Theatre of war: new-found patriotism meets old-school propaganda in a Russian opera about Crimea

By Amelia Glaser [2 September 2014, The Calvert Journal]
This year, Russia has revelled in grand demonstrations. If Sochi’s opening ceremony is now a distant memory, the annexation of Crimea has offered a theme for mass spectacle to rival those of the Soviet Union. The Night Wolves motorcycle club (Russia’s Hells Angels) recently hosted their annual bike show in Sevastopol in Crimea, dedicated to the defenders of the fatherland from 1941 to 2014. Poems celebrating Russia’s historical struggle for Crimea were interspersed with black-clad “fascists” dancing to soundbites from Barack Obama and Angela Merkel. President Vladimir Putin sent a greeting; Steven Seagal made an appearance. These larger-than-life images of a triumphant fatherland, venerated leader and glorious history suggested a new return to Socialist Realism, albeit with a post-socialist twist.
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