Based on reading the New York Times’ account of Met opera soprano Ruth Ann Swenson’s distemper with her home company in New York, published Thursday 5 April over the byline of Daniel J. Wakin, it is hard to find either motivation or reasonable expectation of reward for any of the participants in this travesty – reporter, newspaper, opera manager Peter Gelb (who comes off best), or, least of all, the distraught diva.
Category: Commentary
Conlon makes his mark at LA Opera
To his work as music director of the Los Angeles Opera James Conlon brings two commitments that some in music would find incompatible.
Launch of BBC Cardiff Singer of the World 2007
- Record number of singers auditioned
- Three countries competing for first time
- New sponsorship and increased prize money
HGO announces season
Two Mozart operas — “Magic Flute” and “Abduction from the Serail” — head the list of works to be performed by the Houston Grand Opera in its 2007- 08 season that opens with Verdi’s “Masked Ball” on October 19.
BBC Cardiff Singer of the World 2007
The worldwide search is on for operaís rising stars to compete for the coveted title BBC Cardiff Singer of the World 2007 and a £15,000 prize.
On The Academy of Vocal Arts
The Academy of Vocal Arts, based in the hub of Philadelphia, has one of the richest traditions of training and nurturing operatic singers.
Opera at Curtis
Curtis, Americaís top fully funded conservatory, is on the move as one of the nationís leading opera preparatory programs.
“A voice so beautiful, it will break your heart.”
Mary-Lou Vetere-Borghoff interviews Soprano Jennifer O’Loughlin of the Vienna Volksoper
‘Giulio Cesare’ at The Met ó Two Views
Here are two views of Handel’s Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April.