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News

alt folks at home

By John Yohalem [Parterre Box, 25 January 2015]

Operamission, a scrappy little company that performs music from all sorts of eras and styles in venues all over town, is in fact its Kapellmeisterin, Jennifer Peterson. Her latest brainstorm was to give A Countertenor Cabaret, starring no fewer than 14 of these once-rare songbirds, in the cabaret space of the Duplex on Sheridan Square, and to live-stream the entire event, with translations of the remarkably varied musical fare.

[More . . . . ]

The Met’s ‘La Traviata’ lean on glamour, rich in insight

By David Abrams [CNY Café Momus, 17 January 2015]

Beyond the austere set and surreal visuals, Willy Decker’s controversial 2010 Met production probes deeply into the heroine’s psyche.

[More . . . . ]

La belle au bois dormant, Théâtre de l’Athénée, Paris

By Francis Carlin [FT, 19 January 2015]

Ottorino Respighi (1879–1936) was Italy’s answer to Ravel as far as orchestration is concerned and best known for a trio of tone poems on Rome. He also completed nine operas, none of them on today’s performance radar.

[More . . . . ]

Why bother?

With news that The Metropolitan Opera is having financial problems -- again -- now a dispute is brewing over the assets of the defunct New York City Opera with a view to reviving the company. Why bother?

[More . . . . ]

Les Contes d’Hoffmann, Metropolitan Opera, New York

By Martin Bernheimer [FT, 14 January 2015]

Bartlett Sher’s interpretation of Les Contes d’Hoffmann was a mess at its Met premiere back in 2009. The sets, designed by Michael Yeargan, looked gaudy, the narrative seemed confused, and the stage remained chronically overpopulated.

[More . . . . ]

The Biggest Music Comeback of 2014: Vinyl Records

By Neil Shah [WSJ, 11 December 2014]

Nearly eight million old-fashioned vinyl records have been sold this year, up 49% from the same period last year, industry data show. Younger people, especially indie-rock fans, are buying records in greater numbers, attracted to the perceived superior sound quality of vinyl and the ritual of putting needle to groove.

[More . . . . ]

Mozart and His Operas

From Open Yale Courses

Lecture 17 — Mozart and His Operas

Overview

Mozart and the nature of his life and work make up the topic of this lecture. Professor Wright begins by discussing the basic ways in which classical music differs from Baroque music. He then launches an exploration of Mozart's life and compositional process, making use of Mozart's letters and compositional sketches to illustrate his points. The lecture culminates with a performance of select scenes from Mozart's opera Don Giovanni, featuring guest singer Professor Richard Lalli.

[More . . . . ]

A Shakespearean Songbook

By Matthew Gurewitsch [WSJ, 12 December 2014]

While he lived, the schoolmaster’s son Franz Schubert made no great splash in the world. Intimates called him Schwammerl, or Mushroom, supposedly because he was small and round. His occasional travels never took him more than 200 miles from his native Vienna. Before his death, much of his music was played only at private gatherings or not at all. Yet the catalog of symphonies, piano sonatas, chamber music and sacred works he brought forth in his brief 31 years—four years fewer than Mozart’s, 26 fewer than Beethoven’s—places him well and truly in the company of the immortals. Arguably most impressive of all is his legacy of song, inexhaustible in its Shakespearean variety, upward of 700 items, each, to the mind of Graham Johnson, “a law unto itself.”

[More . . . . ]

daggers are a thane’s best friend

By John Yohalem [Parterre Box, 12 December 2014]

A Birnam Wood of Macbeths and Ladys has come traipsing through New York this year. Dell’ Arte Opera staged Verdi’s early masterpiece last Summer, and the Met revived its grandiose production of the work back in the Fall. The Met followed that up with a splendid revival of Shostakovich’s Lady Macbeth of Mtsensk. And now the Manhattan School of Music’s Opera Theater program (through Sunday) is giving performances of Ernest Bloch’s opera of the same (only to be whispered) name.

[More . . . . ]

Making a Note of It

By Eric Felten [WSJ, 28 November 2014]

In our age of easy playback, it’s hard to imagine how ephemeral music once was.

[More . . . ]

Patricia Petibon: Francis Poulenc — Voyage à Paris

anger’s aweigh

By John Yohalem [Parterre Box, 22 October 2014]

It was a night a-tingle with excitement at the Metropolitan Opera House. At least part of this lay in never knowing when vocal protests might explode (verbally) somewhere in the auditorium.

[More . . . . ]

The Royal Shakespeare Company Releases Music From Its Archive

By Ari Shapiro [NPR, 12 October 2014]

For more than a century, the Royal Shakespeare Company in England has hired composers to write original music for its productions. That sheet music has sat in a vault for decades — until now.

[More . . . .]

Joyce DiDonato at the Gowanus Ballroom

Trusting the ensemble — Charles Hazlewood


NEWS ARCHIVES »

Current Feature

Craig Colclough as Mr Conti with Maria Elena Altany as Susana [Photo courtesy of Los Angeles Opera]
26 Jan 2015

LA Opera Presents Figaro 90210

Figaro 90210 is Vid Guerrerio’s modern version of Wolfgang Amadeus Mozart and Lorenzo DaPonte’s 1786 opera, The Marriage of Figaro.  »

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David McVicar’s production of Wagner’s seminal music drama runs aground on the Cornish coast. »

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Songs of Night and Travel, Wigmore Hall

The coming of ‘Night’ brings darkness, shadows and mystery; sleep, dreams and nightmares; fancies, fantasies and passions.  »

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21 Jan 2015

Andrea Chénier, Royal Opera

Umberto’s Giordano’s Andrea Chénier, now at the Royal Opera House, is no more about history than Jesus Christ Superstar is about theology. »

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20 Jan 2015

Yevgeny Onegin in Warsaw

Mariusz Treliński’s staging of Tchaikovsky’s operatic masterpiece is visually fascinating but psychologically confusing »

Reviews
16 Jan 2015

Orfeo at the Roundhouse, Royal Opera

The regal trumpets and sackbuts sound their bold herald and, followed by admiring eyes, the powers of state and church begin their dignified procession along a sloping walkway to assume their lofty positions upon the central dais. »

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07 Jan 2015

Idomeneo in Montpellier

Vestiges of a momentous era . . . »

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05 Jan 2015

L’elisir d’amore in Marseille

There were hints that L’elisir is one of the great bel canto masterpieces. »

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01 Jan 2015

Das Liebesverbot opens the new season at Teatro Verdi in Trieste

Aron Stiehl’s production of this rare early Wagner opera cheerfully brings commedia dell’arte to La Cage aux Folles. »

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30 Dec 2014

Amsterdam: Lohengrin Lite

Stage director Pierre Audi is not one to be strictly representational in his story telling.  »

Performances
26 Dec 2014

Fidelio, Manitoba Opera

For the first time in its 42-year history, Manitoba Opera presented Beethoven’s mighty ode to freedom, Fidelio, with an extraordinary production that resonated as loudly as tolling bells of freedom.  »

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