BACH: Cantatas, Vol. 8

On Christmas 1999, the Monteverdi Choir and English Baroque Soloists with conductor Sir John Eliot Gardiner set out on one of the most unusual musical tours ever undertaken.

BACH: Cantatas, Vol. 6

J. S. Bachís large output of church cantatas and their prominence in his duties as Kantor at the Thomaskirche in Leipzig have made them central to our modern understanding of Bach.

Trouble at the Volksoper

http://derstandard.at/?ressort=BuehneSpecial2

Florilegium at Wigmore Hall

http://www.guardian.co.uk/arts/reviews/story/0,11712,1579785,00.html

MAHLER: Symphony No. 5

Gustav Mahlerís Fifth Symphony is a tour de force that can tax a conductor and orchestra in live performances. While it often takes several sessions in the studio for performers to match the required intensity of playing with exuberance that is also part of the work, some live performances convey that fine balance immediately.

Cardillac at l’OpÈra de Paris

http://www.lemonde.fr/web/article/0,1-0@2-3246,36-692937@51-627783,0.html

A timeless jest is polished

http://www.nynewsday.com/entertainment/stage/ny-etnyco4443344sep27,0,4366987.story?coll=nyc-classical-headlines

A Lithuanian Soprano Creates Her Own Ariadne

http://www.nytimes.com/2005/09/27/arts/music/27naxo.html

Tosca at the Wiener Staatsoper

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=508784

On Wings of Jewish Songs ó Music from the New Jewish School

Yiddish is a language based on medieval German that developed separately from modern German. It spread throughout Eastern Europe, where it acquired words from Hebrew, as well as Russian, Polish, and other Slavic languages.