Il tenore lascia la scena, fischi alla Scala

http://www.corriere.it/Primo_Piano/Spettacoli/2006/12_Dicembre/10/tenore.shtml

Was alles hinter den Paravent gehˆrt

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=604354

Carmen becalmed

http://www.ft.com/cms/s/a4c33a7a-8869-11db-b485-0000779e2340.html

WAGNER: Wesendonck Lieder

F¸nf Gedichte f¸r eine Frauenstimme (“Wesendonck Lieder”) [Five Poems for a Female Voice]

At La Scala, an Egypt That Looks a Lot Like Hollywood

http://www.nytimes.com/2006/12/09/arts/music/09scal.html

‘Arabella’ Is Near-Perfect

http://www.washingtonpost.com/wp-dyn/content/article/2006/12/09/AR2006120900658.html

The Deepest Desire

“In choosing the program for a debut recital disc, perhaps an artist should be overwhelmed by the enormity of the task: how in the world do I begin to sort through the wealth of masterpieces at my fingertips, daring to stamp a select few with my voice?”

Die “Idomeneo”-Kˆpfe sind weg

http://www.morgenpost.de/content/2006/12/08/feuilleton/870220.html

Lincoln Center Revitalized

http://www.nysun.com/article/44862

Zeffirelli opens La Scala season with ‘Aida’

http://www.iht.com/articles/2006/12/08/arts/web.1209scala.php