In 2021, VOCES8 invited us to pull a Christmas Cracker. This year they encouraged us to relish the quiet sparkle of Silver Bells. Their Christmas Eve live stream, from the…
Author: Claire Seymour
A seasonal masterpiece: Britten’s A Ceremony of Carols at Temple Church
Britten’s A Ceremony of Carols, for three-part treble voices and harp, is one of the composer’s most joyful works, its expression direct, strong and true. It was composed in the…
Resonemus laudibus: a Renaissance Christmas from The Sixteen at Wigmore Hall
“Let praises resound!” was the rallying cry of this Wigmore Hall lunchtime recital of Christmas music by The Sixteen. It’s common, these days, for vocal ensembles to juxtapose old and…
A children-friendly Hansel and Gretel at Covent Garden
Hunger and gluttony; poverty and glamour; homelessness and tinselly angels; the reality of rags and the sparkle of magic. The stark juxtapositions evident on the Strand, during my walk from…
O Magnum Mysterium: The Gesualdo Six celebrate Advent at LIVE from London
The Gesualdo Six performed at the very first LIVE from London festival, back in the summer of 2020 presenting music associated with the Compline service, the works linked by a…
VOCES8: LIVE from London – Christmas 2023
In a personal note to accompany his second solo disc, Bach, VOCES8’s artistic director Barnaby Smith observed that approaching his ‘beloved’ Bach’s music filled him with ‘some trepidation’: ‘I’m sure…
The English Concert celebrate Saffron Hall’s 10th anniversary with a superb Rodelinda
Not many concert venues double up as school assembly halls. Actually, that statement does a double disservice: first, to Saffron Hall, which opened on the site of Saffron Walden County…
Bampton Classical Opera Young Singers’ Competition – winners announced
Bampton Classical Opera is delighted to announce that the winner of the 2023 Young Singers’ Competition is mezzo-soprano Melissa Gregory. The second prize has been awarded to countertenor Kieron-Connor Valentine. The winner of the accompanists’…
A dystopian Ariodante at the Royal Academy of Music
‘The Rules’ define a male-centric world as oppressive and restrictive as Margaret Atwood’s Gilead. Kings rule by divine right. Gender is binary. The value of a woman is her purity.…
Anthony Roth Costanzo makes his debut at Wigmore Hall with La Nuova Musica
On the page this looked rather a rag-bag sort of programme. Some early Mozart opera seria arias and songs, alongside two of Gluck’s best-known arias from Orfeo ed Euridice, welded…