DUNSTABLE: Sweet Harmony ó Masses and Motets

The music of John Dunstable embodies many of the characteristics that so dramatically set the music of the emerging Renaissance apart from its Medieval forebears.

HANDEL: Giulio Cesare in Egitto

Sometimes an invidious comparison cannot be avoided, and such is the case with two recent DVD versions of Georg Frederic Handel’s masterpiece, Giulio Cesare.

Septembre musical de l’Orne, entre Mozart et aujourd’hui

http://www.lefigaro.fr/culture/20060825.FIG000000150_septembre_musical_de_l_orne_entre_mozart_et_aujourd_hui.html

Anna Netrebko : voix large, taille fine

http://www.lemonde.fr/web/article/0,1-0@2-3246,36-806396@51-806459,0.html

Blick auf den ganzen Mozart

http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,704266.html

Six of the best

http://arts.guardian.co.uk/features/story/0,,1857390,00.html

An Opera That Delivered a Eureka Moment to Mozart

http://www.nytimes.com/2006/08/25/arts/music/25idom.html?

Edinburgh Festival Stages World Premiere of Stuart MacRae’s Opera The Assassin Tree

http://www.playbillarts.com/news/article/print/5124.html

What the Santa Fe Opera means to New Yorkers

http://www.thevillager.com/villager_173/cliveon.html

MENDELSSOHN: Sacred Choral Music

The English ìOxbridgeî choral tradition tends to be a cohesive one, most often with choirs of men and boys receiving similar training, singing a largely shared repertory in similar venues and in similar contexts.