OK, so here’s the deal. I can sell you a love potion which will make the object of your desire fall head over heels in love with you. Guaranteed. You…
Category: Staged Operas
Carmen in San Francisco
Francesca Zambello’s 2006 Covent Garden Carmen rehashed once again by San Francisco Opera. This time with French mezzo-soprano Eve-Maud Hubeaux in the title role. In 2017 alone Mme. Hubeaux transformed…
Why aligning yourself with Satanic forces is never a good idea: Staatsoper Hamburg’s new production of Der Freischütz
It’s not an uncommon experience for people to wake up in the middle of the night, believing they have heard unsettling noises, or feeling those early palpitations of concern about…
Everest by San Francisco’s Opera Parallèle
San Francisco’s alternative opera company has just now revived its 2021 production of Everest, a 2015 Dallas Opera commission about climbers on Mount Everest, here reimagined as a graphic novel…
ENO’s Rigoletto still makes dramatic sense
Jonathan Miller’s Mafioso-style Rigoletto, first unveiled in 1982, would seem to be imperishable and has returned yet again to the Coliseum. If the set has not already been infested with…
Fun and games in Vienna: the Guildhall’s Die Fledermaus
Beware the dangers of playing pranks on friends who might nurse their grudges until the right moment presents itself to seek redress. Revenge is after all a dish best served…
Huang Ruo’s M. Butterfly gets its UK premiere
If any Puccini opera can evolve with the times it would probably be his Madama Butterfly. Indeed, it has been widely adapted to film – firstly by Fritz Lang in…
An engaging evening of fun demonstrating the very real virtues of Gilbert & Sullivan at its best
Gilbert & Sullivan’s Ruddigore presents several challenges, notably the technical one of bringing the ghosts of the ancestors out of their portraits and the more philosophical one of Victorian melodrama.…
ENO’s thought-provoking and sinister Turn of the Screw
Henry James’s 1898 novella expresses far more than the blurred lines arising from ghostly apparitions or the absence of moral absolutes. In Britten’s darkest opera the composer removes some of…
La battaglia di Legnano at Parma’s Verdi Festival gives cause to reflect on the human and animal cost of war
La battaglia di Legnano represents the climax of Verdi’s nationalist, Risorgimento era operas: composed during the period of widespread revolutionary fervour across Italy (and Europe) in 1848, it was premiered…