The Charterhouse of Parma in Marseille

Henri Sauguet is not entirely unknown in opera circles — divas Regine Crespin, Felicity Lott, Nathalie Dessay and Leontyne Price have included his arias in their solo albums. Plus there is a recording of his 1954 opera-comique Les Caprices de Marianne.

Verdi’s Aida at Lyric Opera, Chicago

In its current revival of Giuseppe Verdi’s Aida Lyric Opera of Chicago approaches the challenges of the ambitious score with a cast well suited to the music and to the drama.

The Barber of Seville, Metropolitan Opera

It was a performance of Rossini’s The Barber of Seville in the late 90’s that marked my first visit to the Met.

Pountney directs Verdi’s Forza for Vienna

One of the guiding principles of the revisionist (if not intervisionist) school of opera directing commonly called “regie-theater” is that certain outdated dramatic conventions in the librettos of many great operas can actually interfere with a contemporary audience’s ability to perceive the true artistic worth of the work of art.

Le nozze di Figaro, Royal Opera

David McVicar’s production of The Marriage of Figaro, previously staged in 2006 (twice),

Ernani, Metropolitan Opera

Ernani accosts us with the charm and the gaucherie of a provincial youth
without much experience as the host of a classy party.

The Tales of Hoffmann, ENO

In many respects, The Tales of Hoffmann and Richard Jones would seem a good fit.

Dido and Aeneas, Manitoba

Winnipeg music lovers were willingly transported back several centuries as
Daniel Taylor and Montreal-based Theatre of Early Music graced Westminster
United Church with a program of infrequently heard music.

Gustav Mahler: Das Lied von der Erde

Recorded on 14 June 1964 at the Grofler Saal of the Musikverein, Vienna, as part of the Wiener Festwochen, this legendary performance of Mahler’s Das Lied von der Erde was released in 2011 on Deutsche Grammophon.

Il trittico in Lyon

All the important directors pass through Lyon, so it was just a matter of time before British director David Pountney would be invited to stage a production. It was Puccini’s triptych.