premium sightlines from all seating locations, superb acoustics, and an exclusive donor lounge. The move allows Opera Colorado to add performances and spread out its three annual productions over the course of a traditional season. »
03 Mar 2005
It is the most fabled opera house in the world, whose reopening was lauded as one of the big events in music. Yet just three months later, La Scala is being paralysed by a crisis of Verdian theatricality that has led to rebellion and strikes, and is now prompting a head on clash between two of the titans of contemporary opera. »
02 Mar 2005
The New York City Opera said Tuesday that it would offer six new productions during its 2005-6 season, including two contemporary works: “The Little Prince” by Rachel Portman and “Lysistrata, or the Nude Goddess” by Mark Adamo.
In releasing details of the new season, City Opera said its offerings would skew toward the modern. New productions also include “The Mines of Sulphur,” by Sir Richard Rodney Bennett, which was given its premiere in London in 1965; Paul Dukas’s “Ariane et Barbe-bleu” (1907); the Gilbert and Sullivan operetta “Patience” (1881); and “Capriccio,” the last opera by Richard Strauss, first performed in 1942. »
02 Mar 2005
Soprano Renée Fleming, one of opera’s biggest names, heads a star-studded parade of 12 singers set to perform at the Sept. 10 gala opening of the $86 million Ellie Caulkins Opera House, Opera Colorado announced Monday. »
01 Mar 2005
MUSIC AND COURTLINESS
The elite civilisation of Europe in the central and later Middle ages is often spoken of as a ‘courtly’ one, where the ‘courts’ at issue include the households of secular magnates, bishops and abbots. Men and women of exalted station had always possessed courts in the West, since Roman imperial times, but after approximately 1050 writings from Western Europe refer with increasing frequency to a quality of ‘courtliness’, or curialitas. A music theorist of c1100, whom we know only by the name ‘Johannes’, is the first European writer to identify certain kinds of music as inherently ‘courtly’ (curialis) and therefore appropriate to courtliness. Since his treatise is a technical one, we can trace this courtliness in terms of actual musical procedures. We can also place him, with some confidence, exactly where other sources lead us to expect him, in the episcopal and indeed imperial milieux of ‘Germany’. »
01 Mar 2005
EXACTLY 100 years ago Sir Edward Elgar delivered his first lecture at the University of Birmingham, where he had been persuaded to become the professor of music. With the Enigma Variations and Pomp and Circumstance Marches being played everywhere, the 47-year-old composer was at the pinnacle of his fame and creative powers. So anything he said was bound to resonate. »
27 Feb 2005
RIP-OFF Ireland has reached the opera house. Wexford Festival is hiring an eastern European orchestra because it says that the local equivalent is €150,000 more expensive. »
26 Feb 2005
ROME – Milan’s La Scala opera house has fired its top administrator, sparking angry protests from employees who have threatened to bring the curtain down on more performances, news reports said.
La Scala’s board of directors on Thursday dismissed Superintendent Carlo Fontana, who had a rift with conductor Riccardo Muti, Italy’s ANSA news agency reported. Fontana’s post will be taken over by Mauro Meli, director of La Scala’s theatrical division. »
26 Feb 2005
Il y a eu l’Opéra studio de Louis Erlo, l’Ecole d’art lyrique immortalisée par Michel Sénéchal, puis le Centre de formation lyrique : à chaque nouveau directeur, la structure pédagogique de l’Opéra de Paris où sont encadrés les jeunes chanteurs change d’appellation. Gérard Mortier a annoncé récemment à la presse la création de l’Atelier lyrique, dont il a confié la direction à Christian Schirm, ancien adjoint d’Hugues Gall à Genève et à Paris. Comme l’a souligné Mortier avec un mélange de malice et d’affection, Schirm aspirait à prendre la direction d’un théâtre d’opéra : la mission qu’il lui a confiée pourrait être une préparation idéale à cette future tâche… »
25 Feb 2005
MILANO – Il sovrintendente del Teatro alla Scala, Carlo Fontana, è stato rimosso. Lo ha stabilito il Cda della teatro che in una nota rilasciata al termine della riunione fa sapere di aver revocato «con effetto immediato, il Sovrintendente dottor Carlo Fontana, affidando l’incarico al direttore della Divisione Teatro alla Scala, maestro Mauro Meli». »
24 Feb 2005
The Saxonian capital of Dresden has long been associated with the operas of Richard Strauss, many of which were originally premiered at the city’s exquisite Semper Opera during Strauss’s lifetime. . . . [N]o less than six all-Strauss performances in late February and early March, encompassing four towering operas, an orchestral concert, and a Recital by Dame Felicity Lott. The operas will be Salome, Elektra, Ariadne auf Naxos and Die Frau Ohne Schatten, with stellar casts including such important international artists as Luana DeVol, Susan Anthony, Sumi Jo, Evelyn Herlitzius, Gabriele Schnaut, Petra Lang, Reinhild Runkel, Sophi Koch, Stephen Gould, Günter Neumann, Hans-Joachim Ketelsen, and Alan Titus. The experienced conductors will be Kent Nagano, Wolfgang Rennert, and Michael Boder. In addition to this operatic feast, an orchestra concert under the baton of Ion Marin will offer several works representative of ‘The Young Richard Strauss’ (Macbeth, the Burlesque for Piano and Orchestra, and Aus Italien). Finally, the radiant British soprano Dame Felicity Lott will be the soloist in a Recital showcasing her peerless interpretation of Strauss’ soaring melodic style. »
23 Feb 2005
Zwei Frauen dominierten das Münchner Kulturgeplauder der beiden vergangenen Tage: Wagner-Urenkelin und Bayreuther Wunschmaid Katherina [sic] Wagner inszenierte am Gärtnerplatztheater Lortzings “Waffenschmied”, und “Männer”-Filmemacherin Doris Dörrie brachte einen Abend darauf an der Staatsoper Verdis “Rigoletto” heraus. »
21 Feb 2005
With the major success of his latest opera for Chicago, William Bolcom is America’s musical man of the moment. Yet in Britain he is scarcely a name. A Wedding, his new hit, is based on Robert Altman’s famous film of the same title, then at least we should be aware that he is aslo the composer of A View from the Bridge, an opera inspired in 1999 by the original blank verse version of the play by Arthur Miller who died last week. »
21 Feb 2005
When conductor Carlo Rizzi stepped forward at the end of La Traviata to address a delighted audience in his Italian-accented Welsh, he was marking a piece of history. Welsh National Opera had, after 60 years of peripatetic homelessness, for the first time performed on a stage it could call its own. »
21 Feb 2005
Over the past five years, just about everybody in my line of work (including me) has weighed in on the decline of classical-music recording.
Norman Lebrecht, the English critic and high-culture gadfly, went so far as to write the industry’s obituary last fall and begin compiling a retrospective list of its 100 greatest achievements. As of last week, his list was up to 23 discs. (It can viewed online at www.scena.org.) »
21 Feb 2005
In a post last month on his popular blog about classical music, Alex Ross wrote that the music he loves ``exists off the radar screen of the major media’’ these days. But ``it’s actually kind of exciting,’’ he added. ``If I were in the business of marketing classical music to younger audiences, I’d make a virtue of this. Classical music is the new underground.’‘ »
21 Feb 2005
Music, drama and the visual arts really are second nature to the English, a national survey has conclusively shown. While news from Italy this weekend that the United Kingdom is regarded as the most cultured nation in Europe has been met with scepticism, it seems we should have a higher opinion of our chief pastimes on this island. DIY shops, fast food outlets and soccer violence are not even half the picture, it is now clear. »
19 Feb 2005
MILANO – I lavoratori della Scala scendono in campo dopo che il Cda ha dato mandato al sindaco di «risolvere consensualmente» entro la prossima settimana il rapporto con il sovrintendente Carlo Fontana e proclamano uno sciopero per martedì prossimo, il giorno in cui agli Arcimboldi avrebbe dovuto debuttare La Dama di Picche di Ciaikovski (i possessori del biglietto potranno chiederne il rimborso alla Biglietteria del teatro alla Scala, ndr). »
19 Feb 2005
Das kann ja schon mal passieren: Die eigene Tochter verliebt sich ausgerechnet in den blödesten Affen der Welt. Eine Vorstellung zum Verzweifeln. Filmregisseurin Doris Dörrie will ganz bewusst solche Assoziationen wecken – und zwar mit ihrer ersten Münchner Operninszenierung. “Rigoletto”, sagt sie, “ist ein so egoistischer Vater. Aber ich kann ihn verstehen. Auch heute würde jeder von uns, der eine 15-jährige Tochter hat, sie am liebsten wegsperren.” Am kommenden Montag hat im Münchner Nationaltheater Giuseppe Verdis “Rigoletto” Premiere. Es singen u. a. Diana Damrau (Gilda), Mark Delavan (Rigoletto), Ramon Vargas (Herzog). Zubin Mehta dirigiert. »
18 Feb 2005
English National Opera has appointed Oleg Caetani as its next music director. He will begin the position in September 2006, succeeding Paul Daniel who leaves in July this year after eight years in the role.
Caetani will divide his time between London and Melbourne, where he is chief conductor and artistic director of the Melbourne Symphony Orchestra – a role he began last month on a four-year contract. He plans to take up residence in London. »
18 Feb 2005
Contestants from 25 countries have been selected to battle it out in what many consider to be one of the world’s premier singing competitions. »
17 Feb 2005
The almost constant touring by east European opera and ballet companies continues to be a significant feature of the British cultural scene, and one that requires a little attention.
We ought to be aware that the artists involved are working an exhausting schedule in difficult circumstances that British unions rightly would not tolerate. And there is no doubt that their one-night-stand activities steal audiences away from our own subsidised organisations. »
17 Feb 2005
Australian soprano Lisa Gasteen, who plays Brünnhilde in the second part of the Royal Opera’s ‘Ring’ cycle next month, talks to Rupert Christiansen about her tempestuous route to the top
When she was a teenager, Lisa Gasteen was thrown out of a school folk group for singing too loud. Now, established as one of the world’s premier Wagnerian sopranos, her ability to turn up the volume comes in handy. In 2001, she made a triumphant debut at Covent Garden as Isolde; next month, she returns to halloo “Hojotoho” as Brünnhilde in Die Walküre, the second instalment of the Royal Opera’s new production of the Ring, conducted by Antonio Pappano. »
17 Feb 2005
This year’s Edinburgh International Festival was facing a cash crisis last night after the postponement of a £600,000 emergency funding package.
Last week, it emerged that Brian McMaster, director and chief executive of the EIF, had requested the money from Edinburgh City Council and EventScotland because the festival’s funding was “meeting the buffers”. »
17 Feb 2005
Since the time of Claudio Monteverdi, the Italian composer who lived from 1567 to 1643, classical music has been a man’s world. With some exceptions — such as 19th Century pianist-composer Clara Schumann — women achieved lim-ited prominence in the centuries-old art form.
That is changing, and although they are still in the minority, women are appearing more frequently at the highest levels of classical music. »
15 Feb 2005
Operatic and ballet productions imported from the West are becoming increasingly prominent on the repertory of the Bolshoi, Russia’s largest music theater. Local audiences met such imports with circumspection, but are now growing to like them. »
12 Feb 2005
WETA-FM listeners who had hoped to prevent the widely anticipated decision by the public broadcasting station’s board of directors to drop classical music programs left its Shirlington offices disappointed last night. By an overwhelming majority, the board approved a resolution to focus on news and public-affairs programming. »
12 Feb 2005
This is Welsh National Opera’s big chance. Fifty-nine years after its birth, as the brilliant artistic reputation that it enjoyed in the 1980s falters along with attendances, the company has moved into a new home in the Wales Millennium Centre, a vast cultural emporium at the heart of the redeveloped Cardiff Bay. »
11 Feb 2005
The Early Music Guild, an indispensable part of Seattle’s period-music scene for more than two decades, every once in a while steps back from presenting the best and the brightest musicians from around the world and produces extravaganzas of its own.
To celebrate its 20th anniversary, in 1997, the guild presented a stellar reading of Handel’s “Carmelite Vespers” at St. James Cathedral, with Andrew Parrott leading the large forces. More recently was a weekend of Monteverdi chamber operas. »
11 Feb 2005
Three local opera groups announced Friday that they have merged to form a major new company, called Mercury Opera Rochester, which will launch its inaugural season in the fall of 2005.
For its first season, the company plans to stage three original (and yet to be specified) productions — two smaller, community-style operas in the fall of 2005 and spring of 2006 at venues to be determined later, and a grand operatic performance at the Eastman Theatre in January 2006 that would feature, among other things, the Rochester Philharmonic Orchestra serving as pit orchestra. »
11 Feb 2005
Singers both new and familiar to Cleveland will perform with Cleveland Opera during its 30th anniversary season starting in the fall.
The season is the first programmed entirely by general director Robert Chumbley. »
10 Feb 2005
Unter vielen Abonnenten der Wiener Staatsoper herrscht Aufregung. Der Grund: Ein Schreiben des kaufmännischen Geschäftsführers Thomas Platzer, in dem teilweise empfindliche Preiserhöhungen angekündigt werden. »
10 Feb 2005
Als am 13. Februar 1985 zur Wiedereröffnung der Semperoper die DDR-Nationalhymne erklang, mag die Zeile „Auferstanden aus Ruinen“ zumindest in den Gedanken vieler Zuschauer mitgeschwungen haben. Offiziell wurde der Text damals nicht mehr verwendet. »
10 Feb 2005
A PROGRESS report on the state of the Victorian Government’s opera review made one thing clear this week: any new company will look nothing like the one that died in 1996.
Victorian Arts Minister Mary Delahunty called interested parties to a meeting on Tuesday to brief them on the findings of a review of opera activities in the state, undertaken by strategic consulting firm LEK Consulting. »
10 Feb 2005
The Lyric Opera has effectively installed a turnstile backstage at the Civic Opera House to facilitate the comings and goings of the singers taking the principal roles of Floria Tosca and Mario Cavaradossi in its revival of the historic Franco Zeffirelli production. »
09 Feb 2005
Als deutsche Sängerin im italienischen Fach Fuß fassen – Anja Harteros gelingt, was heute eher eine Seltenheit ist. Söhnke Martens sprach mit ihr in Hamburg. Ausschnitte aus dem Interview:
Sind Sie musikalisch durch Ihre Familie geprägt?
Nein, überhaupt nicht. In meiner Familie gibt es niemanden, der professionell Musik gemacht hat. Jedes Kind sollte das Hobby ausüben, das ihm Freude bereitete. Zuweilen tagte dann der Familienrat, und wir diskutierten eifrig über unsere Wünsche. Meine Mutter schlug mir das Geigenspiel vor, als ich 8 Jahre alt war. Ich war davon nicht besonders überzeugt. Erst ihre Bemerkung, dass dieses Instrument nicht jeder spielen könne, machte mich neugierig. Es hat mir auch wirklich Spaß gemacht. »
09 Feb 2005
The Aspen Music Festival and School will delve into the music of autobiography in its 2005 summer season.
The season, under the theme of “Self-Portraits,” will highlight composers who have told the stories of their lives in their music. Among the notable works falling under the theme are Haydn’s “Farewell” Symphony, Tchaikovsky’s Symphony No. 6 and a semistaged performance of Strauss’ comic opera “Intermezzo.” Also to be presented are intensely personal works by Elgar, Mahler, Berg and Shostakovich. »
09 Feb 2005
When the newly refurbished Royal Opera House reopened in December 1999, the great and the good found themselves trapped in their seats for a great slab of unstaged Wagner in German, with no introduction and no escape. Tony Blair, who was seated just in front of me, was clearly finding it hard-going; but to get out, he would have had to clamber over most of the royal family who, given the chance, might have beaten him to the exit. The Wagner, all agreed, was an unfortunate choice. »
07 Feb 2005
The San Francisco Opera has appointed David Gockley, longtime artistic director of the Houston Grand Opera, to succeed Pamela Rosenberg. After 32 years in Houston, Gockley will succeed Rosenberg in January. On Sunday, he sat down for an exclusive interview with San Francisco Chronicle Music Critic Joshua Kosman. »
05 Feb 2005
Hier spielt das Burgtheater”, tönte Raoul Aslan angesichts des unzer störten Etablissements Ronacher im April 1945. Die Delegation, angeführt vom damaligen Direktionsassistenten (und heutigen Josefstadt-Gesellschafter) Heinrich Kraus und Aslan als sprachgewaltigem Theaterdirektor, war nach dem verheerenden Bombenangriff vom 12. März 1945, bei dem nicht nur das Burgtheater, sondern auch die Staatsoper zerstört wurden, auf der Suche nach möglichen Spielstätten. Tatsächlich hob sich Ende April ‘45, als der Krieg noch gar nicht zu Ende war, mit Grillparzers “Sappho” erstmals im Ronacher der Vorhang. Für das Staatsopernensemble begann die Nachkriegszeit im Theater an der Wien. Die Stammhäuser konnten erst 1955 renoviert wieder ihrer Bestimmung übergeben werden. Kurz nach Abschluss des Staatsvertrags zelebrierte man sinnigerweise die Wieder-Eröffnung der Burg wieder mit Grillparzer: Die Wahl musste auf “König Ottokars Glück und Ende” fallen – mit dem legendären, umjubelten “Loblied auf Österreich”. »
02 Feb 2005
[February 1, 2005] Seattle—Seattle Opera’s general director, Speight Jenkins, officially announced the company’s 2005/06 season today. The season opens October 15, 2005, with American composer Jake Heggie’s most recent — and newly revised — opera, The End of the Affair. In January, Seattle Opera presents Johann Strauss, Jr.’s ever-popular operetta, Die Fledermaus, featuring a trio of Wagnerians — soprano Jane Eaglen, tenor Alan Woodrow, and Richard Berkeley-Steele — in a comic turn. Jonathan Miller’s production of Mozart’s Così fan tutte follows in February and March 2006. In May, the season concludes with a new production of Verdi’s Macbeth, bringing together for the first time director Bernard Uzan and designer Robert Israel. »
01 Feb 2005
Da würde ich lügen”, sagt er, “wenn ich jetzt die Grundlinien eines großen Konzepts zu skizzieren versuchte, das ich für die Salzburger Festspiele habe” – Markus Hinterhäuser gibt sich im “Presse”-Gespräch pragmatisch: Was er über Musik und über die Möglichkeit denkt, ein spannendes Programm zu entwickeln, hat er schließlich früher bereits gezeigt. Die Meldung kam ja nicht überraschend: Hinterhäuser, Mitinitiator des “Zeitfluss”-Festivals, das am Rande der Salzburger Festspiele seit den frühen neunziger Jahren für Beschäftigung mit der Avantgarde gesorgt hat, wird an der Seite des designierten Festspielintendanten Jürgen Flimm das Musikprogramm in Salzburg betreuen. »
01 Feb 2005
Seen at night, the warmly lit interior of Copenhagen’s new opera house glows invitingly across the water. The building is situated in a uniquely privileged position, opposite the Amalienborg Palace, lining up on an axis with the proudly domed Frederikskirken — so close to the city’s heart that arias could easily waft over the water on an evening breeze. »
31 Jan 2005
Festiwal Hoffmannowski -- Polsko-Niemiecki Festiwal Operowy Teatr Wielki in Poznan, Poland, has announced the schedule for the Festiwal Hoffmannowski: Saturday, 2 April, 19.00 Wolfgang Amadeus Mozart Cosi fan tutte, Premiere!!! Teatr Wielki, Poznan Sunday, 3 April, 19.00 Wolfgang Amadeus Mozart,... »
28 Jan 2005
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28 Jan 2005
Boston Symphony Orchestra music director James Levine will be in residence at Tanglewood this summer for almost a month of rehearsals and performances. He will lead five concerts and conduct one work at Tanglewood on Parade. This will mark Levine’s first performance at Tanglewood since 1972, when he conducted a single concert.
The other big news is that for the first time, all nighttime concerts in the Koussevitzky Music Shed will be projected on large video screens to the audience on the lawn. For several years the screens have been popular additions to a handful of concerts. »
28 Jan 2005
Patrick Summers, music director at the Houston Grand Opera, has settled into Houston on his own, slightly unconventional terms.
He’s building a house a few minutes west of downtown and has acquired a Cavalier King Charles spaniel, Julius.
He’s smitten with the city’s contemporary art scene: “There’s a lot of really interesting painting going on in this city.” »
27 Jan 2005
German music major Deutsche Grammophon (DG) picked up three prizes at the inaugural MIDEM Classical Awards in Cannes, January 24. Top prizes also went to Belgian counter-tenor and conductor René Jacobs and Welsh pianist Llyr Williams. The awards were presented for the first time at MIDEM, the World’s Music Market (Cannes, France, January 23-27, 2005). »
26 Jan 2005
William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Beverly Sills has resigned from her volunteer post as chairman of The Metropolitan Opera for family and personal reasons effective immediately. »
25 Jan 2005
Papa konnte doch nichts Besseres passieren: Katharina Wagner, Tochter des Bayreuther Festspielchefs Wolfgang Wagner und damit heftig für seine Nachfolge gehandelt, hat mit bislang zwei Opernprojekten ihre Klasse gezeigt. 2002 debütierte die heute 27-Jährige als Regisseurin mit Richard Wagners “Fliegendem Holländer” in Würzburg, 2004 folgte in Budapest der “Lohengrin”. Nach zwei Werken ihres Urgroßvaters inszeniert sie, die Theaterwissenschaft studierte und unter anderem bei ihrem Vater und bei Harry Kupfer assistierte, fürs Gärtnerplatztheater Lortzings “Waffenschmied”, Premiere ist am 20. Februar. »
24 Jan 2005
WHILE Scotland’s national opera company is in meltdown, how ironic is it that the opera school of our national music conservatoire is flying high? The two institutions may only be sited yards across the road from one another in Glasgow’s Cowcaddens district, but the fortunes of Scottish Opera and the Alexander Gibson Opera School at the Royal Scottish Academy of Music and Drama (RSAMD) could hardly be more diametrically opposed. »
22 Jan 2005
SALZBURG, AUSTRIA – Austria’s venerable Salzburg Festival will stage all 22 of Wolfgang Amadeus Mozart’s operas and musical theatre works next year, the 250th anniversary of the composer’s birth.
Simply staging the composer’s seven most-performed operas – including Le Nozze de Figaro and Idomeneo — “would have been too little for Salzburg,” festival director Peter Ruzicka told reporters Thursday. »
21 Jan 2005
Here, indicates the maestro, is the “punto Callas”. Riccardo Muti and I are standing onstage at La Scala, Milan, where so many great operas have been premiered and countless distinguished singers have sung. Facing the deserted auditorium, he points to an unmarked spot on the floor, right of centre, which Maria Callas established as her sovereign territory. It is the punto, or position, which best showed off a singer’s voice in a theatre renowned for its acoustical quirks. “There was great competition for this point,” smiles Muti. “In a quartet you would have a tower of singers.”
Breaking the eerie stillness, the maestro claps his hands to show how much more flattering the acoustic has become since the great Milanese theatre reopened last month after a three-year renovation. Has La Scala ever resonated so crisply to the sound of one person’s applause? Muti’s point is that there is no longer any need for a “punto Callas”. »
20 Jan 2005
A San Diego Opera-San Diego Symphony agreement reached this week to share musicians signifies a new level of achievement for two arts organizations that have fought second-tier status for years.
It also ushers in unprecedented cooperation for these major arts organizations, which didn’t always work cooperatively or compatibly. »
20 Jan 2005
NEW YORK—The British are coming. So are the Russians, along with an Argentinean and the usual Austrians and Germans. Lincoln Center’s 2005-06 “Great Performers” lineup was announced Tuesday, and the 40th season of the multimedia series once again draws a multicultural mix of classical performers.
The opening events of “Great Performers,” Sept. 28-Oct. 2, bring the return of the virtuoso London Symphony Orchestra under Sir Colin Davis in programs ranging from the Verdi Requiem to Sibelius and Vaughan Williams. That kicks off a season featuring visits from 10 international orchestras, plus 31 recitals and chamber concerts. »
20 Jan 2005
Washington DC (PRWEB) January 20, 2005—The National Theatre is a plethora of stars of the past, the present, and the future of the great American theatre. Almost every great stage performer over the past century has graced the stage of this historic theatre. The oldest cultural institution in the Nation’s capital, the National Theatre is one of the oldest continuously operating theatres in America.
The National Theatre, managed by the Shubert Organization, has presented numerous North American and World premieres of professional Broadway Class-A Legitimate Productions throughout its history. The National Theatre over looks the International Trade Center and Freedom Plaza on “The Avenue of the Presidents”. Since its inception, the National Theatre has been crowned “The Theatre of the Presidents” having performed for every American President and First Lady. »
20 Jan 2005
There was no scowling Simon Cowell, no one singing while holding a scooter and no William Hung.
But Cincinnati’s own classical version of “American Idol” auditions took place Friday and Saturday at Music Hall. Budding singers and classically trained performers sang with all the fervor of “Idol” winner Fantasia in an attempt to land a spot in one or more of Cincinnati Opera’s four summer productions. »
20 Jan 2005
Richard Bradshaw is finally ready to lift the curse and bring Carmen back to Toronto next fall as part of the Canadian Opera Company’s final season at the Hummingbird Centre.
Georges Bizet’s hot-blooded saga about the Spanish gypsy and jealous soldier is one of the greatest crowd-pleasers in the opera repertory, but at the COC a black cloud has been hanging over it for the past 12 years. »
20 Jan 2005
The premiere of “Margaret Garner,” plus a late Verdi masterpiece, and Figaro’s twin adventures as told by Rossini and Mozart make up the Opera Company of Philadelphia’s 2005-2006 season.
For the second year, the company will present four operas with six Academy of Music performances each.
“We hope that we will be able to return to five productions in the 2006-2007 season,” said the company’s general and artistic director Robert Driver as the ‘05-’06 season was announced yesterday. »
14 Jan 2005
I HOPE you made the most of last year’s opera highlights because 2005 looks pretty dull by comparison. The resignation of Scottish Opera’s music director, Sir Richard Armstrong, has added to the company’s woes. With only three productions in the foreseeable future, the main risk is that the audience forgets the company exists.
The vanishing audience is a spectre that haunts other companies: ENO must be wondering what became of an audience that was more like a loyal football crowd. »
14 Jan 2005
Le premier temps fort de cette deuxième partie de saison lyrique sera La Flûte enchantée bientôt proposée par l’Opéra Bastille : on a déjà vu dans une halle d’usine de Bochum ce spectacle étonnant conçu par les Catalans de la Fura del Baus, à l’époque où Gérard Mortier dirigeait le Festival de la Ruhr. Comment les matelas gonflables et la science-fiction philosophique imaginés par ces plasticiens virtuoses passeront-ils à Paris, et comment Marc Minkowski, qui avait très bien dirigé l’oeuvre en Allemagne, sera-t-il reçu par l’Orchestre de l’Opéra ? On le saura à partir du 24 janvier. Deux jours après, on suivra aussi, à Garnier, le second Couronnement de Poppée de la saison, après celui de McVicar aux Champs-Elysées : le metteur en scène, David Alden, est aussi anglais, et la divine Antonacci ne sera plus Néron mais Poppée. »
12 Jan 2005
The main entrance of the War Memorial Opera House.Photo by Terrence McCarthy SAN FRANCISCO — General Director Pamela Rosenberg announced details of San Francisco Opera's 83rd Season during a press meeting at the Opera House on Wednesday, January 12.... »
12 Jan 2005
SAN FRANCISCO Opera director search adds Houston veteran Once not in running, David Gockley now a leading candidate Joshua Kosman, Chronicle Music Critic Tuesday, January 11, 2005 David Gockley, the visionary longtime general director of the Houston Grand Opera, has... »
09 Jan 2005
KAFKA and Kurtag. This natural coupling of writer and composer telegraphs with alliterative grace a century of modernism, a deeply felt spiritual condition and a grasping for genuine personal expression through violently impersonal times.
The Hungarian composer Gyorgy Kurtag was born in 1926, two years after Kafka’s death, but their sensibilities are interwoven in one of Mr. Kurtag’s most effective works, “Kafka Fragments,” for soprano and violin. These settings of short excerpts from Kafka’s diaries, letters and notebooks will be performed this week by the soprano Dawn Upshaw and the violinist Geoff Nuttall, in a new staging directed by Peter Sellars, as part of Ms. Upshaw’s Perspectives series at Carnegie Hall. »
08 Jan 2005
The Knot Garden Sir Michael Tippett sung in English The Knot Garden, with a libretto by the composer, has a typically enigmatic title. The elaborate Elizabethan Knot Garden often resembled a maze - and the reference to Shakespeare's time is... »
07 Jan 2005
Lyric plays it safe with season schedule By John von Rhein Tribune music critic January 6, 2005 Now at the midpoint of its golden jubilee season, Lyric Opera of Chicago is faced with carrying its winning streak into the company's... »
06 Jan 2005
Franco Zeffirelli, one of the world’s best-known opera directors, yesterday branded the inaugural season of the newly refurbished La Scala opera house a disgrace.
Zeffirelli accused the opera house of inviting second-rate conductors to perform. Writing to a journalist on the Italian daily Corriere della Sera, who had written approvingly of the programme, he said the situation “risks becoming utterly absurd and developing into a scandal of truly international proportions because La Scala belongs to the whole world”. »
05 Jan 2005
Twilight of the CD Gods? A Studio 'Tristan' May Be the Last Ever By MICHAEL WHITE LONDON, Jan. 4 - The EMI recording studios at Abbey Road in north London are always a surprise when you walk through the modest... »
01 Jan 2005
A Year When Classical Labels Came Through By ANTHONY TOMMASINI In 2003, the problems affecting the classical recording business seemed daunting: markets flooded with multiple versions of the standard repertory; declining sales; widespread layoffs in the offices of the major... »
01 Jan 2005
Soprano Amanda Forsythe has sung so often with baritone David Kravitz that she was only mildly surprised recently when she Googled her name, and up popped a reference to “Amanda Kravitz.”
Tonight and tomorrow afternoon, Forsythe is paired with Kravitz again for Pergolesi’s delicious little opera “La Serva Padrona” (“The Maid as Mistress”), presented by Boston Baroque as part of its annual New Year’s Eve/New Year’s Day gala at Sanders Theatre. »
30 Dec 2004
ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera.
Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland. »
29 Dec 2004
Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s, the work has never received a fully staged performance... »
29 Dec 2004
De l’Isis de Lully, en 1677, à l’Akhnaten de Philip Glass, en 1984, en passant par l’inoubliable Aïda de Verdi, pas moins de deux cents créations lyriques – cantates, oratorios, opéras et ballets – ont eu pour thème l’Egypte, dont la moitié exclusivement consacrées à Cléopâtre. C’est dire l’attirance que ce pays et ses mystères, réels ou supposées, ont exercée sur les compositeurs et les librettistes, toujours à la recherche d’un nouvel exotisme ou d’un romantisme déchirant.
«Avec la deuxième collection d’égyptologie après celle du Musée Guimet de Lyon, dit Brigitte Bouret, conservateur du musée et commissaire de l’exposition «L’Egypte et l’Opéra», il était légitime que nous nous intéressions à ce thème d’une grande richesse d’autant que j’ai pu travailler avec un égyptologue de renom, Michel Dewachter.» »
28 Dec 2004
Premièring 14 January, TheaterLübeck will present Der Besuch der alten Dame, a schauspiel written in 1956 by the Swiss playwright Friedrich Dürrenmatt (1921-1990) under the original title Komödie der Hochkonjunktur (Comedy of Business Prosperity), with music by Dietmar Staskowiak. Der Besuch der alten Dame received the New York Drama Critics’ Circle Award for best foreign play in 1958-59. »
28 Dec 2004
No time for Lyric to play it safe Opera company loses Epstein's voice of innovation By John von Rhein Tribune music critic December 27, 2004 Matthew A. Epstein's recent departure as artistic director of Lyric Opera raises questions about whether... »
26 Dec 2004
The Voices That Carried the Year By ANNE MIDGETTE OPERA lovers do a fair amount of hand-wringing over the state of singing today. My own pet peeve has been the decline in big voices, especially Verdi singers. But 2004 had... »
20 Dec 2004
Fi de Natalie Dessay et des Brentano-Lieder de Strauss (dont le dernier, Amor, donne le titre de son dernier album, chroniqué sur ResMusica). Qu’importe, le public s’est pressé ce soir là, comme à chacun des concerts de cette intégrale Mahler (lire le compte rendu de la symphonie n°3 et de ce même concert, deux jours plus tôt, à Dijon). Composée lors de son dernier séjour en Italie la symphonie n°29 d’un Mozart d’à peine 18 ans est créée en 1774 à Salzbourg, qui connaît depuis deux ans le règne du Prince-Archevêque Colloredo. Myung Whun Chung a choisi de réduire son orchestre en « formation Mannheim » (moins de trente cordes) pour servir cette œuvre avec la légèreté et la fluidité nécessaire. L’ensemble est très énergique et homogène, et accentue le coté brillant de cette symphonie par le parti pris de tempi plutôt allant, malgré quelques fluctuations dans les départs de mouvements. »
20 Dec 2004
Recorded music has benefited from the digital revolution, with lifelike reproduction possible in a variety of formats.
That’s not always a good thing, because professional musicians find themselves competing for work with a device known as Sinfonia.
The introduction of this “virtual orchestra” into opera and Broadway pits has stirred resentment, lawsuits and countersuits. Even the definition of what it is has generated heated debate. »
20 Dec 2004
At Juilliard, Students Learn That Opera Is Both Craft and Commodity By BLAIR TINDALL The Juilliard School in New York City has trained some of the world's most prominent singers since opening its opera department in 1930, including Leontyne Price,... »
19 Dec 2004
A History of Western Music? Well, It's a Long Story By JAMES R. OESTREICH OXFORD HISTORY OF WESTERN MUSIC By Richard Taruskin Illustrated. 4,272 pages. Oxford University Press. $500 until Dec. 31; then $699. The Oxford History of Western Music... »
17 Dec 2004
Philip Gossett, one of the world's foremost experts on Italian opera, will receive one of four Mellon Distinguished Achievement Awards, an honor that carries with it a $1.5 million prize. Gossett, the Robert W. Reneker Distinguished Service Professor in... »
16 Dec 2004
Berliner Opernhäuser haben Millionenverluste gemacht 19:45 Uhr Die Staatsoper Unter den Linden Berlin - Die drei Berliner Opernhäuser haben im ersten Jahr der gemeinsamen Opernstiftung weniger Besucher als erwartet gehabt und damit Millionenverluste gemacht. Insgesamt kamen in diesem Jahr in... »
16 Dec 2004
Discord rings out as new opera director takes up the baton By Sharon Verghis December 16, 2004 Richard Hickox barely had time to adjust to the time difference before he walked into his first industry controversy. "I'm sorry that I... »
15 Dec 2004
The Journal of Musicological Research has announced the release of Volume 23, Issue 3-4. The following is the table of contents from this issue: Paul Christiansen: "The Meaning of Speech Melody for Leos Janácek" Nathan Hesselink and Jonathan Christian... »
13 Dec 2004
Riss im Ensemble Bach-Chor ins Schlingern geraten Es schien perfekt eingefädelt: ein Konzert zum 50-jährigen Jubiläum, dann sogar mit dem künftigen Chef am Pult. Doch Ralf Otto, der charismatische Wunschkandidat aus Mainz, gab dem Münchener Bach-Chor kurz vor dem Weihnachtsoratorium... »
10 Dec 2004
A Night At The Opera Dec. 10, 2004 - That's the title of a very famous Marx Brothers movie--a movie that makes fun of all sorts of opera stereotypes. But you might be surprised to hear that the number of... »
09 Dec 2004
New, Musician-Run FM Station Plans Music Radio Revival A group led by two nationally known musicians has been awarded a contract to operate the Milwaukee Public Schools' FM station, WYMS-FM (88.9), and is developing a format to support musicians and... »
08 Dec 2004
Photo: AP/ Silvia Lelli/ Teatro Alla Scala. Glitz and clamour mark La Scala's reopening night John Hooper in Rome Wednesday December 8, 2004 The Guardian Decked out in red roses and surrounded by riot police, Milan's expanded and refurbished La... »
08 Dec 2004
Opera singer recovering after stabbing Doctors 'hopeful' about Giuseppe Di Stefano ROME, Italy (AP) -- Italian tenor Giuseppe Di Stefano was being taken off sedatives and doctors were hopeful about his recovery from injuries sustained in an attack at his... »
07 Dec 2004
The nominations for the 47th annual Grammy Awards were announced Tuesday in Los Angeles. The following were the nominees for opera and classical vocal performance recordings: Opera Recording: Monteverdi: L'Orfeo Emmanuelle Haim,conductor/harpsichord/organ; Ian Bostridge, Patrizia Ciofi and Natalie Dessay; Daniel... »
07 Dec 2004
MUSICA: E' MORTA SOPRANO ELENA SOULIOTIS 04/12/2004 - (ANSA) FIRENZE, 4 DIC E' morta improvvisamente oggi pomeriggio a Firenze la soprano drammatico Elena Souliotis, nota cantante lirica, amica di Fedora Barbieri e di Maria Callas. Aveva 61 anni e si... »
07 Dec 2004
Royal Holloway-British Library Lectures in Musicology Christopher Page, the founder and director of the ensemble Gothic Voices, will give a series of one-hour lectures at the British Library Conference Centre on Music in the Making of Europe 1000-1300. The first... »
04 Dec 2004
Britten's Venice Is Eclipsed by the Wonders of Colón By BERNARD HOLLAND BUENOS AIRES, Nov. 29 - The Teatro Colón is grand opera all by itself. Enter its front door to an ensemble of Italian marbles singing to the eye... »
04 Dec 2004
The teenage Mozart and the trinity By Shirley Apthorp Published: December 3 2004 02:00 | Last updated: December 3 2004 02:00 The walls of the set model can be lifted out and swapped around, like a dolls' house for the... »
02 Dec 2004
GLIMMERGLASS OPERA ANNOUNCES 2005 FESTIVAL SEASON Four New Productions to Run in Repertory June 30 through August 23, 2005 COOPERSTOWN, NY. Glimmerglass Opera has announced the repertory for its 2005 Festival Season. Four new productions, of works by Mozart, Donizetti,... »
30 Nov 2004
L.A. Phil: A 'fresh context' for 'Tristan und Isolde' By Valerie Scher UNION-TRIBUNE CLASSICAL MUSIC CRITIC November 28, 2004 Wagner's "Tristan und Isolde" is an epic melodrama, a mythic love story about the doomed romance between a knight and a... »
30 Nov 2004
Milan's La Scala stands ready to reopen on Dec. 7 after a two-year makeover, which includes the latest in acoustics and stage mechanics, a revamped floor, and new rehearsal rooms and offices. (Luca Bruno -- AP) The Very Model... »
29 Nov 2004
At XM, Boldly Going Under Hugh Panero, Satellite Radio Is a Hit. Just Ask Howard Stern And Mel Karmazin. By Annys Shin Washington Post Staff Writer Monday, November 29, 2004; Page E01 Hugh Panero has never had much patience for... »
29 Nov 2004
Classical buffs wary of letting eyes have it By David Patrick Stearns Inquirer Music Critic In the anti-MTV world of classical music, there's rarely been a video screen that didn't make great music seem worse. Years ago, the Philadelphia Orchestra... »
29 Nov 2004
Money woes prompt panic at Seattle opera, ballet By PEGGY ANDERSEN ASSOCIATED PRESS WRITER SEATTLE -- With the local economy flying high with dot-com dollars and public and private money gushing, Seattle built a grand, airy new space in its... »
28 Nov 2004
During its 2004-2005 season, the Grand Théâtre de Genève will present Les Enfants du Levant by Isabelle Aboulker. Performances will be at 1930 on 11, 14, 15 and 16 December 2004 and at 1430 on 12 December 2004. Synopsis... »
28 Nov 2004
Artistic Director Peter Ruzicka and Director of Drama Martin Kusej presented the program for the 2005 Salzburg Festival at the annual press conference, which consists of 183 events. The following is an overview of opera productions and vocal recitals:... »
25 Nov 2004
The Real Drama of Berlin Opera Berlin's three opera houses are no strangers to eluding closure and nursing the wounds of financial incision. Although they are currently on safe ground, they're having to learn to sing for their supper in... »
25 Nov 2004
Opera: A Russian opera star is born John Daly-Peoples [National Business Review] Lockwood Aria Rotorua Convention Centre The Lockwood Aria has become the major proving ground for emerging opera talent in New Zealand. Some of the previous winners have gone... »
25 Nov 2004
Baroque opera gets a new lease of life Matthew Westwood [The Australian] 26nov04 LAST month, at the final performance of Madeline Lee - John Haddock and Michael Campbell's emotionally involving new opera - market researchers for Opera Australia were handing... »
25 Nov 2004
New Director for City Opera The New York City Opera has appointed a new executive director, Jane M. Gullong, right, promoting her from the job of director of development. Ms. Gullong replaces Sherwin M. Goldman, who the opera said has... »
25 Nov 2004
3 Music Companies Will Use Online File-Sharing Service By THE ASSOCIATED PRESS LOS ANGELES, Nov. 24 (AP) - Three major recording companies have agreed to make their music available to be shared and sold over a new online file-swapping service... »
23 Nov 2004
On Monday, 22 November, Opera Orchestra of New York opened its 2004-2005 season with La Fanciulla del West. According to its website: The OONY season kicks off with Puccini's "horse opera," arguably the greatest opera ever created in New York... »
23 Nov 2004
Le Figaro is reporting that L'Opéra-Comique has been decreed an "établissement public à caractère industriel et commercial" under French law. Its charter is to provide a broad diversity of "expressions" from Baroque to contemporary creations. This decree goes into effect... »
22 Nov 2004
'Beautiful lady' regains her looks and rediscovers her voice John Hooper in Milan Saturday November 20, 2004 The Guardian Mauro Meli, the artistic director of the world's most famous opera house, raised the lapel of his jacket, buried his head... »
19 Nov 2004
Quasthoff, der Grosse Der Bariton hat in einer aufwühlenden Biographie aufgeschrieben, wie er trotz seiner Behinderung zum Weltstar wurde "Rechts, links, rechts, links, rechts, links metronomt mein Kopf auf dem Laken. Ich liege halb nackt da, Hüfte und Beine festgeklemmt... »
19 Nov 2004
Dangerous Music When Stalin pulled Shostakovich's opera "Lady Macbeth" from the Soviet stage, the composer had good reason to fear for his life. By Raymond Stults Published: November 19, 2004 Widely considered the greatest Russian opera -- and perhaps even... »
19 Nov 2004
Opera House faces price scrutiny Arts organisations such as the Royal Opera House face the risk of losing their charitable status over ticket prices under a proposed bill. According to the draft charities bill, organisations granted charitable status will have... »
18 Nov 2004
Von Gefühl und Geist keine Ahnung Edita Gruberova und Friedrich Haider zur Auflösung des Rundfunkorchesters Für den Bayerischen Rundfunk mit Intendant Thomas Gruber an der Spitze mag das Münchner Rundfunkorchester bald Geschichte sein, für viele Künstler ist es das allerdings... »
17 Nov 2004
On 5 November 2005, the Wiener Staatsoper will celebrate the 50th anniversary of the rebuilding of the opera house, which had been destroyed near the end of World War II. The program will include: Leonore Overture No. 3, Seiji... »
17 Nov 2004
Opera house rises from the ashes -- again After fire and years of controversial renovations, Venice's La Fenice and Milan's La Scala raise the curtains By PAUL FRENCH Special to The Globe and Mail Wednesday, Nov 17, 2004 VENICE --... »
17 Nov 2004
Salsipuedes ha llegado a buen puerto Modelo que muestra a Ulises y Chucho a bordo de "El invencible" Dentro de la presente temporada de la Gran ópera de Houston, se llevará a cabo el estreno mundial de la ópera Salsipuedes,... »
15 Nov 2004
Venetian Phoenix Rises Operatically From the Ashes By ALAN RIDING [NY Times] VENICE, Nov. 14 - Destroyed by fire on the night of Jan. 29, 1996, and rebuilt during eight years of noisy scandals, lawsuits and delays, Venice's legendary Teatro... »
14 Nov 2004
Should the Fat Lady Diet Before She Sings? By ANTHONY TOMMASINI [NY Times] THE dramatic soprano Deborah Voigt returns to the Metropolitan Opera on Thursday as Elisabeth in Wagner's "Tannhäuser," and opera buffs are abuzz with anticipation over this popular... »
12 Nov 2004
Concert Hall to Rise Near Manassas GMU, Pr. William To Share Funding By Eric M. Weiss and Michele Clock Washington Post Staff Writers Friday, November 12, 2004; Page A01 Prince William County and George Mason University have agreed to help... »
12 Nov 2004
Who wears the pants in this opera? By Mark Kanny TRIBUNE-REVIEW CLASSICAL MUSIC CRITIC Thursday, November 11, 2004 Perhaps the most novel aspect of Pittsburgh Opera's upcoming production of "The Marriage of Figaro" will be Michael Maniaci's portrayal of Cherubino... »
12 Nov 2004
Traviata at Theatre La Fenice by Gillian Price [LEO — LA RIVISTA DI VENEZIA] The excitement in the damp autumn air is palpable. Venice's beloved Fenice theatre is soon to be open for business and the city's faithful opera-going public... »
11 Nov 2004
On October 29, 2004, Angela Brown made her Metropolitan Opera debut as Aida in the great Verdi opera. Hailed in Opera News as "one of America's most promising Verdi sopranos," she was a National Metropolitan Opera Council Audition winner in... »
10 Nov 2004
Die Zauberflöte (The Magic Flute) Wolfgang Amadeus Mozart Emanuel Schikaneder Première on 30th October 1978 at the Nationaltheater Première of the Neu Einstudierung on 31st October 2004 at the Nationaltheater The Joy of Drawing Has Remained A Conversation with Jürgen... »
09 Nov 2004
Rigoletto Giuseppe Verdi 1813-1901 Rigoletto, together with Il trovatore and La traviata, laid the foundations for Verdi's worldwide renown; the latter two operas were composed shortly after Rigoletto. The opera is based upon Victor Hugo's play Le roi s'amuse, a... »
30 Oct 2004
PETER GELB CHOSEN TO SUCCEED JOSEPH VOLPE AS GENERAL MANAGER October 29, 2004 William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Peter Gelb, president of Sony Classical, has been chosen to succeed Joseph... »
29 Oct 2004
New York City Opera in Talks to Build Its Own Home By ROBIN POGREBIN [NY Times] The New York City Opera is in negotiations to build a new opera house on the site of the former American Red Cross New... »
28 Oct 2004
*New Zealand Opera's 2005 Season Will Include Adams' The Death of Klinghoffer* By Emily Quinn October 28, 2004 The NBR New Zealand Opera's 2005 season will include a production of John Adams' The Death of Klinghoffer, the opera announced today.The... »
27 Oct 2004
Three Challengers Take on the Mini Latest 'iPod Killers' Score On Style and Storage Space, But They Aren't Easy to Use October 27, 2004; Page D1 One of the key reasons for the continuing popularity of Apple Computer's line of... »
26 Oct 2004
*Théâtre Impérial de Compiègne will produce on 28 November Hayedée ou Le secret, a comic opera in three acts by Daniel François Auber.* Production Details Libretto by Eugène SCRIBE Music by Daniel François Esprit AUBER Musical direction by Michel SWIERCZEWSKI... »
22 Oct 2004
Aaron Copland's The Tender Land: Opera About Midwestern Farm Family Opens Opera Omaha's Orpheum Season November 17, 19, 21 Omaha, NE--Opera Omaha will open its Orpheum season of performances with a new production of Aaron Copland's The Tender Land. Performances... »
14 Oct 2004
iMac, iPod, iConquered By Cynthia L. Webb washingtonpost.com Staff Writer Thursday, October 14, 2004; 9:50 AM For Apple Computer, will 2004 be remembered as a transformative year? Yes, according to The Wall Street Journal, which said the Cupertino, Calif.-based company's... »
11 Oct 2004
ANDROMEDA LIBERATA A VENETIAN MYSTERY By Ulrike Brenning With the recording of Andromeda liberata - their debut on Archiv Produktion - Andrea Marcon and the Venice Baroque Orchestra have scored a real coup. This is a newly rediscovered, full-concert-length work... »
11 Oct 2004
Downloading Justice By Cynthia L. Webb washingtonpost.com Staff Writer Monday, October 11, 2004; 9:36 AM The file-sharing wars could get even hotter if the U.S. Supreme Court decides to weighs in on whether "peer-to-peer" networks should be held responsible for... »
01 Oct 2004
Voice activated By Galina Stolyarova STAFF WRITER Photo by Meri Cyr / FOR SPT The Mariinsky theater, which opens its 2004-2005 season on Thursday, Oct. 7th with Glinka's "A Life For The Tsar," has tailored the forthcoming musical year for... »
28 Sep 2004
Silicon Still Rocks the House By Cynthia L. Webb washingtonpost.com Staff Writer Tuesday, September 28, 2004; 9:38 AM The Internet may have forever changed the music business, but online downloads will keep playing second fiddle to compact discs for at... »
17 Sep 2004
Jubilee of a profitable opera house By Jeremy Grant Published: September 17 2004 03:00 | Last updated: September 17 2004 03:00 The Lyric Opera of Chicago is marking its 50th anniversary and new season with Christoph Eschenbach conducting Peter Stein's... »
07 Sep 2004
By Robert Commanday The opening of the season in San Francisco has always turned first thoughts to opera. The success of the San Francisco Symphony, its greater subscribership through Fall, Winter and Spring notwithstanding, opera has ruled here as an... »