28 Sep 2005
Entranced by a heartbreakingly magical Verdi
http://www.newsday.com/entertainment/music/ny-etmet4443338sep27,0,2305436.story?coll=ny-music-print
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.newsday.com/entertainment/music/ny-etmet4443338sep27,0,2305436.story?coll=ny-music-print
[Photo: Marty Sohl / The Metropolitan Opera]
By Marion Lignana Rosenberg [Newsday, 27 September 2005]
Sir Isaiah Berlin deemed Verdi the last of the great "naive" composers: simple, un-self-conscious, concealed by his work. There is truth to Sir Isaiah's claim, but it withers before the bittersweet fancy of "Falstaff" (1893), crafted by the 79-year-old Verdi as his farewell to the stage.