Unalloyed delight: Handel’s Acis and Galatea at Holland Park

This seems to be quite the year for Opera Holland Park: A revelatory Puccini Edgar, a powerful coupling of Wolf-Ferrari (Il segreto di Susanna) and Leoncavallo (Pagliacci), and now the…

A Sign of the Times: the LAPO’s remarkable Fidelio

After a traditionally-framed concert the night before – a John Williams ‘Overture’ (Olympic Fanfare), a ‘Concerto’ (Gabriela Ortiz’s Altar de cuerda) and Dvořäk’s symphony, ’From the New World’ – tradition…

London Handel Festival International Singing Competition Final

With an internationally renowned jury, the London Handel Festival International Singing Competition carries a fair amount of clout. Jurors were: David Gowland (chairman, Artistic Director of the Jette Parker Scheme…

Handel’s Arianna:  An unforgettable close to the London Handel Festival’s ‘Spring Awakenings’ festival

This is not the London Handel Festival’s first stab at Handel’s unjustly neglected opera, Arianna in Creta; it was previously staged at the Royal College of Music in March 2014.…

What a difference a conductor makes: Puccini’s less-wounded Butterfly

Two years ago, on this very site, I reviewed a matinée performance of Madama Butterfly at Covent Garden; the review was titled A Wounded Butterfly.  The beautiful production by Moshe…

Janáček’s Jenůfa burns intensely at ENO

One of Janáček’s most famous operas, Jenůfa is a clear masterpiece. Janáček, in his remarkable adaptation of Gabriela Preissová’s play Její pastorkyña (Her Stepdaughter), offers a searing tale of infanticide…

The Dutchman returns to Covent Garden

Tim Albery’s production of Wagner’s Der fliegende Holländer – which presents, as the composer intended, the opera in one unbroken, 140-minute span and concludes with the ‘Dresden’ ending of emphatic…

A Wounded Butterfly at Covent Garden

Puccini’s Madama Butterfly, beautiful though it is, presents issues for contemporary values; hence the current rethink of the Moshe Leiser and Patrice Caurier production.  The Royal Opera brought in Japanese…

Diana Damrau, Jonas Kaufmann and Helmut Deutsch at the Barbican Hall

Good to see such a full hall for these two beloved singers with one of the finest collaborative pianists of them all.  This programme was a celebration of the lives…

Nadine Benjamin triumphs in ENO’s La bohème

The fifth revival of Jonathan Miller’s well worn-in production of Bohéme has brought with it a number of revelations.  On the first night (February 3), it was the conducting of…