http://www.nytimes.com/2006/01/03/arts/music/03seat.html
BRUCH: Das Lied von der Glocke
A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so theyíll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous.
WEBER: Der Freisch¸tz
This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here.
VERDI: La Traviata
One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties.
Rare Operatic Masterpiece Comes to the Historic Los Angeles Theatre in Downtown Los Angeles
http://www.prweb.com/releases/2006/1/prweb327128.htm
A Self-Confident Diva With a Symphony Orchestra to Contend With
http://www.nytimes.com/2006/01/02/arts/music/02phil.html
HAYDN: Die Schˆpfung
Die Schˆpfung, Oratorium in drei Teilen
Music composed by Franz Joseph Haydn. Libretto by Gottfried van Swieten based on selections from the Book of Genesis and Paradise Lost by John Milton.
Il barbiere di Siviglia, Royal Opera House, London
http://enjoyment.independent.co.uk/music/reviews/article335724.ece
A musical genius? No, Mozart was just a hard-working boy
With the 250th anniversary of the composer’s birth just weeks away, the source of his brilliance is being disputed. Alice O’Keeffe reports