Beecham conducts Delius

Frederick Delius counts among those many composers whose reputations rely on their orchestral efforts, but who dearly wanted to make a lasting contribution to the opera repertory.

Willy Decker’s staging of Schoenberg’s Moses und Aron

As a rule the celebrated incomplete operas of the repertory eluded completion due to the untimely death of the composer.

Bruckner: Symphony no. 9

Recorded on 31 October 2007 in the Grofler Musikvereinssaal, Vienna, this performance of the Cleveland Orchestra offers a compelling interpretation of the three completed movements of Bruckner’s Ninth Symphony.

L’Amour des trois oranges on CD and DVD

Opera companies around the world — though relatively few in the United States — cannot resist the temptation to stage Sergei Prokofiev’s first major opera.

Munich’s Dialogues des CarmÈlites

Dialogues des CarmÈlites is a magnificently anti-operatic opera.

Les Troyens by La Fura dels Baus

When the opera opens, a chorus of Trojan is rejoicing that the Greeks have abandoned the war and gone home.

Glyndebourne’s Billy Budd

Hermann Melville wrote a poem called “Fragments of a Lost Gnostic Poem of the Twelfth Century”:

Macbeth from Paris and Parma

Superstitions surround theatrical productions of Shakespeare’s Scottish tragedy.

Carlos Kleiber — Traces to Nowhere

Film biographies of great musicians notoriously exhibit a preference for talking heads nattering on over any music passages.

Nino Machaidze: Romantic Arias

The back cover of soprano Nino Machiadze’s debut solo recital from Sony Classical quotes her as describing the disc’s selection of arias as “my world, my successes to date and my hopes for the future.”