La BohËme, LA Opera

The Los Angeles opera company ended its 2011-2012 season with Giacomo
Puccini’s long-loved La BohËme, in a long-lived production. What is
it about this opera that keeps old loves alive?

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.

Don Giovanni, LA Philharmonic

Kudos to the Los Angeles Philharmonic Association and Gustavo Dudamel for their courageous plan to present semi staged performances of the Mozart/Da Ponte trilogy of Italian operas with the assistance of outstanding set and costume designers and directors.

Salome, Royal Opera

In David McVicar’s staging of Strauss’s disturbing opera, first seen at
Covent Garden in 2008 and now enjoying its second revival, Salome’s descent
down the Stygian staircase is a literal drop into a subterranean slaughterhouse
and an ethical fall into the delights and depravity of her of burgeoning yet deadly sexuality.

Maria Padilla: Chelsea Opera Group

Donizetti’s Maria Padilla received a concert performance with the Chelsea Opera Group.

Handel and the Rival Queens: Lufthansa Baroque Festival

A fascinating evening of arias and readings on the theme of Handel’s “rival queens”, Francesca Cuzzoni and Faustina Bordoni.

A Toronto Trilogy

Canadian Opera Company’s diverse May offerings included some superlatively sung Handel, a galvanizing star turn from a rising tenor talent, and a well-matched veristic double bill of tragedy and comedy.

Tristan und Isolde, Welsh National Opera

Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.

Glyndebourne Jan·?ek The Cunning Little Vixen

Glyndebourne’s 2012 season started in great style with Leoö Jan·?ek’s The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.

History Repeating

Iestyn Davies’ Wigmore Hall recital, ‘History Repeating’, may have explored various composers’ engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead.