It’s been a while: well, over 40 years, since I heard Lehár’s Die lustige Witwe, in an amdram production just outside of Manchester in which I was playing French horn.…
Author: Colin Clarke
Enchantresses: Sandrine Piau at Wigmore Hall
Sandrine Piau’s recent Alpha disc (also Enchantresses) was mostly re-enacted in front of us (with a signing afterwards) for this remarkable concert at Wigmore Hall. The instrumental group used was…
Handel’s Jephtha at the Barbican
Handel’s last oratorio presents, as amongst the composer’s catalogue of undeniable masterpieces, a masterwork of stunning stature. Not a note is misplaced in Jephtha: long though it is (more of…
Multitudes: Mahler – Symphony Nr.8 with the LPO
Any Mahler Eighth Symphony is an occasion. It is an unwieldy, but nevertheless impressive behemoth of a piece. Interestingly enough, my most recent encounter with the symphony was also with…
Bach’s St John Passion with the AAM at the Barbican
How to approach the St John Passion? Certainly, I feel lucky to have experienced two proportions of epic power in recent years: Masaaki Suzuki and the Collegium Musicum Japan in…
London Handel Festival Double Bill: Tales of Apollo and Hercules
Quotations about – not from – myth festoon both stage (pre-performance) and the accompanying freesheet: ‘The lover of myth is in a sense a philosopher; for myth is composed of…
Renée Fleming sings Strauss
“Renée Fleming sings Strauss” shouted all the publicity for this concert, omitting to mention the program was 75% Wagner. Conductor Thomas Guggeis hardly got a look in, yet his successes…
Stéphane Fuget’s new recording of Lully Alceste from Versailles
Lully’s “tragédie lyrique en prologue et cinq actes” Alceste is set to a libretto by Philippe Quinault, after Euripides (Alcestis). The first performance took place at the Theâtre du Palais-Royal…
A memorable Mahler 3 from The Simón Bolívar and Gustavo Dudamel in London
The Simón Bolívar Symphony Orchestra of Venezuela has certainly been in the news of late, with pianist Gabriela Montero particularly vocal in the wake of the recent election. But they…
A rare outing for Francesco Scarlatti’s Il Daniele nel lago de’ Leon at Wigmore Hall
The rarest of the rare, perhaps, here: an oratorio by Francesco Scarlatti. And you thought Alessandro’s output was elusive. Francesco Scarlatti (1656-1721) was Alessandro’s brother (and uncle, therefore, of Domenico). …