Acclaimed opera soprano Carol Vaness to join voice faculty at IU School of Music

http://newsinfo.iu.edu/news/page/normal/2550.html

This ‘Peer Gynt’ throws the focus on the music

http://www.startribune.com/stories/462/5679237.html

Bartoli again makes foray into rare music

http://www.miami.com/mld/miamiherald/entertainment/12953564.htm

Dr. AtomicóAn opera about the moral complexities of Hiroshima

http://slate.msn.com/id/2128365/

Cleveland: The Hungarian connection

http://www.budapestsun.com/full_story.asp?ArticleId=%7BB25E5A3933AF4E8585BC61AC839F2541%7D&From=Style

Variety spices the life of a star soprano

http://www.philly.com/mld/inquirer/news/magazine/daily/12938545.htm

Alcina at Hackney Empire, London

http://www.guardian.co.uk/arts/reviews/story/0,11712,1595197,00.html

BERKELEY: Ruth

You may never have heard of Lennox Berkeley. But his music was admired by many of the most notable composers of the mid-20th centuryóBritten and Poulenc were close personal friends, and he has a dedicated band of admirers today (there is a Lennox Berkeley Society). Yet, for one reason or another, Berkeley has never become a household name.

XLóåuvres pour grand chúur

The ìXLî of the title of this recording is, as the program book notes, a double reference. First, read as Roman numerals, it points to the extraordinary number of voice parts in Thomas Tallisí famous ìSpem in aliumî and its modern analogue here, Antony Pittsí ìXL,î a forty-voice setting of text from Psalm 40.

Van Opera kicks off season with Turandot

http://vancouver.24hrs.ca/Entertainment/2005/10/18/pf-1267185.html