English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. The season features music for solo singer and piano by Argento, Britten, Tippett and Shostakovich with a bold and inventive approach to making opera during social distancing.
Conductor Oliver Zeffman has commissioned the very first opera for a socially distanced world, which is now available to watch exclusively on Apple Music. Eight Songs From Isolation has been written by eight leading composers, specifically for streaming - rather than live performance - and is the first opera written for a time when the performers were unable to meet in person.
Leading freelance musicians unite in Parliament Square to call for targeted support for colleagues in the arts and entertainment sector.
Duo Lewis Murphy (composer) and Laura Attridge (writer) have launched a charitable song project entitled Notes From Isolation. The resulting songs, featuring some of the UK's top singing talent, are being released online between August and October 2020 and can be enjoyed free of charge.
The Royal Opera House is thrilled to announce an exciting, wide-ranging new line-up for its autumn programme. For the first time, extraordinary performances will be accessible online for a global audience through livestreams and for socially distanced live audiences at our home in Covent Garden. In a global first, we present a new opera in hyper-reality, alongside repertory favourites from both artistic companies.
Some of the most famous and outstanding stars from the opera world are to take part in a very special evening from Wexford Festival Opera, including Aigul Akhmetshina, Joseph Calleja, Daniela Barcellona, Juan Diego Flórez, Igor Golovatenko, Ermonela Jaho, Sergey Romanovsky, and many more.
Following its successful launch in 2019, OperaStreaming streams nine operas on YouTube from the historic opera houses of Emilia-Romagna during the 2020-21 season, with fully-staged productions of Verdi's La traviata in October from Modena and Verdi'sOtello from Bologna in...
‘A brief history of song’ is the subtitle of the 2020 Oxford Lieder Festival (10th-17th October), which will present an ambitious, diverse and imaginative programme of 40 performances and events.
Bampton Classical Opera returns to the Baroque splendour of London’s St John’s Smith Square on November 6 with a concert performance of Gluck’s one-act opera The Crown, the first in the UK since 1987. The performance will also be filmed and available to watch on demand on the Bampton website from 9 November.
While many of us spent lockdown at home taking it a little easier, composer Andrew Synnott wrote an opera.
Owen Wingrave is part of the new Interim Season of 19 brand new events, all free to view online between September and December 2020.
The Arts Council has awarded innovative UK charity Music and Theatre For All (MTFA) a major new grant to develop three ambitious new projects in the wake of Covid 19.
English National Opera (ENO) will reopen the London Coliseum to socially distanced audiences on 6 and 7 November for special performances of Mozart’s Requiem. These will provide audiences with an opportunity to reflect upon and to commemorate the difficulties the nation has faced during the pandemic.
The Royal Opera House is proud to continue its curated #OurHouseToYourHouse programme into the autumn, bringing audiences the best of the ROH through a new series of Friday Premieres and cultural highlights.
After six months of closure, the Royal Opera House is thrilled to be opening its doors to the public as part of Open House London weekend, giving visitors a taste of one of the world’s most famous theatres for free.
The Academy of St Martin in the Fields is thrilled to announce re:connect - an eight concert series with live socially distanced audiences at its namesake church, St. Martin-in-the-Fields. The autumn concerts will take place at 5pm & 7:30pm on two Saturdays per month with guest artists including baritone Roderick Williams, soprano Carolyn Sampson and composer-conductor-pianist Ryan Wigglesworth performing a wide range of repertoire.
Music and poetry unite and collide across centuries, from the Medieval to the Enlightenment to the present day. This year, the Oxford Lieder Festival will present a thrilling and innovative programme comprising more than forty events streamed over eight days.
The English Concert with artistic director Harry Bicket is delighted to announce a series of concerts from 1-15 October 2020. The concerts take place in historic London venues with star soloists and will be performed and streamed live to a paying audience at 7pm GMT on each performance date. The programmes include first-class vocal and instrumental works from the two pillars of the English Baroque, covering different aspects of the repertoire.
Glyndebourne has announced plans for a ‘staycation’ series of socially-distanced indoor performances, starting on 10 October 2020.
The Royal Opera House is delighted to announce two packed evenings of opera and ballet, live from our stage in Covent Garden and available to view wherever you are in the world online.
Eötvös : "Je ne cherche plus, je trouve" Après le lyrisme russe revisité dans Trois Soeurs, chef-d'oeuvre unanimement salué, et Le Balcon de Genet ramené du coté de la chanson française, reçu plus froidement, le troisième opéra de Peter Eötvös...
Eötvös : "Je ne cherche plus, je trouve"
Après le lyrisme russe revisité dans Trois Soeurs, chef-d'oeuvre unanimement salué, et Le Balcon de Genet ramené du coté de la chanson française, reçu plus froidement, le troisième opéra de Peter Eötvös est très attendu. Il nous emmène encore vers d'autres contrées : l'Amérique moderne, avec pour livret une adaptation de la pièce Angels in America de Tony Kushner. Une situation bien réelle (deux personnages malades du sida) qui est le prétexte, non à une peinture réaliste de la société américaine contemporaine, mais à un univers bigarré ou le quotidien bascule dans le fantastique et le mysticisme. Pour cette partition, le compositeur s'est laissé cette fois inspirer par le jazz et la comédie musicale.
Propos recueillis par Christian Merlin
[23 novembre 2004]
LE FIGARO. - Après les très dissemblables "Trois Soeurs" et "Le Balcon", "Angels in America" sera encore tout à fait différent. Ne craignez-vous pas que l'on dise qu'il n'y a pas de "style Eötvös" ?
Peter EöTVöS. - Au contraire, je m'en réjouirais : ce n'est pas un reproche mais un compliment. Ce sont mes oeuvres qui ont un style, pas moi. Je repars de zéro à chaque fois : sur la feuille blanche, je prends les éléments un par un, j'assemble, je construis. C'était déjà l'attitude de Beethoven, il y a deux siècles : c'est pourquoi je le considère comme l'inventeur de notre musique contemporaine. Je tire cette leçon de ma pratique de la musique électronique dans les années 70 : le son n'existe pas, il faut le créer. Nous n'avions pas de synthétiseurs : il fallait entrer dans la machine les paramètres un par un, à partir d'un son unique. Klee pratiquait de la meme façon en peinture, lorsqu'il partait d'un point, puis d'une ligne, etc. C'est pareil avec l'orchestration : jamais je ne considérerai l'orchestre comme une donnée figée, il faut le repenser à chaque fois.
C'est une véritable philosophie !
Il est vrai que cette attitude artistique vient de ma propre conception de la vie. Si mes enfants me ressemblaient trop, ce serait une catastrophe. Je suis plus heureux s'ils sont indépendants et développent leur propre personnalité, comme mes oeuvres. Ma fille est mi-chinoise mi-hongroise, et mariée à un Kurde : mes petits-enfants sont donc issus d'un mélange très riche, qui les rend uniques.
[Click here for remainder of interview.]