In just ten years, the Oxford Lieder Festival has become Britain’s most important Lieder festival, with an international following.
Category: Commentary
The Inaugural Cambridge Handel Festival: a rosy dawn?
The haughty beauties that are the ancient colleges of Cambridge were definitely feeling the heat this past weekend, and not even the cooling streams of the Cam and its tributaries could assuage the heat of an Indian summer in the Fens of Eastern England.
Raffaele Cardone, Miami Lyric Opera
Remember when opera was all the rage? Remember when you could walk across to any town and experience a whole different opera scene, a different opera house, different orchestras and singers?
“Opera is like a tree” — ZhengZhong Zhou
In Gounod’s Faust at the Royal Opera House in October 2011,
Zhengzhong Zhou is alternating with Dmitri Hvorostovsky in the part of
Valentin. Alternating, not covering or substituting. Since Zhou is very young,
it’s quite a challenge.
Luca Pisaroni sings Handel at Glyndebourne
Luca Pisaroni is one of one the more exciting young bass-baritones of his
generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at
the Glyndebourne Festival.
Madama Butterfly by Caurier and Leiser
Patrice Caurier and Moshe Leiser’s Madama Butterfly is such a classic that it is being filmed for the second time at the Royal Opera House, London.
Will Crutchfield: Interview with the Director of Opera for the Caramoor Festival
Will Crutchfield made his name as a writer and musicologist in the mid-1980s, becoming the youngest music critic in the history of The New York Times.
Jeremy White and the British character singer tradition
Divas make headlines, but character singers are fundamental to the British opera tradition. “Character singing,” says Jeremy White, one of the stalwarts of the Royal Opera House, “is much more than just voice.”
Piotr Beczala
Piotr Beczala, the Polish lyric tenor, stars in the current La Traviata at the Royal Opera House, London.