It was one of Quelerís good nights.
Month: April 2008
MASSENET: Marie-Magdeleine
Marie-Magdeleine: Drame sacrÈ in three acts and four scenes
BELLINI: Norma
This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience ìmoreî of what he believes the modern audience expects.
(Mostly) Pretty Poison
What to make of “Lucrezia Borgia”? I have always felt that, some lovely arias notwithstanding, this Donizetti work never really gets going until the slam-bang soprano-baritone duet in Act II.
Composer Philip Glass charms in Nasher Salon lecture
http://www.dallasnews.com/sharedcontent/dws/ent/stories/DN-glass_0418gl.ART.State.Edition1.46773d6.html
Review: Ainadamar, Flavio and Der Rosenkavalier
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/18/bmaina118.xml
The Minotaur: Enthralling, hypnotising – and unloveable
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/17/btopera117.xml
Bringing Out the Big Gunns
http://www.nysun.com/arts/bringing-out-big-gunns
Kathleen Battle, Carnegie Hall, New York
http://www.ft.com/cms/s/0/03816b02-0b06-11dd-8ccf-0000779fd2ac.html
Berlinís ìotherî opera often stellar
It is, you might say, the little opera that can. True, if itís size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlinís opera houses.