Castrato is heard from the grave

http://entertainment.timesonline.co.uk/article/0,,23569-2267386,00.html

Armide at Buxton

http://arts.guardian.co.uk/reviews/story/0,,1818939,00.html

Will Crutchfield’s ‘Bel Canto at Caramoor’ Gives the Potential of the Voice and the Possibilities of the Style

http://www.nytimes.com/2006/07/10/arts/music/10cara.html

Turandot ó Royal Opera House, London

http://arts.guardian.co.uk/reviews/story/0,,1816844,00.html

Hugh Macdonald prepares performing edition for Eduard Lalo’s previously unperformed opera Fiesque

http://news-info.wustl.edu/news/page/normal/7385.html

The Beast Who Became an Opera ó Lincoln Center Festival 2006

http://www.nysun.com/article/35665

Going Out in St. Petersburg: Mantegna Loans, `Godunov’ Turmoil

http://www.bloomberg.com/apps/news?pid=20601088&sid=aZhFoBuLz3do&refer=culture

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music.

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) – a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years.

Central City’s “Poppea” skips the easy listening

http://www.denverpost.com/entertainment/ci_4016226