After the ‘shabby little shocker’ that was Oliver Mears’s production of Semele, seen at the Royal Opera House just two months ago, he now turns his attention to the opera that…
Author: Curtis Rogers
Berlin Staatsoper’s poignant re-interpretation of Strauss’s comedy Die schweigsame Frau
Die schweigsame Frau (1935) was Strauss’s only collaboration with Stefan Zweig – a writer as prominent and satisfactory for the composer to work with as Hugo von Hofmannsthal had been…
Glyndebourne brings Falstaff to Metroland
In Richard Jones’s production of Verdi’s last opera, first seen in 2009, big, bold sets evoke mid-1940s Windsor, just after the end of the War. The mock Tudor facades of…
Outward 18th Century Charm with Insights into Character for Glyndebourne’s New The Marriage of Figaro
Mariame Clément’s new production of Le nozze di Figaro doesn’t throw any big or provocative ideas at Mozart’s perennial masterpiece – a mainstay for Glyndebourne and its most performed opera…
Chelsea Opera Group make a creditable addition to their repertoire of neglected operas in Bellini’s La straniera
Having presented Lalo’s Le roi d’Ys, based on a Breton legend, back in March, Chelsea Opera Group now gave another opera set in Britanny, Bellini’s La straniera (1829). It’s another…
A provocative musical and dramatic satire upon the legacy of Wagner opens Longborough’s 2025 season
The matter of Wagner’s antisemitism – or, more to the point, whether it permeates his work, and its influence upon subsequent German cultural and social history – is a debate likely to…
Seamless, genial comedy for Glyndebourne’s The Barber of Seville
This revival of Annabel Arden’s production of The Barber of Seville for Glyndebourne happily falls within the same season in which its sequel The Marriage of Figaro will also be…
RAM students’ powerful and vivid enactment of Britten’s Biblical drama The Burning Fiery Furnace
The Burning Fiery Furnace (1966) is the second of Britten’s Church Parables, based on an episode from the Book of Daniel in the Old Testament. Its immediate literary inspiration is…
Telemann’s witty social comedy Pimpinone receives a blunter feminist interpretation by Royal Ballet and Opera
Telemann’s Pimpinone (1725) is perhaps second only to Pergolesi’s La serva padrona (whose plot it pre-empts) as one of the best-known examples of that curiosity of 18th century musical theatre,…
A Colourful Realisation of a Galuppi Opera in Its First Modern Performance
Arcifanfo is the recently rediscovered collaboration between two 18th century Venetians, Baldassare Galuppi and Carlo Goldoni, whose work on many operas together was seminal in the development of opera buffa.…