On 11 April 2006, Andreas Scholl appeared at Zankel Hall, one of the performance venues in New York’s famous Carnegie Hall. According to Carnegie Hall: “On this program, we span a wonderfully diverse variety of music from a variety of places, sung by one of the worldís leading countertenors.
Il re pastore, Linbury Studio Theatre, London
http://news.ft.com/cms/s/2e0e33ac-ca47-11da-852f-0000779e2340.html
DESPITE SOME FINE SINGING, CITY OPERA ‘CARMEN’ NOT ELECTRIFYING
http://www.nypost.com/entertainment/62273.htm
The Indian QueenóQueen Elizabeth Hall, London
http://arts.guardian.co.uk/reviews/story/0,,1750782,00.html
Bach’s Passions Are Revealed From Different Angles
http://www.nytimes.com/2006/04/11/arts/music/11pass.html
Raunchy Melisande Startles in Salzburg Easter Festival Staging
http://www.bloomberg.com/apps/news?pid=10000088&sid=a9ZazNF_O8tQ&refer=culture
The Rose, the Lily & the Whortleberry: Medieval Gardens
Holding “The Rose, the Lily & the Whortleberry” in my hands, I pondered for a moment whether it belonged on my bookshelf or in the CD cabinet.
VERDI: Nabucco
This 2001 Vienna State Opera production of Verdi’s first smash hit, Nabucco, serves as a textbook example of the “modern dress” production style, for better or worse – and probably, for both.
‘Orazi & Curiazi’ gets much-deserved U.S. premiere
http://www.twincities.com/mld/twincities/entertainment/performing_arts/14304684.htm