Macbeth at the Met

Verdi, a born skeptic where the supernatural is concerned, did not seem to know quite what to do with the witches in Macbeth and was far too loyal to Shakespeare to reduce their role ñ he knew how closely the play was bound to them, famous for them.

Le Nozze di Figaro ñ Metropolitan Opera

Le Nozze di Figaro, in 1786, was the longest and most elaborate opera buffa ever composed and (though it is seldom given complete) is still the longest you are likely to see in the regular repertory.

Armida

As its name suggests, the selections on this wonderful new CD are all excerpted from five different versions of the tale of the beautiful enchantress ìArmida.î

‘Cosi’ — the joys and despair of deep love

http://www.miamiherald.com/1213/story/302251.html

‘Fledermaus’ singer prince of a gal

http://www.azcentral.com/arizonarepublic/ae/articles/1111blythe1111.html

Dallas Opera’s ‘Macbeth’ makes for a distracting season opener

By SCOTT CANTRELL [Dallas Morning News, 10 November 2007] It would be a pleasure to report that the Dallas Opera has begun its second half-century with a triumph, but, well,…

BEETHOVEN: Fidelio

Recorded on 29 January 1978, this performance preserves a classic production of Beethovenís Fidelio, which involved a gifted cast.

Houston pays homage to opera’s living legends

Although seriously ill, Beverly Sills and Luciano Pavarotti were still very much alive when general director Anthony Freud in his second year in this position planned the 53rd season of the Houston Grand Opera.

José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI.

Verdiland Revisited

Since his appointment as general manager of Parma’s Teatro Regio in August 2005, Mauro Meli didn’t conceal his ambitious plans for growth.