PROMS 2026: Polished Performances from the Choir and Orchestra of the Age of Enlightenment

This concert was dubbed a “musical postcard from 18th-century Vienna”, with sacred and secular offerings spanning six decades. Finding works to programme alongside Haydn’s late ‘Nelson Mass’, or, if you…

Longborough Festival Opera’s Hansel and Gretel

How we respond to any production of Humperdinck’s musical Märchenspiel (Fairy Tale) may depend on whether we want to explore our inner child and be charmed by eye-catching visuals or a wish…

Glyndebourne’s Gloriously Colourful and Magnificently Sung Die Entführung aus dem Serail

Themes of fidelity and mercy in Mozart’s 1782 Singspiel might bring to mind similar notions nearly a decade later in Così fan tutti and La Clemenza di Tito. With its witty commentary on servant/master…

PROMS 2026: Mixed Performances from the BBC Scottish Symphony Orchestra and Ryan Wigglesworth in Dean, Elgar & Weir

Two contemporary works and “the greatest symphony of modern times” gave an opportunity for the BBC Scottish Symphony Orchestra to show off their credentials in the first of four Proms appearances. They…

A Highly Impressive Samson et Dalila from Dorset Opera Festival 

Of Camille Saint-Saëns’s thirteen operas, only his Samson et Dalila remains part of the repertory. Yet it’s not often performed outside London and rarely appears at country house settings. Dorset Opera’s first…

An Entertaining, Pocket-Sized Magic Flute at West Green 

“All women need a man beside them” declares the Speaker as he instructs Tamino in the Temple of Wisdom, his misogyny prompting a few knowing smiles in Richard Studer’s new…

PROMS 2026: A Transatlantic Brew for the First Night of the Proms

Festivities began no more obviously than with Copland’s three-minute Fanfare for the Common Man, one of ten declamatory works prompted by Eugene Goosens. His request to score the piece for brass…

Riotous comedy in Gerald Barry’s The Importance of Being Earnest at Garsington

Under the guiding hand of Jack Furness, this new production brings out all the surreal joy of Gerald Barry’s operatic adaptation of Oscar Wilde’s celebrated satire. It’s a first for…

Exceptional Singing within an Unexceptional Staging of Macbeth from Longborough Festival Opera

The operas of Guiseppe Verdi have had an intermittent presence at Longborough over the last twenty-eight years with only Falstaff, La Traviata and Rigoletto making the cut. Now, Macbeth – the composer’s first foray into…

Britten’s Billy Budd Sails into Glyndebourne for a Magnificent Revival

If the English Channel is some dozen or so miles away from Glyndebourne, one can still sense the proximity of the sea in Britten’s nautical masterpiece that is Billy Budd. In…