13 Sep 2005
Dom Sebastien, Roi De Portugal, Royal Opera House, London
http://enjoyment.independent.co.uk/music/reviews/article312364.ece
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://enjoyment.independent.co.uk/music/reviews/article312364.ece
by Roderic Dunnett [The Independent, 13 September 2005]
A Christian nation invades an Islamic desert state. The campaign gets bogged down. Their leader comes in for a bit of flak back home. Sound familiar? Donizetti penned his last opera, Dom Sébastien, roi de Portugal, for the Paris stage in 1843. It's rarely produced, and it's difficult to see why. Scribe, who concocted umpteen libretti, was at the height of his powers, and this one is neither slow nor stodgy.