Category: Performances

The New York City Opera continued its tradition of championing works that are less frequently
performed with this season’s production of La Donna del Lago.

Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4.

It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and
all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative
process and its product.

The latest offering from the Baltimore Lyric Opera was Bedrich Smetanaís sparkling comedy Prodana Nevesta (ìBartered Brideî), a little gem of Czech Romantic nationalism that one does not see live very often these days.

Verdi’s magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies.

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles.

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth.

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinnís production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation.

London is fortunate to have played host to several productions of Tchaikovskyís best-known opera in the last three years alone, most recently British Youth Operaís heartbreakingly fresh account last September ñ so it was a risky decision on ETOís part to stage yet another.

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by
Handel.