The biographies of the two composers whose works are represented on this disc, Sergei Prokofiev and Ottorino Respighi, share many common threads. In addition to moving in similar circles early in their lives (for example, both studied with Rimsky-Korsakov and both were later connected with Diaghilev), they similarly composed in totalitarian regimes at the end of their careers.
CONRADI: Die schˆne und getreue Ariadne
Since its inception in 1980, the biennial Boston Early Music Festival has grown to international stature of the first rank, and while its programming is diverse in scale and repertory, its focus in recent years has been on full-scale productions of baroque opera, including Monteverdiís LíOrfeo, Rossiís Orfeo, Cavalliís Ercole Amante, Lullyís ThÈsÈe, and this past summer, Matthesonís Boris Goudenouw.
Oper Graz Opens Season with Hoffmann and Die lustigen Weiber von Windsor
http://www.diepresse.at/Artikel.aspx?channel=k&ressort=ke&id=510603
Siegfried at the Royal Opera House
http://www.guardian.co.uk/arts/reviews/story/0,11712,1583691,00.html
Ariadne auf Naxos, Metropolitan Opera, New York
http://news.ft.com/cms/s/10cca518-33ab-11da-bd49-00000e2511c8.html
‘Fortissimo’ explores drama backstage at opera
http://www.suntimes.com/output/delacoma/sho-sunday-fort02.html
Cecilia Bartoli goes to the source: ‘Forbidden Opera’
http://www.mercurynews.com/mld/mercurynews/entertainment/music/12776497.htm