http://www.newyorker.com/critics/music/?050822crmu_music
Mitridate, Re di Ponto at Salzburg
http://www.nysun.com/article/18640
Candide in San Francisco
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/16/DDG2JE781S1.DTL
CILEA: Gloria
Collectors have known this piece for more than a quarter of a century due to the MRF-pirate recording. Some have probably transferred these LP’s unto CD-R and don’t see a reason why they should buy this issue. Well, there is one and it’s a compelling one. The MRF-sound was good mono, obviously culled from a radio broadcast. This Bongiovanni-issue however gives us the original brilliant stereo sound and it makes for a world of difference. I always liked the opera though I thought the first act somewhat lacking in inspiration; the performance only taking fire by Labo’s first appearance. This set cured me of that impression while the choruses and brilliant orchestration (even somewhat too showy to prove Cilea had mastered his craft after Adriana where the violins are mostly doubling the vocal line) are now crystal clear and one quickly recognizes the inspired melodious ideas of the maestro.
Der lustige Krieg at Bregenz
http://news.ft.com/cms/s/a23a269a-0acc-11da-aa9b-00000e2511c8.html
La Traviata at Salzburg — Anna Netrebko and More
Mit h-moll in den Untergang. Die Zeit laeuft. Der Tod sitzt bereit. Geteilte Geigen in hoechster Hoehe, triste, abfallende Phrasen. Eine Frau in fuchsrotem Brokat und mit wirrem Haar platzt rueckwaerts in das leere Raumrund. Kruemmt sich, sinkt auf eine Bank, schaut fast erleichtert Freund Hein, einem weisshaarigen Alten, ins Auge. Anna Netrebko ist da. Violetta auch. Es kann losgehen. Die Salzburger “Traviata” hat seit zwei Minuten endlich begonnen.
Honoring Karl Hartmann
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/11/bmhart11.xml&sSheet=/arts/2005/08/11/ixartleft.html
Nielsen’s Maskarade at Bregenz
http://news.ft.com/cms/s/03f689d8-093c-11da-880b-00000e2511c8.html
Another Vivaldi Work Discovered
http://www.theage.com.au/news/reviews/vivaldi-dixit-dominus/2005/08/09/1123353312408.html
Unearthed Vivaldi Aria Premiered in Australia
Today at the University of Melbourne, an excerpt from Vivaldi’s newly discovered choral setting of Psalm 110 (“Dixit Dominus”) received its modern premiere, marking an historic occasion not only for musicologists but for the field in general.