Das Rheingold, Paris Opera (Bastille)

http://www.ft.com/cms/s/2/2747beac-2b9c-11df-a5c7-00144feabdc0.html

Regarding ‘The Nose’: What Did the Art Critic Think of the Opera?

http://artsbeat.blogs.nytimes.com/2010/03/09/regarding-the-nose-what-did-the-art-critic-think-of-the-opera/

The Elixir of Love at ENO

As a medic with a keen knowledge of psychology, Jonathan Miller probably knows a thing or two about elixirs and placebos.

The Gambler, London

The global credit crunch, with its painful exposure of the moral and literal
bankruptcy of our own age, provides the perfect backdrop for this new
production of Prokofiev’s The Gambler, the first ever staging of
this opera at The Royal Opera House, Covent Garden.

A dark but moving “La BohËme” at the Minnesota Opera

http://www.tcdailyplanet.net/news/2010/03/08/music-dark-moving-la-boheme-minnesota-opera

Philip Langridge, British Operatic Tenor, Dies at 70

http://www.nytimes.com/2010/03/08/arts/music/08langridge.html

Love Triumphs in L’Elisir d’amore at Lyric Opera of Chicago

In its current revival of Donizetti’s L’Elisir d’amore Lyric Opera of Chicago’s production showcases the strengths and foibles of humanity, while assuring the ultimate triumph of love.

Puccini: La Rondine

Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory.

Brilliant Schubert programme: Matthias Goerne, Wigmore Hall

This second of two recitals of Schubert songs by Matthias Goerne and Helmut Deutsch at the Wigmore Hall, London was superb, the programme created with exceptional intelligence and insight into the inner dynamics of Schubert’s music.

Tamerlano: Handel at the Royal Opera House, London

Handel’s Tamerlano, in the production by Graham Vick, is well
known, but its run at the Royal Opera House is unusual because many of the cast
are creating the roles for the first time. It isn’t a live reprise of the DVD,
but more challenging.