The worldwide search is on for operaís rising stars to compete for the coveted title BBC Cardiff Singer of the World 2007 and a £15,000 prize.
Category: Commentary
On The Academy of Vocal Arts
The Academy of Vocal Arts, based in the hub of Philadelphia, has one of the richest traditions of training and nurturing operatic singers.
Opera at Curtis
Curtis, Americaís top fully funded conservatory, is on the move as one of the nationís leading opera preparatory programs.
“A voice so beautiful, it will break your heart.”
Mary-Lou Vetere-Borghoff interviews Soprano Jennifer O’Loughlin of the Vienna Volksoper
Settling the Score — An Interview with Philip Gossett
Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher.
Pairing and Elaboration
The character configuration in Vivaldi’s Tito Manlio is unusual because of its musical pairing of the prima donna Servilia with the seconda donna Vitellia not just once, but twice in the second act of the opera.
Pratolino, Venice, Mantua: Musings on Vivaldi’s Tito Manlio
Tito Manlio, Vivaldi’s second opera in Mantua for the 1718/19 season, is fraught with political and familial tensions.1
Opera in Paris
What a difference a year makes. Music lovers who rely on their memories to find the right places to hear music in Paris could be for a surprise if they do not check beforehand what France has now to offer.
The Bostridge Phenomenon
The curious phenomenon of British tenor manquÈ, Ian Bostridge, continues to astound, as his concert and even operatic dates, primarily in Europe, mount; his recordings increase, and his appeal to a certain section of the classical audience (they would likely call themselves, ìcognoscentiî) endures. I have to wonder why?
HGO announces season
Two Mozart operas — “Magic Flute” and “Abduction from the Serail” — head the list of works to be performed by the Houston Grand Opera in its 2007- 08 season that opens with Verdi’s “Masked Ball” on October 19.