22 Sep 2005
A lightweight Jenůfa
http://www.praguepost.com/P03/2005/Art/0922/calen2.php
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.praguepost.com/P03/2005/Art/0922/calen2.php
But Janáček's morality tale still mesmerizes
By Frank Kuznik [The Prague Post, 21 September 2005]
What a difference 100 years makes.
When Leoš Janáček finished his opera Jenůfa in 1903, he sent it to National Theater Director Gustav Schmoranz, who promptly rejected it. "For our sake and for yours we would like your work to be fully successful on the stage, but we fear that it would not be so," Schmoranz wrote back.