Sir Simon Rattle’s final Barbican concert with the London Symphony Orchestra as their Music Director ended his six-year tenure – perhaps one that was shorter than it might have been…
Author: Marc Bridle
Ecstasy and Revolution: The Bells and Prometheus with Kochanovsky and the Philharmonia
The anniversaries of composers always provide a decent opportunity to hear music we rarely do. Serge Rachmaninoff’s 150th anniversary is a major chance to do that – although he is…
‘Babi Yar’: Shostakovich, Noseda and the LSO
Shostakovich’s ‘Babi Yar’ Symphony, his thirteenth, is amongst his greatest works – and yet in a sense it disappeared completely after its troubled premiere on December 18th, 1962. The composer…
Bryn Terfel and Alexander Soddy in Wagner and Bruckner with the Philharmonia
Wagner and Bruckner often make a good coupling in concerts – if they have the right conductor. Musically they can be close – but they do need to be treated…
Paavo Järvi’s Mahler Third: a fabulous and treasurable performance
In the wrong performance Mahler’s Third Symphony can be a burden on the listener and I have very often found this the most difficult of his symphonies to bring off…
A superb Yonghoon Lee heads a magnificent cast at Covent Garden in Antonio Pappano’s first Turandot
Is Turandot the last great Italian opera of the twentieth century? It’s a common and widely written viewpoint – indeed, William Ashbrook and Harold Powers called it ‘the end of…
Szymanowski’s Symphony No.3, The Song of the Night, in a mixed evening at the Barbican
This was an odd concert – supposedly with a Polish link, in that its bookends were two symphonies from that country, and two symphonies at that which were born out…
Gran Cadenza: Irvine Arditti’s 70th Birthday and Jake Arditti sings Hilda Paredes’ Canciones Lunáticas
Although over its many years the faces of the Arditti Quartet have changed, its one constant has been Irvine Arditti himself. Now 70-years old, this birthday lunchtime recital, called Gran…
Tan Dun’s Buddha Passion: a flawed work which isn’t all it seems
If one thinks of a classical ‘Passion’ one might not expect the Chinese-American composer Tan Dun to feature in any list of compositions. The liturgical, protestant, Passions of Bach (unfashionable…
Rattle’s Stravinsky Journey with the LSO
Criticism of Simon Rattle as a conductor might be justified in several ways; as a creator and innovator of concert programs, however, such criticism would be very wide of the…