21 Aug 2005
Honoring Franz Schreker
http://www.nysun.com/article/18876
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nysun.com/article/18876
A Good Deed - and Some Good Music,Too
By Jay Nordlinger [NY Sun, 19 August 2005]
SALZBURG, Austria - As you may remember from a review last week, the festival is honoring Franz Schreker this year. He was an Austrian composer (1878-1934) whose father was Jewish (and super-assimilated). When the Nazis came to power, they stripped Schreker of his position - director of the Berlin Conservatory - and banned his music. After the Nazi period, Schreker was largely forgotten, because the late Romanticism that he embodied was despised - not by audiences, but by a rigid musical establishment. The same fate befell Korngold and Zemlinsky. All of these composers have been honored by the Salzburg Festival, in a series that ends this year.