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News

In Bruges

By John Yohalem [16 September 2014, Parterre Box]

They say that Boston, despite many cultural distinctions, ain’t no opera town, and for some decades—generations?—this has been true. But tides of change will break, even on the shores of the Hub. There is a baroque opera revival, spawned by the Boston Early Music Festival (a Monteverdi trilogy arriving next spring) and leading to hi-jinks at the region’s many schools, and to Boston Baroque, which gives Handel’s Agrippina in April. The somewhat traditional Boston Lyric Opera presents everything from Lizzie Borden (last month) to La Traviata (next month), though confining itself to three or four productions a year.

[More . . . .]

Elīna Garanča: Meditation

Great Expectations: A New Season Of New Music

By Tom Huizenga [NPR Music]

Musicologist and pianist Charles Rosen once quipped: "The death of classical music is perhaps its oldest continuing tradition." But it's tough to see much gloom when faced with the diversity of premieres and provocative programming around the country in the 2014-2015 season.

[More . . . .]

Theatre of war: new-found patriotism meets old-school propaganda in a Russian opera about Crimea

By Amelia Glaser [2 September 2014, The Calvert Journal]

This year, Russia has revelled in grand demonstrations. If Sochi’s opening ceremony is now a distant memory, the annexation of Crimea has offered a theme for mass spectacle to rival those of the Soviet Union. The Night Wolves motorcycle club (Russia’s Hells Angels) recently hosted their annual bike show in Sevastopol in Crimea, dedicated to the defenders of the fatherland from 1941 to 2014. Poems celebrating Russia’s historical struggle for Crimea were interspersed with black-clad “fascists” dancing to soundbites from Barack Obama and Angela Merkel. President Vladimir Putin sent a greeting; Steven Seagal made an appearance. These larger-than-life images of a triumphant fatherland, venerated leader and glorious history suggested a new return to Socialist Realism, albeit with a post-socialist twist.

[More . . . .]

The Classical Cloud

By Alex Ross [8 September 2014, The New Yorker]

Recently, while moving my CD collection to new shelving, I struggled with feelings of obsolescence and futility. Why bother with space-devouring, planet-harming plastic objects when so much music can be had at the touch of a trackpad—on Spotify, Pandora, Beats Music, and other streaming services that rain sonic data from the virtual entity known as the Cloud?

[More . . . .]

Operalia 2014 winners include Mario Chang, Rachel Willis-Sørensen

By David Ng [31 August 2014, LA Times]

The winners of the 2014 Operalia competition were announced Saturday evening at the conclusion of the finals competition held at the Dorothy Chandler Pavilion. Tenor Mario Chang from Guatemala and soprano Rachel Willis-Sørensen of the U.S. took home the two first-place prizes.

[More . . . .]

Delusion of the Fury - Heiner Goebbels brings an extraordinary opera to life

By Andrew Clements [31 August 2014, The Guardian]

Heiner Goebbels has been a regular visitor to the Edinburgh festival since the 1990s; a succession of his unique music-theatre hybrids, from Black on White in 1997 onwards, have had their British premieres there. But his latest visit was the most extraordinary yet - the staging of Delusion of the Fury, Harry Partch's only completed opera, which Goebbels created last year with Ensemble musikFabrik as part of his three-year directorship of the Ruhrtriennale.

[More . . . .]

Museum of the future

The great classical music swindle - and why we're better off now

By Tom Service [6 August 2014, The Guardian]
Some aperçus and soupçons based on those of Paul Morley, with whom I was talking recently for a film I’m making for BBC4 on Mozart. As well as Paul’s Mozartian epiphany - thanks to a darkened room and a Google-lottery of K numbers, but you’ll have to wait until the autumn for more on that - Morley suggested something that got me thinking: that today’s era of technological fluidity, flexibility, and almost-instant access to an entire world of musical possibility suits classical musical culture better, potentially, than it does rock and pop.
[More....]

Opera star breaks her leg - but completes the performance

[The Telegraph, 5 August 2014]

Opera star Christiane Karg took the old saying "the show must go on" to painful extremes recently when she completed a performance with a broken leg.

[More....]

Vittorio Grigolo and Angela Gheorghiu on why they love La bohème (The Royal Opera)

Maria Callas Remastered

Central City Opera’s 2014 Festival Trailer

Is Tamar Iveri’s career over?

Dallas Opera Teams with San Diego Opera

By Mark Lowry [TheaterJones, 20 June 2014]
The Dallas Opera's previously announced world premiere of Great Scott in 2015 will now be co-produced with the recently saved San Diego Opera.
[More . . . .]


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Current Feature

Ailyn Pérez and Stephen Costello [Photo courtesy of Warner Classics]
15 Sep 2014

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.  »

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Most Recent

Performances
15 Sep 2014

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.  »

Performances
15 Sep 2014

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.  »

Reviews
14 Sep 2014

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden. »

Reviews
12 Sep 2014

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of). »

Reviews
12 Sep 2014

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.  »

Performances
07 Sep 2014

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement. »

Reviews
07 Sep 2014

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.  »

Performances
02 Sep 2014

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.  »

Reviews
02 Sep 2014

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London. »

Reviews
01 Sep 2014

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.  »

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