Dvo?·k und seine Zeit ñ Dvo?·k and his Time ñ immediately conveys a singular perspective on some of the vocal music of AntonÌn Dvo?·k (1841-1904) in the context of his generation. Recorded on 17 August 2004, the music on this two-CD set is from the second of two programs that were given at the 2004 Salzburg Festspiel under the rubric of ìDvo?·k und seine Zeit.î
Category: Reviews
Natalie Dessay: Mozart Concert Arias
I wonder how Natalie Dessay would comment on this CD made more than 10 years ago when she was barely thirty? The lady is a dream for every interviewer.
BELLINI: La Sonnambula
What to do, what to do, with Bellini and Romaniís bel canto masterpiece, La Sonnambula? The exquisite music demands to be performed, so the opera continues to have an existence on the fringes of the standard repertory.
Ablaberdyeva/Korobeinikov at Wigmore Hall, London ó Four Reviews
On 28 December 2005, soprano Alla Ablaberdyeva and pianist Andrei Korobeinikov presented a program of songs by Rachmaninov, Britten and Shostakovich. Here are four reviews.
RÈgine Crespin: Wagner and Berlioz Opera Arias
For those who want to possess every single TV appearance of RÈgine Crespin, this issue will not suffice. Only four items of the EMI DVD devoted to the soprano are to be found on the short DVD that is included with this CD.
CATALANI: La Falce
Although nothing is mentioned on the cover of the CD, I think this is the first official recording of the opera even if there are some pirates doing the rounds of the collectors (my copy is a Buenos Aires pirate). So this is not an unimportant issue of Catalaniís first opera.
L’Elisir d’Amore at the Met ó Three Reviews
The Metropolitan Opera presented Donizetti’s L’Elisir d’Amore (The Elixir of Love), which “tells of the peasant Nemorino who decides to take some magic elixir sold to him by a quack doctor, so that he can win the heart of a wealthy land-owner, who (to spite Nemorino) has announced her marriage to a sergeant.” Here are three reviews:
Jonathan Lemalu: Love Blows as the Wind Blows
If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time.
BRUCH: Das Lied von der Glocke
A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so theyíll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous.
WEBER: Der Freisch¸tz
This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here.