Mahler in extremis: Ferocity and peace from Tilson Thomas and the LSO in the ‘Resurrection’

Sometimes when you listen to performances of the great symphonies – and Mahler’s Second is one of the greatest – your mind turns to other things. This can often be…

DiDonato’s compelling Death of Cleopatra opens a thrilling LPO concert

Vengeance and Death. Medea and Cleopatra. These were the themes that provided the opening works to the London Philharmonic Orchestra’s new season that will be devoted to Moments Remembered which…

PROM 56: Bruckner and God.

The BBC Singers and the Berliner Philharmoniker in motets and the Fifth Symphony Anton Bruckner was first and foremost a man of God. Much of what he composed was defined…

PROM 37: Pappano’s operatic War Requiem resonates with poetry and horror

Composers have long taken the horrors of the Second World War and used it as either a lament for its atrocities or an expression of reconciliation after them. Both Krzysztof…

PROM 9: Alice Coote sings Mahler’s Kindertotenlieder

This was a riveting concert. Brahms (in his most enigmatic of symphonies), Schoenberg (in one of his lushest of scores) and Mahler in one of his most profound of song…

PROM 6: A striking Verdi Requiem of blazing force and compelling drama

With this performance, the first given at the Proms since 2021, and twenty-second since its first outing in 1956, Verdi’s Requiem is now the most frequently performed non-operatic work I…

Further details announced for four groundbreaking opera and music theatre UK premieres at the Barbican this autumn

This autumn, the Barbican is delighted to host four groundbreaking new opera and music theatre projects that will receive their UK premieres this coming 2024-25 season. Opera and music theatre…

Tosca Revived: Angel Blue, Russell Thomas and Andrea Battistoni at the Royal Opera

The Royal Opera’s venerable production of Tosca – now in its seventeenth revival – is still a great one, but after my third visit in five or so years I…

Revolutions: A magical evening of six new operas by young composers at the Royal College of Music

Often a reviewer’s evening spent at the opera has little to do with the future of the art – arguably, we might sometimes be thinking it is the opposite. The…

Jurowski’s London Philharmonic Ring comes to a magnificent end with Götterdämmerung

Life can sometimes imitate art and in the case of this concert performance of Wagner’s Götterdämmerung that has certainly been so. Originally scheduled for 2021, at the end of Vladimir…