Whatever its flaws – and it has them – this Zurich Opera production of Debussy’s PellÈas and MÈlisande boasts qualities that carry it very far from the standard view of those opera goers who considers the work dry, dull, and depressingly long.
MAHLER: Symphony no. 8
Recorded approximately 35 years ago in September 1971, Bernard Haitinkís performance of Gustav Mahlerís Eighth Symphony remains a classic account of the composerís demanding score.
BURKHARD: Lieder
Refreshingly modern and familiar at the same time, the Lieder of Willy Burkhard (1900-55) are better known in his native Switzerland than anywhere else.
Salzburg im TV: Wie wird die Netrebko-Show?
http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=573910
MENOTTI : Concerto for Violin and Orchestra / Cantilena e Scherzo / Canti Della Lontanza / Five Songs
Most Opera Today readers are probably familiar with Gian Carlo Menotti largely through his operas (The Medium, The Consul, Amahl and the Night Visitors, The Telephone, and others), and, if they teach or coach voice, may be more familiar than they’d like to be with pieces like “This is my box” and “Monica’s Waltz”, which have long been mainstays of the
“American aria” branch of repertoire for young singers.
Ingeniously staged, well-sung ëBarber of Seville’ at Glimmerglass
http://www.theithacajournal.com/apps/pbcs.dll/article?AID=/20060720/ENTERTAINMENT03/607200306/1082
Previews: Betrothal in a Monastery, Glyndebourne, East Sussex
http://enjoyment.independent.co.uk/music/features/article1187667.ece
Salzburg r¸stet sich f¸r Rekord-Festspiele
http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,692188.html
Sovereign sound
http://www.timeout.com/newyork/Details.do?page=1&xyurl=xyl://TONYWebArticles1/564/music_classical/sovereign_sound.xml