Forget Shakespeare, this was distinctly an Otello without the ‘h’. It was Italian melodramma to its core, the collaboration of its metteur en scËne Davide Livermore, wunderkind conductor Andrea Battistoni and its Desdemona, Maria Agresto.
Forget Shakespeare, this was distinctly an Otello without the ‘h’. It was Italian melodramma to its core, the collaboration of its metteur en scËne Davide Livermore, wunderkind conductor Andrea Battistoni and its Desdemona, Maria Agresto.