FIFOE 2024 in Entrecasteaux

The Festival International de Film d’Opéra à Entrecasteaux (a tiny village in Provence not far from the A8 autoroute connecting Nice and Marseille). The second edition of this unique summer…

Samson at the Aix Festival

Rameau’s Samson, with the libretto by François-Marie Arouet aka Voltaire, or rather a sort of Rameau/Voltaire Samson imagined by French early music conductor Raphaél Pichon and German stage director Otto Guth,…

Songs and Fragments at the Aix Festival

That’s Eight Songs for a Mad King (1969) by Peter Maxwell Davies and Kafka-Fragmente (1987) by György Kurtág, an inspired pairing by Pierre Audi, the artistic director of the Aix…

Madama Butterfly at the Aix Festival

Well, why not? Why not place this iconic statement of Italian verismo in the hands of a hyper-teutonic, avant-garde (ish) stage director, adding in a new-age Italian conductor for good…

Iphigénie at the Aix Festival

Both of them — her death in Aulide and her resurrection in Tauride, back to back, in a surreal world created by Russian stage director Dimitri Tcherniakov, rendered in overdrive…

L’Orfeo at Cremona’s Monteverdi Festival

The stage director informed us that this Orfeo was effected through the lens of quantum physics and the Schrödinger paradox. Be that as it may, it was a splendid L’Orfeo…

La Vestale in Paris

Though composed in 1805 Gaspare Spontini’s La Vestale reached the Paris Opera stage finally in 1807, and then only because Empress Josephine intervened. The empress would not have been amused just now…

Partenope in San Francisco

Unlike many of the recycled productions at San Francisco Opera, Christopher Alden’s famed 2008 production of Handel’s comedy Partenope, just now on the War Memorial stage, has lost none of…

Erwartung in San Francisco

In recent years the San Francisco Symphony has indulged itself with a staged event in June. This year, with a tightened budget, it was a brief evening made of Schönberg’s…

Innocence in San Francisco

Rarely has an opera performance enthralled audiences as has Kaija Saariaho’s Innocence just now at San Francisco’s War Memorial Opera House.  We were entranced for its 105 minute duration, suffering the enduring…