The 2024 Wigmore Hall / Bollinger Song Competition 2024 Final

The Wigmore Hall / Bollinger Song Competition has a distinguished list of previous winners, including Marcus Farnsworth, Julien van Mellaerts, Stephan Loges, Ian Tinsdale, James Baillieu, James Middleton and Christopher…

PROM 68: Garsington’s Midsummer Magic at the Proms

For its first outing to the Henry Wood Proms, Garsington Opera brought with it not only the luxury vehicle of the Philharmonia Orchestra, but a crack team of soloists –…

PROM 24: Baroque meets Hip-Hop for Purcell’s The Fairy Queen.

Purcell’s ‘other’ stage works are beginning to receive recognition, at last; Dido and Aeneas has held sole sway for too long.  Recently, Paul McCreesh recorded King Arthur (1691), while television…

Unalloyed delight: Handel’s Acis and Galatea at Holland Park

This seems to be quite the year for Opera Holland Park: A revelatory Puccini Edgar, a powerful coupling of Wolf-Ferrari (Il segreto di Susanna) and Leoncavallo (Pagliacci), and now the…

A Sign of the Times: the LAPO’s remarkable Fidelio

After a traditionally-framed concert the night before – a John Williams ‘Overture’ (Olympic Fanfare), a ‘Concerto’ (Gabriela Ortiz’s Altar de cuerda) and Dvořäk’s symphony, ’From the New World’ – tradition…

London Handel Festival International Singing Competition Final

With an internationally renowned jury, the London Handel Festival International Singing Competition carries a fair amount of clout. Jurors were: David Gowland (chairman, Artistic Director of the Jette Parker Scheme…

Handel’s Arianna:  An unforgettable close to the London Handel Festival’s ‘Spring Awakenings’ festival

This is not the London Handel Festival’s first stab at Handel’s unjustly neglected opera, Arianna in Creta; it was previously staged at the Royal College of Music in March 2014.…

What a difference a conductor makes: Puccini’s less-wounded Butterfly

Two years ago, on this very site, I reviewed a matinée performance of Madama Butterfly at Covent Garden; the review was titled A Wounded Butterfly.  The beautiful production by Moshe…

Janáček’s Jenůfa burns intensely at ENO

One of Janáček’s most famous operas, Jenůfa is a clear masterpiece. Janáček, in his remarkable adaptation of Gabriela Preissová’s play Její pastorkyña (Her Stepdaughter), offers a searing tale of infanticide…

The Dutchman returns to Covent Garden

Tim Albery’s production of Wagner’s Der fliegende Holländer – which presents, as the composer intended, the opera in one unbroken, 140-minute span and concludes with the ‘Dresden’ ending of emphatic…