Richard Eyre’s 1994 staging of Verdi’s La Traviata may have been revived many times, but this production reveals striking new depths of interpretation.
One way of thinking about La Traviata is to consider it as a portrayal of bubble wealth that makes artistic capital from the shimmering, rainbow hues of the surface rather…
Luca Pisaroni is one of one the more exciting young bass-baritones of his generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at the Glyndebourne Festival.
“A tale of corruption, passion and poisoning”, as the Royal Opera House, London, describes its first-ever production of Rimsky-Korsakov’s The Tsar’s Bride, with Paata Burchuladze, highly experienced in this repertoire.
Wagner and Verdi were born within 6 months of each other. Rienzi, der letzte der Tribunen comes from 1840, and could in some ways be Wagner’s Simon Boccanegra.
Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..
Pl·cido Domingo isn’t a tenor, a baritone or even a singer. He’s a phenomenon. Dozens stood by the stage door at the Royal Opera House to greet him with bouquets.
It’s time Verdi got attention in Aida, not elephants.
Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s…