Mattila and Grigorian excel in Claus Guth’s new production of Jenůfa at Covent Garden

When Gabriela Preissová’s play, Její pastorkyňa (Her Stepdaughter), was produced for the first time, on 9th November 1890 at the National Theatre in Prague, it provoked a fierce debate between the advocates…

Ephemera & Inventions: composer Tom Coult discusses two Oxford Lieder Festival premieres

‘Suppose you were to be roused from your sleep with the cry of “Fire!” and were informed that the house in which you had been sleeping was in flames, how…

Gluck’s Paris and Helen: Bampton Classical Opera at St John’s Smith Square

Greek heroes are not unaccustomed to squaring up to the whims of gods and fortune, but in bringing Christoph Willibald Gluck’s account of the elopement of Paris, son of King…

Profound questions from Ondřej Adámek and the LSO, at the Barbican

An obvious risk, and frustration, in asking infinitely profound questions is that one knows they cannot be answered.  The title of Ondřej Adámek’s orchestral song-cycle, Where Are You?, poses one such…

Angel Blue and the National Institute of Social Sciences present ‘What’s Next for Opera?’ webinar

On September 23 at 12pm ET / 5pm BT, the National Institute of Social Sciences (NISS) will present a webinar, ‘What’s Next for Opera?’, with a distinguished roster of industry…

Oliver Mears’ Rigoletto at Covent Garden: a superb drama of darkness and light

It was an absolute delight to be back at the Royal Opera House for the opening night of the 2021-22 season, but also somewhat disorientating.  A full auditorium; convivial operagoers…

A wonderful recital of French song from Sabine Devieilhe and Alexandre Tharaud at Wigmore Hall

When I heard the French soprano Sabine Devieilhe make her solo debut at Wigmore Hall in May 2018, the only quibble I had with her charming programme, Les Salons de…

Respighi Songs: Ian Bostridge and Saskia Giorgini

In 1913, Ottorino Respighi (1879-1936) became professor of composition at the Liceo Musicale di S Cecilia in Rome, a post he held for over a decade.  One of his students…

Arcangelo perform Bach’s St Matthew Passion at the BBC Proms

When Arcangelo performed Handel’s Theodora on the penultimate evening of the 2018 Proms season, I wondered whether a small period-instrument ensemble and singers could surmount the challenges posed by the…

Amy Beach’s Cabildo at Wilton’s Music Hall: a Creole Beggar’s Opera

Pierre Lafitte (1770-1821) is a figure of swashbuckling legend.  The French-born New Orleans merchant mariner-cum-pirate and his brother Jean ran an illicit trading network in defiance of the American, Spanish…