03 Aug 2005
Britten's Paul Bunyan at Central City
http://news.ft.com/cms/s/f251707a-040a-11da-a775-00000e2511c8.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/f251707a-040a-11da-a775-00000e2511c8.html
Before there was Glimmerglass or St Louis or even Santa Fe, there was Central City, a haven for summertime opera in America since 1932. The opera house in this quaint, former mining town near Denver is older still, built for music-loving Welsh and Cornish miners in the 1870s. With its charming trompe l'oeil decor and 756 seats - Beverly Sills sang Aida here - it offers further evidence that the economics of opera in America do not mandate gargantuan spaces.