Guildhall School of Music & Drama in association with The Royal Opera today announces Oliver Leith as the fourth Doctoral Composer-in-Residence, starting in September 2019. Launched in 2013, the collaboration…
Category: Commentary
In conversation with Nina Brazier
When British opera director Nina Brazier tries to telephone me from Frankfurt, where she is in the middle of rehearsals for a revival of Florentine Klepper’s 2015 production of Martin?’s Julietta, she finds herself – to my embarrassment – ‘blocked’ by my telephone preference settings. The technical hitch is soon solved; but doors, in the UK and Europe, are certainly very much wide open for Nina, who has been described by The Observer as ‘one of Britain’s leading young directors of opera’.
2019 Wigmore Hall/Independent Opera International Song Competition
Russian bass-baritone Mikhail Timoshenko has won the top prize at the 2019 Wigmore Hall/Independent Opera International Song Competition.
An Englishman in Vienna: Stephen Storace
When his first opera, Gli sposi malcontenti, premiered at the Burgtheater in Vienna on 1st June 1985, the 23-year-old Stephen Storace must have been confident that his future fame and fortune were assured.
Louise Jeffreys to become Deputy Chair of ENO
English National Opera (ENO) is pleased to announce that Louise Jeffreys is to become Deputy Chair of English National Opera and the London Coliseum. She replaces Nicholas Allan. Louise is…
Verdi Treasures from Milan’s Ricordi Archive make US debut
Rare testimonies to the history of Italian opera from the Milan-based, Bertelsmann-owned Ricordi Archive will now be shown in the United States for the first time. Fans of classical music and literature can look forward to the exhibition “Verdi: Creating Otello and Falstaff – Highlights from the Ricordi Archive”, which will be on view at the renowned Morgan Library & Museum in New York from September 6, 2019 to January 5, 2020.
Odyssey Opera Resurrects Henry VIII
BOSTON, MA (For Release 07.18.19) — One of the nation’s most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.
Glyndebourne Announces the Return of the Glyndebourne Opera Cup in 2020
Glyndebourne’s major new international singing competition returns in 2020 with a renewed commitment to supporting diversity in opera. The Glyndebourne Opera Cup – the international competition for opera singers is designed to discover and spotlight the best young singers around the world, offering a top prize of £15,000 and a guaranteed role at a leading international opera house. The final will once again be broadcast live on Sky Arts on 7 March 2020 and the series is produced by Factory Films.
An interview with Cheryl Frances-Hoad, Oxford Lieder Festival’s first Associate Composer
“Trust me, I’m telling you stories …”