Songs of Antiquity: James Newby and Joseph Middleton at Wigmore Hall

Titled Songs of Antiquity, this recital by baritone James Newby and pianist Joseph Middleton began and ended both in the past and in darkness, the Prologue and Epilogue composed by…

Resonemus laudibus: a Renaissance Christmas from The Sixteen at Wigmore Hall

“Let praises resound!” was the rallying cry of this Wigmore Hall lunchtime recital of Christmas music by The Sixteen.  It’s common, these days, for vocal ensembles to juxtapose old and…

Anthony Roth Costanzo makes his debut at Wigmore Hall with La Nuova Musica

On the page this looked rather a rag-bag sort of programme.  Some early Mozart opera seria arias and songs, alongside two of Gluck’s best-known arias from Orfeo ed Euridice, welded…

Magdalena Kožená and Mitsuko Uchida at Wigmore Hall

One performer exudes profundity of thought and subtlety of rhetoric: acute attention to detail, technical finesse and delicate restraint characterise her musicianship.  The other has a voice which glows with…

‘Celebrating Women Baroque Composers’: Roberta Invernizzi at Wigmore Hall

Early developments in print technology reveal much about women’s involvement in musical life and composition in the Renaissance and early Baroque.  The earliest extant published music by a woman is…

Elgan Llŷr Thomas launches his debut disc, Unveiled, at Wigmore Hall

The press release for Unveiled, Welsh-born tenor Elgan Llŷr Thomas’s debut disc, suggests that ‘as a gay musician and composer, [Thomas] became increasingly frustrated by opera’s traditional focus on heterosexual…

Johann Sebastiani’s St Matthew Passion at Wigmore Hall

On Good Friday, it was out with the new and in with the old at Wigmore Hall. A little context, first.  In Germany, Baroque music was embedded in religious culture,…

Not pity but tragedy: Iestyn Davies and Joseph Middleton perform Die schöne Müllerin at Wigmore Hall

In The Cambridge Companion to Schubert’s ‘Winterreise’, James William Sobaskie suggests that while ‘Winterreise elicits empathy for its outcast, inducing us to share his emotions and experience similar distress’, Schubert’s earlier…

Gran Cadenza: Irvine Arditti’s 70th Birthday and Jake Arditti sings Hilda Paredes’ Canciones Lunáticas

Although over its many years the faces of the Arditti Quartet have changed, its one constant has been Irvine Arditti himself. Now 70-years old, this birthday lunchtime recital, called Gran…

Amazone: Lea Desandre and Jupiter at Wigmore Hall

The percussive thump and burr which sparked into life Francesco Provenzale’s ‘Non posso far’ (from his opera Lo Schiavo di sua moglie) at the start of this lunchtime recital by…