Die Walk¸re at La Scala

The opening night of the new season at Teatro alla Scala Milan is a gala event, the most glamorous in the entire Italian opera year.

Magic Flute, Phoenix

Wolfgang Amadeus Mozart and Emmanuel Schikaneder had known each other for some time before they wrote The Magic Flute.

Cecilia Bartoli at the Barbican Centre, London

Cecilia Bartoli is something of a phenomenon, capable of attracting an enthusiastic capacity crowd.

Handel’s Alcina at Barbican Centre, London

The Barbican’s Great Performers season often acts as a receiving house for continental opera productions, thus giving us in London a chance to hear interesting performances without actually having to travel.

A Midsummer Night’s Dream, Opera Australia

Transplanting Britten’s Shakespeare opera to an Indian setting seems at first an illogical step by Hollywood director Baz Luhrmann.

Die Entf¸hrung aus den Serail, Queen Elizabeth Hall, London

With its tricky ‘orientalist’ connotations, Singspiel-originating spoken dialogue, not to mention the problem of finding five outstanding singers who can cope with the considerable demands of the solo roles (and the commercial challenge presented by the need to pay a chorus who sing barely a few bars of music), Mozart’s Die Entf¸hrung aus den Serail does not receive as many stagings as it deserves.

Midsummer Night’s Dream, Lyric Opera of Chicago

In a seamless realization with an ideal cast Lyric Opera of Chicago celebrates the magical antics and foibles of both human and fairy in its premiere production of Benjamin Britten’s Midsummer Night’s Dream.

Don Carlo, Metropolitan Opera

It may be as well to put matters in context by saying that Don Carlo is a
favorite opera of mine (and of all Verdi lovers), and that I found the Met’s new staging highly satisfactory, vocally very good if less than top flight, orchestrally thrilling—and that I hope to catch it again this
season. (Interesting rumors have been heard about the alternate tenor.)

Rigoletto, Opera Australia

Not revived too frequently this 1991 production by Elijah Moshinsky updates the story to the 1960s and the films of Federico Fellini inspire the sets and costumes.

Le nozze di Figaro, Opera Australia

Neil Armfield’s insightful staging of Le nozze di Figaro is making a welcome return in the lead-up to his direction of the Ring Cycle for the Wagner bi-centenary 2013 (the first complete cycle staged in Melbourne in a century).