Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting.

CosÏ fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House’s 2010-2011 season began with CosÏ fan tutte, and simultaneous live international broadcast.

Unique Rigoletto live from Mantua

Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..

Englebert Humperdinck: Hansel und Gretel — BBC Prom 61

The annual visit of Glyndebourne Opera to the BBC Proms has become an eagerly awaited event.

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne.

Glimmerglass Rarities Out-Score Hall of Famer

To frame it in nearby-Cooperstown sports metaphors, the enterprising Glimmerglass Opera scored two decisive ‘home runs,’ and a decent enough ‘single’ in its 2010 Festival season.

Sigismondo, La Cenerentola, Demetrio e Polibio at Pesaro

The fourteen year old Rossini composed his first opera Demetrio e Polibio in 1806 though it was not performed for another six years.

Mozart and Rossini Finales at Grant Park, Chicago

During a recent concert at the Grant Park Music Festival, held on this
occasion in the adjacent Harris Theater, members of the Ryan Opera Center of
Lyric Opera of Chicago presented ensembles from four operas, two each by Mozart
and by Rossini.

Tales of Hoffmann at Santa Fe

The performances of Jacques Offenbach’s The Tales of Hoffmann
at Santa Fe Opera this summer are based on Michael Kaye’s edition of
the score.