This newly re-mastered recording was originally released in 1954 by Columbia (Qcx 10111/12), later reprinted by EMI (C163-00981/2), and it includes, besides Giulieta Simionato in the title role, three other members of the original 1953 production at La Scala: tenor Cesare Valleti, and bass Mario Petri in their respective roles of Lindoro and Mustaf‡ and Conductor Carlo Maria Giulini.
The hopelessness of modern opera
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/09/24/bmohagan24.xml&sSheet=/arts/2005/09/24/ixartleft.html
Mimi Lives, as BohËme Hits Performance 1,166
http://www.nytimes.com/2005/09/24/arts/music/24bohe.html
SHOSTAKOVICH: Symphony No. 13 (“Babi Yar”)
Audiences accustomed to hearing the grandeur of Shostakovichís early symphonies may initially be disillusioned when listening to his Thirteenth Symphony for the first time.
TALLIS: Spem in alium ñ Missa Salve intemerata
With a career spanning the monarchies of Henry VIII, Edward VI, Mary Tudor, and Elizabeth I, Thomas Tallisís musical pragmatism became both a necessary and distinctive trait.
DONIZETTI: Francesca di Foix
Among Gaetano Donizettiís compositions are just over a dozen one-act operas. Save for his one
STOCKMANN: Musica Nuptialis
This recording of Musica Nuptialis celebrates occasional music and does so in a fittingly occasional manner.
Lado Ataneli ó Opera Arias
Baritone Lado Ataneliís self-titled debut CD contains an impressive selection of arias intended to showcase the singerís style, range, and versatility.
SOUNDS FROM THE STUDIO
The EMI labelís new version of ìTristan und Isolde,î starring Pl·cido Domingo, has received weirdly apocalyptic advance publicity: it has been described as the final large-scale opera recording in history.