Not the familiar version of Mahler’s Symphony no 1, but the “real” Mahler Titan at last, as it might have sounded in Mahler’s time! FranÁois-Xavier Roth and Les SiËcles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.
Category: Recordings
Verdi: Messa da Requiem – Staatskapelle Dresden, Christian Thielemann (Profil)
It has often been the case that the destruction wrought by wars, especially the Second World War, has been treated unevenly by composers. Theodor Adorno’s often quoted remark, from his essay Prisms, that “to write poetry after Auschwitz would be barbaric” – if widely misinterpreted – is limited by its scope and in a somewhat profound way composers have looked on the events of World War II in the same way.
Matthias Goerne: Schumann – Liederkreis, op 24 & Kernerlieder
New from Harmonia Mundi, Matthias Goerne and Lief Ove Andsnes: Robert Schumann – Liederkreis, op 24 and Kernerlieder. Goerne and Andsnes have a partnership based on many years of working together, which makes this new release, originally recorded in late 2018, well worth hearing.
Leonard Bernstein: Tristan und Isolde in Munich on Blu-ray
Although Birgit Nilsson, one of the great Isolde’s, wrote with evident fondness – and some wit – of Leonard Bernstein in her autobiography – “unfortunately, he burned the candles at both ends” – their paths rarely crossed musically. There’s a live Fidelio from March 1970, done in Italy, but almost nothing else is preserved on disc.
Stéphanie D’Oustrac: Sirènes
After D’Oustrac’s striking success as Cassandre in Berlioz Les Troyens, this will reach audiences less familiar with her core repertoire in the baroque and grand opéra. Berlioz’s Les nuits d’été and La mort d’Ophélie, Wagner’s Wesendonck Lieder and the Lieder of Franz Liszt are very well known, but the finesse of D’Oustrac’s timbre lends a lucid gloss which makes them feel fresh and pure.
Luminous Mahler Symphony no.3: FranÁois-Xavier Roth, G¸rzenich-Orchester Kˆln
Gustav Mahler’s Symphony No.3 with FranÁois-Xavier Roth and the G¸rzenich-Orchester Kˆln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.
A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice
The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.
Between Mendelssohn and Wagner: Max Bruch’s Die Loreley
Max Bruch Die Loreley recorded live in the Prinzregenstheater, Munich, in 2014, broadcast by BR Klassik and now released in a 3-CD set by CPO. Stefan Blunier conducts the M¸nchner Rundfunkorchester with Michaela Kaune, Magdalena Hinterdobler, Thomas Mohr and Jan-Hendrick Rootering heading the cast, with the Prager Philharmonischer Chor..
Gottfried von Einem’s The Visit of the Old Lady Now on CD
Gottfried von Einem was one of the most prominent Austrian composers in the 1950s–70s, actively producing operas, ballets, orchestral, chamber, choral works, and song cycles.
Britten: Hymn to St Cecilia – RIAS Kammerchor
Benjamin Britten Choral Songs from RIAS Kammerchor, from Harmonia mundi, in their first recording with new Chief Conductor Justin Doyle, featuring the Hymn to St. Cecilia, A Hymn to the Virgin, the Choral Dances from Gloriana, the Five Flower Songs op 47 and Ad majorem Dei gloriam op 17.