The Royal Opera House launches a programme of free online content for the culturally curious at home

The Royal Opera House today announced a free programme of curated online broadcasts, musical masterclasses and cultural insights that get under the skin of both ballet and opera and offer everyone a unique look behind the scenes at one of the world’s most famous cultural institutions.

Charles Wuorinen: June 9, 1938 – March 11, 2020

Press release from Aleba & Co.:

Edward Nelson Wins 2020 Glyndebourne Opera Cup

A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.

Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater

A revelatory study of how composers and dramatists of seventeenth- and eighteenth-century France criticized and trivialized independent women in their portrayals of them in works of theater and opera.

Glanert: Requiem for Hieronymus Bosch – UK premiere

The culmination of the BBC Symphony Orchestra’s Total Immersion: Detlev Glanert on Saturday 7 December will be the UK premiËre of the German composer’s Requiem for Hieronymus Bosch conducted by Semyon Bychkov.

Bampton Classical Opera’s Young Singers’ Competition – Winner Announced

Bampton Classical Opera is delighted to announce that the winner of the 2019 Young Singers’ Competition is soprano Lucy Anderson. The runner-up prize has been awarded jointly to soprano Daniella Sicari and mezzo-soprano Carolyn Holt. The winner of the accompanists’ prize, a new category since 2017, is Dylan Perez, who accompanied Lucy Anderson.

Soprano Eleanor Dennis performs Beethoven and Schubert at the 2019 Highgate International Chamber Music Festival

When soprano Eleanor Dennis was asked – by Ashok Klouda, one of the founders and co-directors of the Highgate International Chamber Music Festival – to perform some of Beethoven’s Scottish Songs Op.108 at this year’s Festival, as she leafed through the score to make her selection the first thing that struck her was the beauty of the poetry.

Mark Padmore reflects on Britten’s Death in Venice

“At the start, one knows ‘bits’ of it,” says tenor Mark Padmore, somewhat wryly, when I meet him at the Stage Door of the Royal Opera House where the tenor has just begun rehearsals for David McVicar’s new production of Death in Venice, which in November will return Britten’s opera to the ROH stage for the first time since 1992.

Annilese Miskimmon appointed as English National Opera’s Artistic Director

English National Opera has appointed Annilese Miskimmon as Artistic Director.

An interview with Cheryl Frances-Hoad, Oxford Lieder Festival’s first Associate Composer

“Trust me, I’m telling you stories …”