The Royal Opera’s venerable production of Tosca – now in its seventeenth revival – is still a great one, but after my third visit in five or so years I…
Author: Marc Bridle
Revolutions: A magical evening of six new operas by young composers at the Royal College of Music
Often a reviewer’s evening spent at the opera has little to do with the future of the art – arguably, we might sometimes be thinking it is the opposite. The…
Jurowski’s London Philharmonic Ring comes to a magnificent end with Götterdämmerung
Life can sometimes imitate art and in the case of this concert performance of Wagner’s Götterdämmerung that has certainly been so. Originally scheduled for 2021, at the end of Vladimir…
Poulenc’s Gloria in an all-French programme with the BBCSO at the Barbican
It is, I think, worth quoting the first paragraph of the booklet notes for the section on Francis Poulenc’s Gloria, the second work on this BBC Symphony Orchestra concert: ‘I…
Wagner’s 1877 Grand Festival makes a thrilling return to the Albert Hall
In May 1877, Richard Wagner brought to London, for eight concerts, what would become known as Wagner’s Grand Festival. The year before, Der Ring des Niebelungen had been heard for…
Rouvali falls short: Uninspired Verdi opens the Philharmonia’s new season
The Philharmonia Orchestra is no stranger to offering Verdi’s Requiem as either a work to open a season – or to close it (or anywhere in between). Many of its…
Glowing Wagner and Mahler’s Fourth from Vladimir Jurowski and the Bayerisches Staatsorchester
I first heard the Bayerisches Staatsorchester in the early 1980s – and one’s earliest memories, of ones first orchestras, often remain long over time. Wolfgang Sawallisch – never a favourite…
From Darkness to Light: Barbara Hannigan opens the LSO’s new season at the Barbican
The London Symphony Orchestra was the first of the major orchestras to open their autumn season in September. Unlike their brethren across the Thames (to the south), they chose not…
Simon Rattle’s Prom of Poulenc and Mahler proved both unforgettable and deeply personal
Farewell. This was an essential part of Sir Simon Rattle’s second Prom at the Royal Albert Hall. It was a final farewell to his tenure at the London Symphony Orchestra…
Ligeti’s Mysteries of the Macabre gets its Proms premiere with Iván Fischer and the Budapest Festival Orchestra
The Budapest Festival Orchestra are a crack ensemble. And under Iván Fischer they can do everything that is possible – and nearly anything impossible, too. They brought with them to…