No exact date is given for this performance and there is good reason for
it. The sleeve notes clearly state that baritone Enzo Sordello (of the 15
minutes of world fame when the Met fired him for clinging to a high note
longer than Callas) sings the role of Silvio.
LEONCAVALLO: Pagliacci
La Belle Helene, Coliseum, London
http://enjoyment.independent.co.uk/music/reviews/article356359.ece
BELLINI: I Capuleti e i Montecchi
I Capuleti e i Montecchi, Tragedia lirica in due atti e quattro parti.
Music composed by Vincenzo Bellini (1801-1835). Libretto by Felice Romani, based on the play Giulietta e Romeo (1818) by Luigi Scevola.
Daniel Barenboim Talks About Wagner and the Nazis, Fame
http://www.bloomberg.com/apps/news?pid=10000088&sid=aygLUTHEFjGQ&refer=culture
The maestro and his demons
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/04/06/bmdan06.xml
The Opera ‘Adriana Mater’ Addresses Motherhood in a War Zone
http://www.nytimes.com/2006/04/05/arts/music/05adri.html
ROSSINI: Il signor Bruschino
ìA jewel box of a theaterî: that great clichÈ of the opera world comes to mind when viewing a production from the Schwetzinger Festspiele held at the Rokokotheater Schwetzingen.
Rosie Millard on the price of tickets at Covent Garden
The Royal Opera House is publicly funded – so why does it charge more than £100 per seat, asks Rosie Millard