http://news.ft.com/cms/s/1295cebe-2b55-11da-995a-00000e2511c8.html
De Simone rewrites Paisiello
http://www.giornaledellamusica.it/rol/scheda.php?id=1809&l=1
Damrau, soprano with big future, stars in Met debut
http://www.cantonrep.com/index.php?Category=20&ID=244106&r=0
‘Carmen’ glistens, fascinates
http://www.suntimes.com/output/delacoma/cst-ftr-lyric26.html
A Celebratory Crown of Froth Fit for a King
http://www.nytimes.com/2005/09/26/arts/music/26viag.html
‘Falstaff’ With All the Details in Place
http://www.nytimes.com/2005/09/26/arts/music/26fals.html
Welcome to the Golden Age
http://www.nysun.com/article/20527
BENNETT: The Mines of Sulphur
Glimmerglass Opera has been doing innovative and often remarkable work for a number of years. Thankfully, many of their productions have been shared with the New York City Opera and, thus, with a large opera-going public.
GLINKA: Ruslan and Lyudmila
Based on a tongue-in-cheek poem by young Alexander Pushkin, Mikhail Glinkaís second opera Ruslan and Lyudmila (1842) is an epic adventure tale, in which three rival Russian knights roam the land in search of a Kievan princess kidnapped by a sorcerer.
ROSSINI: LíItaliana in Algieri
This newly re-mastered recording was originally released in 1954 by Columbia (Qcx 10111/12), later reprinted by EMI (C163-00981/2), and it includes, besides Giulieta Simionato in the title role, three other members of the original 1953 production at La Scala: tenor Cesare Valleti, and bass Mario Petri in their respective roles of Lindoro and Mustaf‡ and Conductor Carlo Maria Giulini.