OONY Performs Puccini’s Edgar

It was one of Quelerís good nights.

MASSENET: Marie-Magdeleine

Marie-Magdeleine: Drame sacrÈ in three acts and four scenes

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience ìmoreî of what he believes the modern audience expects.

Berlinís ìotherî opera often stellar

It is, you might say, the little opera that can. True, if itís size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlinís opera houses.

(Mostly) Pretty Poison

What to make of “Lucrezia Borgia”? I have always felt that, some lovely arias notwithstanding, this Donizetti work never really gets going until the slam-bang soprano-baritone duet in Act II.

Composer Philip Glass charms in Nasher Salon lecture

http://www.dallasnews.com/sharedcontent/dws/ent/stories/DN-glass_0418gl.ART.State.Edition1.46773d6.html

Review: Ainadamar, Flavio and Der Rosenkavalier

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/18/bmaina118.xml

The Minotaur: Enthralling, hypnotising – and unloveable

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/04/17/btopera117.xml

Bringing Out the Big Gunns

http://www.nysun.com/arts/bringing-out-big-gunns

Kathleen Battle, Carnegie Hall, New York

http://www.ft.com/cms/s/0/03816b02-0b06-11dd-8ccf-0000779fd2ac.html